The Helsinki-based multidisciplinary artist Exmantera (Daniil Mantere, they/them) https://soundcloud.com/exmantera is one of the prominent names in the Finnish underground digital electronic scene, and they’re known for their abrasive, knife-sharp outings where crispy sound design meets clangy dramatic tension. After hosting a remix on last year’s “Ross 308 EP” by the also Finnish artist Comastasis https://paynomindtous.bandcamp.com/track/ross-308-exmantera-remix, we’re thrilled to share with you their latest work “LETHALITY” EP.

“LETHALITY” is composed of seven tracks and comes with an eerie, obscure artwork by Exmantera and uzâ a’amo instagram.com/uzaaamo/ as well as two collaborative tracks with Nova Caine @n0vad0sed and Yaokai @yaokai. As evoked by its title, the record is unforgiving in its sonic violence, aggressive distortion, and clangorous instinctiveness. Episodes inspired by the finest instrumental grime are followed by ear-splitting bursts, metallic percussions, glitching artifacts, and sinister melodies. These raw ingredients are molded into eventful tracks that immediately capture the listener despite the unrestrained rhythmic violence, guiding them down a treacherous path of digital corrosivity. In other words, Exmantera encapsulates spectacular ferocity and immaculate bloodlust in each of the compositions, molding the elements in the ultimate sound transposition of the impulse to maw, gnaw, and kill. GIRL DINNER

### CREDITS

Track 1-2, 4, 6-7 produced and mixed by Exmantera. Track 3 produced and mixed by Exmantera & Nova Caine. Track 5 produced and mixed by Exmantera & Yaokai. Mastering by Exmantera. Artwork by Exmantera & uzâ a’amo.

LETHALITY EP

Name-your-price DL

exmantera - XBATUT

Written, produced and mixed by @glassglassmusic and @maoupa-mazzocchetti
Mastered by Lorenzo Targhetta
Artwork by 530° Agency
USB flash drive design by Roman Crouigneau
PRMSSS036
℗ & © 2024 Promesses

"French electronic duo Glass and producer Maoupa Mazzocchetti joined forces for their first collaborative release: 'Y Head', a 9 track album including remixes from Swiss artist NVST and New-York based Morrocan composer Bergsonist. Glass and Maoupa deliver 7 heavy hybrid club bullets where glitchy sound design melts with epic synths and deep basses. The two remixers were invited to cut up and reinterpret the tracks 'Rue des Rosiers' and 'Near Bones'."

BUY USB or DIGITAL

Glass & Maoupa Mazzocchetti - Juge Carter

i search for the abyss in the clouds
it's like chasing an angel thru hell 
but in the end i just want to be 
both free 
and safe

:: flew too close to the sun but fell back home anyways ((2hr megamix))

:: flew too close to the sun but fell back home anyway ((2hr megamix))

by YAQ ( https://soundcloud.com/yaque4 )

"A realm where clouds are within reach."


_____

Photography by Joshua Ezechiel ( https://www.instagram.com/joshuaezechiel )

YAQ * how does it feel to touch a cloud?

Entrañas - Caverna
Label: Infinite Machine
CAT#: IM114
Format: Digital
Release Date: September 27th, 2024

Tracklist:
1. Indignado
2. Ajicito
3. Diclofenaco
4. Cruces
5. Cascada
6. Coscacho
7. Tigrillo (ft. Buena Tarde)
8. Nauseas
9. Toque De Queda (ft. Ene Ese)
10. Chivo
11. Muerto a Puntapiés (ft. Carlos Pabón)
12. Caverna

Ecuadorian producer Daniel Gachet “Entrañas” presents his debut full album Caverna on Infinite Machine. The project explores an amalgam of polyrhythms found in traditional Ecuadorian music such as bomba and albazo, blending them with jagged atmospheres of uk bass and grime. Through deliberate sound design, Entrañas seeks to place the listener within the unpredictable ecosystem of the city of Quito and its surroundings.

In this record Entrañas searches for a sound that conveys both the infrastructural chaos he experiences currently in his home city, while also reflecting the hauntingly beautiful and seemingly perpetual terrain just outside of Quito. Not far from the frequent and unpredictable power outages and city wide lockdowns which are now commonplace due to the ongoing narco wars, there is an Andean stratovolcano visible from many parts of Quito, including Entrañas own bedroom window. Ruco Pichincha stands nearly 5000m in height, attracting awe and curiosity of many who happen upon it, perhaps by way of its beauty as well as its innate potential for mass destruction. A particular location of interest for the artist, the mountain emits a kind of objectivity that is distinct from the urbanscape of human activity; it asserts itself, unobservant of the adjacent violence, trials and tribulations. Its very name–“Ruco” translated in English to "old" from the indigenous Quechua language–seems to reflect both its acquired reverence from native inhabitants of the region, as well as the relative incomprehensibility of such natural monuments.

