If you want to see me perform in your city text 'live' to 708-734-6086

MGMT- dan@goodluckhavefun.media

COSTA FLIP


Booking & Inquiries: mgmt@costamusic.io

Stardust into soundwaves ✨🍃

mgmt:
peter@ambushartists.com

᪣ ᪣ ᪣
bookings: evan.greenberg@caa.com
mgmt:  jay@kompassmg.com | molly@kompassmg.com

[personal] :
flybassmusic@gmail.com

mgmt: jay@kompassmg.com + mouna@kompassmg.com

bookings: jake.bernstein@teamwass.com + nick.vanloo@teamwass.com

-

https://soundslikesaka.com

852/415

11/23/17

MGMT: peter@ambushartists.com
Bookings: ben.hogan@unitedtalent.com
Shows & merch: https://avellomusic.com

I had my first introduction to electronic music with the release of Odesza's album "In Return" in 2014. I was instantly obsessed, and since then I have always had a passion for edm. During my senior year of high school (2017-2018) Illenium's album "Awake" was released, and it completely changed my perspective of what electronic music could be. The vocals, production, and emotion of those tracks were unlike anything I had ever heard. That album got me through some very hard times, and I wanted to do the same for someone else through music. Towards the end of senior year I downloaded Ableton (a popular program for music production). I was incredibly overwhelmed. I had no prior musical knowledge or experience, and Ableton is extremely difficult to jump into. I learned quickly that it takes a tremendous amount of knowledge, creativity, and hard work to produce music. This was a discouraging revelation. Every few months I would sit down, produce a terrible track, close my laptop and move on thinking "this just isn't for me". Then around December of freshman year of college, a switch flipped in my mind. I decided that I was not going to stop until I learned music production. That was about six years ago, and I'm still working hard to produce music with emotion, something people can connect with. I truly believe that no heart makes dreams work and time can't match.

Doing this because I love it. Thanks for reading, and thanks for listening.

-AVELLO

pronounced (sammie)
✨ I make beep boop music ✨
bookings: nelly.oramgmt@gmail.com

MGMT 💎   david@kompassmg.com
AGENT  💎   maxx.lesnick@roamartists.com
General  💎   superfuturedj@gmail.com
Merch 💎  https://www.superfuturedj.co/merch
Demos  💎   https://discord.com/invite/66BKZznt6n

@odyzeymusic
@hypnovizion
@spinninrecords
@sskwanofficial
@morflorecords
@bassrush
@allgoodrecs
@subcarbon

From one of the most musically-rich cities of the USA, you’ll find artist Nick Rowland, an integral player in the Detroit electronic music scene, shining with the vibrant look and sounds of his alias, Super Future. His style is a diverse combination of experimental bass, beautiful melodies, bright future-style synths, and hard-hitting dance beats all complimented by the occasional virtuosic guitar solo. With all of the genres his art blends, his range and originality are creating a larger and more impressive musical statement with each coming year. Having a range of major tastemakers like Zeds Dead, Subtronics, Tape B, GRiZ, Rezz, CloZee, Of The Trees, and LSDREAM all supporting his music, this Future is always looking more Super.

It’s easy to hear that Rowland’s musical inclination was harnessed early, when he was shredding classics on guitar. His music today has echoes of his early love for live instrumentation, with elements of various guitar and percussion types underneath the forward-thinking experimental and contemporary dance sounds. Super Future can just as easily bring the nostalgia of 2010 melodic dubstep as he can wield the most unheard-of experimental bass nuances in the same live experience. In the middle of all that, Rowland can invoke powerful emotion with his downtempo and have you throwing ass five minutes later! Catch him on tour near you to see why Super Future is thought to be one of the most musically diverse, and most prolific sound design engineers of his EDM generation.

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