Beautiful sounds, like hammered strings, glass and metal riding atop incoming waves :-)

Disquiet Junto Project 0296: Clustered Primes

subcut elegy I

I am invited to take part in a concert and this seems to be the first chapter. Live-recording of Part I of a personal work.

Interested in your opinions.
Please enjoy!

subcut elegy I

https://www.beatport.com/artist/xfa/589219

MMXXIVVIIIVBRCHD

This is part of Disquiet Junto Project #0665: Clicks + Cuts Music Factory. See more at https://llllllll.co/t/disquiet-junto-project-0665-clicks-cuts-music-factory/68800/26.

Weekly Beats 2024

The Campsite Rule

More on the 666th weekly Disquiet Junto project, Beauty and the Beast — The Assignment: We’ve hit a devilish numerical milestone. Do your thing. — at https://disquiet.com/0666/

more half unusuaL

halF diabolicaL [disquiet0666]

Like water

More on the 673rd weekly Disquiet Junto project, Switch Back — The Assignment: Make the quiet part loud, and vice-versa — at https://disquiet.com/0673/

As well as the more obvious switches, this track also features the wonderful Sumu plugin from Madrona Labs ... https://soundcloud.com/madronalabs ... Hot out of the workshop, having just been released as version 1.0, after an extended beta testing phase ... As you can hear, it doesn't disappoint! https://madronalabs.com/products/sumu?locale=us

You'll be hearing more unusuaL Sumu sooooon 😁❤️

more halF unusuaL

halF switcH [disquiet0673]

made for the naviar haiku challenge #569 https://soundcloud.com/naviar-records

a kite's journey (naviarhaiku569)

Jung behips

Flight 333

@sevenism

similar to a recent junto this is comprised of text-to-speech-to-music

just pasted the prime numbers into audition speech generation and then had a load of fx applied: delay, echo, guitar fuzz, chorus, convolution reverb, mastering

i wanted the numbers to be on the cusp of liminality

.. ... .....
Disquiet Junto Project 0296: Clustered Primes
Make music inspired by a prime-number query initiated by novelist Robin Sloan.

Step 1: The source material for this week’s project is a list of prime numbers. The list is the result of a contest that novelist Robin Sloan ran recently. In advance of the release of his new novel, Sourdough, which will be published on September 5, Sloan asked readers of his email newsletter to compete for an advance copy by submitting a prime number. The people who submitted the lowest prime numbers — and this next bit is important — that no one else submitted won a copy of the book. With that in mind, take a gander at the resulting CSV file of prime numbers here:

https://www.dropbox.com/s/1l9r1uncsmos0u0/primecountsmay2017.csv?dl=0

smallest primes -disquiet0296-

Studying the SV file of prime numbers a while, I noticed that there two triplets of prime numbers which submitted each from 11 people:

103			313			
107			317
109			331

Thinking about, I decided to go further with these 6 x 11 = 66.

And than the cosmos explodes when you're looking for interpetation and meaning for 66!!!

I create a 6/4 beat with elastic drums on my ipad played guitar with samplr and 66 comes up....have fun!!

66 (disquiet0296)

Questionable accompanying video- https://youtu.be/OcqNmtHeOiU
Nineteen in B(disquiet0296)
Spreadsheets and large groups of numbers give me a headache, but one thing that stood out before I was incapacitated, nineteen people picked the number 19. This was obvious sign to stop looking at numbers on a grid and make some noise. I thought an experiment in Cubasis utilizing nineteen different synths could be interesting and answer some questions about limitations with Inter App Audio in iOS. Okay, actually only eighteen and a drum kit from Cubasis. After fifteen it got a little painful loading new track instruments and honestly, it was getting tough adding complimentary sounds as well. But with track freezing, placement and mixing board work, something that resembles all the sounds that make you grit your teeth was born! 
I T ’ S   A L I V E !!
Stuff used:
Animoog
Alchemy
Crystal XT
FM4
mood
SynthQ
Sunrizer
Thor
Waldorf Nave (2 patches, one bounced)
Yonac KASPAR
Yonac Magellan
Nanologue
Microcoque (2 different MIDI patches)
iVCS3 
TF7Soundscaper
Thereminator
B major was the root and a modified and distorted Nine EFX kit made the beats.
Hope the pain inflicted is only temporary, I’ll let you know when mine clears ;-D

More on this 296th weekly Disquiet Junto project — Clustered Primes: Make music inspired by a prime-number query initiated by novelist Robin Sloan — at:

https://disquiet.com/0296/

More on the Disquiet Junto at:

https://disquiet.com/junto/

More from Robin Sloan at:

https://www.robinsloan.com/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0296-clustered-primes/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Season of our Disquiet

Nineteen In B(disquiet0296)

©All rights in this music belong to W:I:L
a longer and complete version is on you Tube
https://www.youtube.com/watch?v=3jRQUEEspUA
Being ill this week, I perhaps am not in the best shape for this task. I started off with the ambient track running through this track, recording a guitar-riff in prime time intervals: 3 - 5 - 2 - 7 - 1.  Then I wanted to record some drums and bass to it....and I ended up deleting the guitar-riff, and  attempting to play on the guitar notes in likewise intervals in the midsection.
information on this disquiet junto@
https://disquiet.com/0296/

3.9.17 W:I:L - Prime-Time Clusters[disquiet0296]

4:09 (disquiet0296)

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Ohm Research: 
Craig & Todd Wharton 
Craig Carlton [https://soundcloud.com/user-453495586]
Bandcamp: https://ohmresearch.bandcamp.com/
Annasenz [https://soundcloud.com/annasenz]
Processing Room [https://soundcloud.com/processingroom]
Exploring the sonic landscape since 1979.

4:09 (disquiet0296)

Ohm Research

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