On Caverna, references to Quito and its encompassing geography are apparent in ways that are direct at times, nuanced at others. “Toque de Queda” (trans. “lockdown”) was produced in real time during a city wide lockdown in which Entrañas and his collaborator Ene Ese were unable to leave an apartment for hours on end. The sheer apprehension of such a situation can perhaps be gleaned from the seething claps and non-melodic droning atmospheres that build, producing a tone of frustration and unease. Tracks like “Coscacho”, “Muerto A Puntapiés” and “Cruces” seem to take on a similarly minimal approach, focused on brooding heavy bass lines and relentless polyrhythms that become increasingly menacing as the tracks build. A listener might imagine these compositions to conjure the rumbling subterranean activity of Ruco Pichincha. As their names might imply, “Caverna” and “Cascada” take a different approach, building up shimmering soundscapes reminiscent of 90s new age. These ephemeral sequences seem to summon meditation on natural landscapes in a way that feels lighter and more optimistic, unveiling a softer vision.

In light of his prolific catalog, Entraña’s twelve-track work reaches into territory that feels both more personal and experimental–though these compositions are undoubtedly dance-floor ready. Caverna brings together anthems of leftfield club music with chambers of ambient reflection–both of which read as significant and distinct to the artist’s background and day-to-day experience in Quito. As the majestic and humbling mountainous surface of Ruco Pichincha might resemble, Caverna’s title track ends the record with a reminder; a gentle nod to the significance of such sacred wonders as places of refuge in our human experience; whether we can grasp them, or see them from our bedroom window.

Artwork by Benfika
Mastered by Fausto Mercier
Words by Sueuga

Entrañas Ft. Carlos Pabón - Muerto A Puntapiés

Written by Emme Dalla Dea Worthy
Produced by Emme Dalla Dea Worthy
Mastering by Lorenzo Targhetta
Cover by Raphaël Moreira Gonçalves

emme - secret garden rmx // i still believe

never worry, darling angel orchid baby

Buy: https://bugbuspiano.bandcamp.com/album/passing-through-all-happy-dreams-like-hallways-2

‘Passing Through All Happy Dreams Like Hallways’ is an album by New York City-based artist Bug Bus Piano (@goodnightbed). It’s on TT.

It’s a world. A zone of elusive memories and insomniac fog. An album of murky mirages, slow-spiralling smoke plumes, gently bobbing streetlights viewed through bleary eyes during hours outside of time. Dream-to-mp3 conversion.

The spectral hypnagogia of ‘Blue And Purple Ribbons In The Hallways’ and ‘Tired’ haunt and soothe in equal measure, while the low-lidded vignettes of ‘Unlucky’ #1 through #6 conjure ghostly, stairwell-dwelling figures. Sleep paralysis angels. Whispering windows and shadows that sigh.

This is night music. ‘Open-Air Factory (Entering The Battlefield Version)’ is a mind playing tricks on itself, ‘All Clocks Stopped And The Dream Rewound’ is pure sleepwalking sugar. Songs that flicker and glow like candlelight, music about half-hallucinated conversations that might have meant everything or nothing at all. Blurry mnemonic outlines of encounters that feel significant, if you could only bring them to mind. There’s truth in dreams, but a weary head is hard to trust.

Per ‘Lucky’: “The path into the light seems dark. The path forward seems to go back. The direct path seems long. True power seems weak. True purity seems tarnished. True steadfastness seems changeable. True clarity seems obscure. The greatest art seems unsophisticated. The greatest love seems indifferent. The greatest wisdom seems childish.”

---

Released on TT.

All music by Bug Bus Piano
Mastering: Robert Venning, aka DJ Pitch
Cover art: Bug Bus Piano, Josh Crumpler
Words: Madjestic Kasual
A&R: Madjestic Kasual

Bug Bus Piano - Voice From Broken Tape

A track from the forthcoming CD "station" — a collection of noise, dark ambient, and experimental works evoking the anxiety of uncertain times. Part memory, part post-apocalyptic fantasy, this set of ten pieces extends a growing catalog of introspective, meditative, and reflective sound art.

This track blends my soundart world with the world of my quiet music (chamber music with electronics).

Releases 22 Juy 2025

09  his last song was a sad one

Psychedelic Dreaming - Original Tune ( free download )

Platform to share, discover and help each other in musical terms, focused in experimentation and new rhythms.🤳🌐

You are here.


1P3RCENT (https://soundcloud.com/poshyvanyuk )
fff (https://soundcloud.com/fff123 )
Gutttosensit (https://soundcloud.com/gutttosensit )
LicrA (https://soundcloud.com/amorporeltelefono)
Tubeless Ready (https://soundcloud.com/tubelessready )
zebaknizel (https://soundcloud.com/zebaknizel )


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04.06.2022 / SALA TARO, BARCELONA
DEFENSA · 1P3RCENT · BLASTAH · SECRET GUEST TBA · JULIETTA FERRARI

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LICRA · METH MATH (LIVE) · DJ SOSA RD · BONBONRIBBON69 · NIL FERNANDEZ (VJ)

04.12.2021 / SALA METEORO, BARCELONA
ARI CARDOZO (LIVE) · DJI MON · KARENINA · MONTENEGRO

YAQ * how does it feel to touch a cloud?

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