not more than that, but more please

maunder

understood prod keeta bkchapo

bitch
i gave time and u go back n forth with me
like i told you it’s too late for that 
i dont care honestly tho
u need drugs or looking for some company?
like why’d run to me for
and i stand on that
that hoe way too gone for me
i might just hand her back
and i was callin up my bro he said he handled that
she don’t know my name 
i told her we ain’t on that basis 
you will never feel like me until we switchin places
they don’t like to hear me talk but got me on they playlist

ain’t that shit so sad 
it got a bitch feeling complacent
fasho
you said you want me but you never had no love to show
girl you was lost before i found you so i let it go
got these x all in my heart i swear it’s beating slow ( i can’t feel my chest )
don’t ask me what i’m doing, you don’t wanna know about it
i’m sure that you heard by now and i don’t really doubt it
even though my bruddas left me cold i ain’t rebounded
grabba in my lungs it had me thinking i was drowning

( i looked her deep into her eyes, she swore dat i could read her mind
she said that you’ll always be mine )

bitch
i gave time and u go back n forth with me
like i told you it’s too late for that 
i dont care honestly tho
u need drugs or looking for some company?
like why’d run to me for
and i stand on that
that hoe way too gone for me
i might just hand her back
and i was callin up my bro he said he handled that
she don’t know my name 
i told her we ain’t on that basis 
you will never feel like me until we switchin places
they don’t like to hear me talk but got me on they playlist 

you said you want me but you never had no love to show

stand on dat

WINDMILL

prod wunkojunko

baby im too fried i don’t care about ur emotions
my baby too fly he stay comin in with that motion
but he think im 2 deprived cuz i got hoes, im goin
n he choose not to know it
i told him to leave me alone if he can’t take it
I wanna love you back, but I can’t fake it no more
everytime i hear you talk i swear i hate it
everyday im tryna change you it makes my patience lower
we moving too fast like we should take it slower

ion got the time to get to know u like that
u said that you’ll wait on me but i won’t like that
i hate ur fucking company go get ur time back
fr, i don’t want u near me no more fr
i don’t wanna see u no more fr
hope it stay that way down the road fr

baby im too fried i don’t care about ur emotions
my baby too fly he stay comin in with that motion
but he think im 2 deprived cuz i got hoes, im goin
n he choose not to know it
i told him to leave me alone if he can’t take it
I wanna love you back, but I can’t fake it no more
everytime i hear you talk i swear i hate it
everyday im tryna change you it makes my patience lower
we moving too fast like we should take it slower

insufferabl ( prod. wunkojunko )

HARDSTUCK

@kaisani - FUCK LOVE
Produced by @kaisani
Released by @lockehearts

Follow Kaisani Here !
www.instagram.com/kaisanii/


Links to song
Spotify: https://open.spotify.com/track/0oX4Jowlxq6ZaxyDUAIkAa?si=e238e29f17f641ca
Apple Music:  
Soundcloud: https://soundcloud.com/kaisani/fuck-love-prod-me
YouTube: https://youtu.be/gi23OXA2r1A

Lyrics
(Kai)

(Yeah, tell that h*e f*ck love, lay my heart in a coffin)

Yeah, my diamonds too wet yea them h*es flush
Pour the pint, the whole crush
Took that b*tch, this h*e crushed
Girl i love you so much

Yea, bad h*e hit a toe touch
Bring your friends want both sl*ts
Hold this stick i tote
Lame n*gga a*s get poked up

Yeah, they like "how you feel?"
Diamonds, green they teal
Yeah, alyx on my heels
Yeah, alyx on my heels

Yeah, i jumped out in the field, yeah
Fishscale diamonds got gills, yeah
Me and gang on gone eat, yeah
Me and gang eat meals

Can't see, can't see all my bros win
Bad h*e, bad h*e, yeah, she love mess
No clothes, lil hoe, undress
Pop pills, pop pills, h*e X and sex
Step in, my bro got reps
Fell off, fell off, lil hoe, you dead
Green beam, green beam chop filled with lead
Head tap, take off your head

I can't love no h*e that b*tch like f*ck love
Bad sh*t want her butt rubbed
Godd*mn h*e just hush up
I see how you act now
You changed up, that sh*t f*cked up
Walked in with my mask down
I just pulled my glove up
Slatt yes that's my brother

