Dreamer

"Don't fall asleep now..."
https://youtu.be/T22Fmgdz2d0

Track from the album, Fear-topia, released 19th May 2023. 
https://linktr.ee/silenceinsurrender

Paradise For The Paralysed

“In The Moment” is another track of mine from the 4-Track cassette recording vault...
I recently converted the master tape to mp3 so I could share more of that analog sound with others who dig it. This tune features my 70’s Westwood acoustic on one track, two vocal tracks, and lastly overdubbing my ‘68 Fender P Bass onto the final open track in one take that was improvised as I recall. I hope you dig this first ever release of a song I haven’t played for anyone until now! 
Please feel free to comment or repost if you enjoy it. 
Thank you! -Tim 🙏🏻✌🏻

In The Moment (original analog track)

The Grand Finalizer track inspired by Akitaka Tohyama' "The Finalizer" track from the Tekken 5 OST... 

 Of course I added my own notes to it.... but I also used some of his.... He would like my version if I say so myself.... but his style was way better than mine. 


 Album art was inspired by Paulo Avida's Work of Art. I did it by creating Izanami on Soul Calibur Vi... 

Check out Paulo Avida's Artwork here!

https://www.deviantart.com/pauloavida/art/Izanami-the-Goddess-of-Creation-and-Death-364424388

(The  Grand Finalizer) The Izanami Version

Ті,хто Назад Не Повернуться

MOKA LEE 

she looks at you, no sigh
tomorrow  might be right
sees everything you do
sometime seems so hard 
when you ask for one , one more

She never asks, wait 
Wait for  another move
was always there when
when you let you go
when do not forgive, Moka Lee 

you ‘ll recognise, you ‘ll recognise when she comes 

the darkness around you and hurt you
the darkness that highlights your dreams
pinwheels that move windless and clepsydras where the salt is suspended
every moment is not just a moment, but the pleasure of infinity Moka lee

sleezy skeezy but not so easy 
nasty but not fine
another day she‘s gorgeous
dazzling  and really smart 
she is so tough 

She whisks you away to your everyday
When she wants she appears 
don’t try to defy 
is she darling ? no, no, no

you ‘ll recognise, you ‘ll recognise when she comes

Moka Lee

Original composition.... Alejandro Gonzalez M.

Mysticum

Spring Songs
Duration: ca. 20'
Instrumentation: tenor and piano
Performers: American Modern Ensemble - Alok Jumar, tenor; Geoffrey Burleson, piano
Recorded at Opera America's National Opera Center, Marc A. Scorca Hall, New York, NY, USA, June 4, 2019
Publisher: Bill Holab Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
For More Information: https://robertpaterson.com/spring-songs-version-for-tenor-and-piano

I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II.  April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

PROGRAM NOTES
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller and Kathleen Rogers and was premiered at Carnegie Hall’s Weill Recital Hall by the American Modern Ensemble, Alok Kumar, tenor, and Geoffrey Burleson, piano.

Moonlight (月光)

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TGSS/Langsämmer /Jünger/ Laxá/The Dark Messiahs

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