Try our new Repost Trader! 

https://Pump.lnk.to/RepostTrader

Expose your tracks to millions of listenners!

◄Submit Your Track: http://pumpyoursound.com/promotion

Download "I'm the DJ" App on Google Play: goo.gl/TdtmdC
Download "I'm the DJ" App  on AppStore: goo.gl/JrXlx6

Redhead Roman was born in 1992 and is a Producer, DJ, and sound-designer from Czech Republic. He is also the founder and main producer of a well-known sound-design company W. A. Production. 

In 2012, under the older nickname ChesTTer. Roman worked with a Czech agency called Fragola Republic. Through this relationship Roman played in many clubs and festivals across the Czech Republic. After a year Roman decided to leave Fragola and concentrate more on music production.

Roman is now working on some amazing tracks with Austin as well as bringing new and the freshest products, music, and services via W. A. Production to producers around the world.

Feel Good EDM by Thomas La Salle

Signed at Electric Zoo Music publishing (BMG Talpa Music / AT Productions). 

Info: info[at]thomaslasalle[dot]com
Booking: booking[at]thomaslasalle.com
Promo: promo[at]thomaslasalle[dot]com

Supported by: Don Diablo, Lost Frequencies, Sam Feldt, Richie Hawtin, Man Without a Clue, Roger Sanchez, Buurman & Buurman, Markus Schulz, La Fuente, Roul & Doors, Jochem Hamerling (SLAM! FM), Shiba San, Egoism, Supernova, John Acquaviva, Egoism, Camilo Franco, and many more!

No genre limitations and no one box to define his sounds by. Instead 20 year-old Dutch DJ & Producer Thomas La Salle focuses on a fancy and feel good EDM theme. Everything from Tropical House to Future Trap and Top 40, as long as Thomas La Salle likes the songs he will play it. 

Recognizable by his business casual look, and with 7 years of producer experience, Thomas La Salle is ready to conquer the DJ world and to master a spot in the DJ Mag top 100 list. Thomas is ready for his next career step in the EDM industry!





French Horn Rebellion’s latest album, "Graduation Compilation" is out now. Get it here: https://youtoocanwoo.lnk.to/graduationcompilation

Known for its “delightfully bizarre” (Vice) spin on indie-dance, French Horn Rebellion (FHR) is a music project that combines dance-punk, French touch, and electro with classic songwriting sensibilities.  It was co-founded by Robert and his brother David Perlick-Molinari in 2007.  Both currently work at David’s production studio in Williamsburg Brooklyn, YouTooCanWoo, and curate a new indie disco and house record label, @toucansounds

In 2007, Robert was a young classical horn player in the Chicago area making beats on his laptop, and throwing house parties.  Finding more joy in electronic/dance music than in the classics, he with the help of his brother David (who had recently produced MGMT’s Time to Pretend EP) created FHR and the duo released their first single together, ‘Up All Night.’

Soon after, Robert booked a 30-show national tour (mostly using Myspace) from Brooklyn to El Paso, playing every DIY electro party along the way.  From the friends they made that year, FHR was invited to play SXSW, sparking interest from the dance scenes of London and Paris to Seoul and Tokyo.  As a poster child of Brooklyn eclecticism, they received steady radio play on BBC’s Radio 1 and event performances with Les Inrocks and Kitsuné Maison.  In two years, the brothers went from playing the punk-venue basement at Lit Lounge in Manhattan, to the basement of the Louvre in Paris for the show of famed fashion legend Jean Charles de Castelbajac.

Over the last 10 years FHR has performed as a DJ as well as a live band across 5 continents, while collaborating on stage and in the studio with some of the most influential music artists of our time including official remixes for Beyoncé, Two Door Cinema Club, Sia, OMD and tours with Of Montreal, Cut Copy, Yelle, Hot Chip, SebastiAn as well as original studio collaborations with St. Lucia, Autograf, Jody Watley, The Knocks and many more. 

They have received praise from some of the world's leading media outlets including The New York Times, Billboard and The Huffington Post.  LA Weekly said, “We wish America had a million bands like this,” while in the UK,The Guardian regarded FHR's music as “killer dance-pop.”

Try our new Repost Trader! 

https://Pump.lnk.to/RepostTrader

Expose your tracks to millions of listenners!

◄Submit Your Track: http://pumpyoursound.com/promotion/

Partners: 
◄@w-a-production
◄@dirtyproduction
◄@pumpyoursound

Big EDM Sounds: 
◄@bigedmsounds

Big EDM is a Music Label and Sound-Design company that was established in 2015 by Roman Trachta – the founder of another well-known sound-designing company W. A. Production. This label is following in W. A.'s footsteps, and is only creating and releasing the most current and mammoth sounds, samples, loops, construction kits, and much more for thousands of producers who want to add fresh ideas to their production. Big EDM will provide their products to all genres including electro, progressive, deep, tropical, future, dubstep, trap and many more.

Everyone's got their own sound. This just happens to be the place for mine. 

Contact: ParameterEmail@Gmail.com

Visit our new webstore: https://www.waproduction.com/

W. A. Production was founded in 2014 to provide electronic music producers of all kinds with the tools they need to make their best music possible without breaking the bank. Beginning by offering professional-quality audio samples, W. A. Production has since grown into a globally-recognized developer of Audio Plugins, DAW Templates, Music Production Courses, and more.

W. A. Production also prides itself on top-quality human-to-human customer support. Ensuring a positive customer experience is W. A.'s number one priority, and the team works hard to prevent and rectify any issues that customers may experience.

W. A. Production is constantly innovating and testing new boundaries, pushing its product offering and the industry as a whole to new heights. W. A.'s team does this by continuing to ask themselves each day: "What about making your sound better?"

"As a child, I grew up sitting in front of a computer by myself. That is where I learnt about music; playing video games and watching endless reruns of cartoons and American TV shows. Television gave me shelter when I was alone, nursed me with Hollywood’s mythologies. It guided me through nameless countries; with it I brought down colossuses and climbed mountains. I preached its beliefs. But when I grew up, all my heroes died. 

Today, I still come to mourn in deserted movie theatres. There, lights flash before my eyes. But I don’t feel anything in face of the latest blockbusters and their visual explosions, these chaotic clusters where Mechas and Kaijus pile up in between fights under the rain, tsunamis and apocalyptic scenes… Yet I feel numb, except for the roaring sub-basses that fill the void of cinemas. My music is for those who, like me, have grown up amongst the ruins of blockbusters. For them my bass trembles and my synths screech. 

But I know that beyond this digital coldness lie other horizons, other possibilities."

Danger


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