I keep sticks like f*cking chopsticks
I just flipped that h*e, she talking 'bout exhaustion
Tell that h*e f*ck love, lay my heart in a coffin
Be my love, let you go?, prolly hold you hostage

They like "how you feel?"
Diamonds, green they teal
Yeah, I just f*cked that b*tch, yeah
D*mn my cup got spilled
Yeah
Popped a X, yea, down my spine got chills
Me and gang on gone eat, yeah
Me and gang eat meals

Can't see, can't see all my bros win
Bad h*e, bad h*e, yeah, she love mess
No clothes, lil hoe, undress
Pop pills, pop pills, h*e X and sex
Step in, my bro got reps
Fell off, fell off, lil hoe, you dead
Green beam, green beam chop filled with lead
Head tap, take off your head

(I see how you act now)
(You changed up, that sh*t f*cked up)

(Yeah, tell that h*e f*ck love, lay my heart in a coffin)

Spotify

FUCK LOVE prod me

You can walk around the world 
Still wont last a day in my shoes 
Try and play pretend 
You still couldn’t do what I do 

Im like fuck the world 
Im like fuck the world 
I’m like fuck the world
Ima fuck the world up 

I just poured 2 liters
Had to get my bands up 
Don’t drink from this cup 
You’ll have to pick your mans up 
Pick your mans up 
Pick your mans up 
Pick your mans up 
It hold like 50 rounds 

White flags prepared just for this moment 
I can’t be to safe this shit could fall at any moment 
Ain’t sipping on no henny bottle
Sipping on some potion 
Sipping on some potion 
Sipping on some poison 

Sipping on some poison 
On the road I got 2 doors 
I’ll crash at any moment
Now my pockets full 
Like how you miss out on that moment? 
(Miss out on that moment) 
I’ll crash without no notice

fuck the world prod.luqui

prod februxry

i tried to take it easy girl its not that simple
girl i just needed your love
so meet me in the middle
you said you need a reason 
girl why wont you indulge
and now i feel impatient
i want you as my own

i dont know how i should feel right now
pop a x and forget it all
if silent healing is what your doing now
then baby tell me what you'd call withdrawls
in public eye we looking so good right now
behind the scenes we steady on and off
i know you fighting battles, battles
but how am i not you ball

oh yea took a little minute but im back
poppin pills takin drugs 
poppin x in the back
like a snake in the grass
black dress red heels and her hair to her a** (yeo)
by the way that she look know theres no going back
got a tat on her hip and my name on her back
get crunk, go attack
i got bread, tryna flex

battles

way to waste my time
getting back what’s mine
i won’t falter yours
if you don’t fault what’s mine
so

maybe i should feast on your flesh for good
maybe one day i’ll make it out like you should’ve
there’s so many ways to comprehend 
but maybe you should just decompose in my head

i won’t falter yours

if you don’t fault what’s mine

bones n all

Long Line unfolds in a dim, slow-burning space where anticipation does most of the talking. The song opens in near-silence, with hushed movement and watchful pauses, as figures gather without names or faces. Nothing is announced outright; instead, glances, shadows, and measured steps do the work. The verses frame a quiet ritual of arrival—people drawn by the same unspoken gravity—while the restrained melody mirrors the careful pacing of desire held just below the surface.

As the track rises into its pre-chorus and chorus, the perspective widens. The “long line” becomes both literal and symbolic: a queue of bodies, yes, but also a buildup of intention, curiosity, and mutual consent hovering in the air. Touch is never described directly; it appears as brushes, sparks, and fleeting contact, passing from one moment to the next. The repetition of the chorus reinforces the sense of inevitability, as waiting turns into participation and anonymity dissolves into shared presence. The bridge briefly slows time, reflecting on how individual boundaries blur when many desires converge in the same darkened room.

By the final chorus, the tension reaches its peak, not in excess but in fullness. The line no longer feels endless—it feels complete. The song ends by drifting back into wordless hums, echoing the opening, suggesting release rather than climax: the gathering disperses, the night exhales, and what remains is the memory of closeness rather than the act itself. Long Line closes quietly, leaving behind the sense that something intimate and fleeting has passed, understood only by those who stood there and felt it.

maunder

willoh