Great funky groove and love that rubber band and pipe love child sound :-)

More on this 377th weekly Disquiet Junto project — Algorithms Assemble / The Assignment: Have fun with rules applied to scales, in coordination with the Algorithmic Art Assembly — at:

https://disquiet.com/0377/

The project is lightly adapted from one proposed by Junto member Charlie Kramer (aka NorthWoods).

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0377-algorithms-assemble/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is from the graphics for the Algorithmic Art Assembly, “a brand new two day conference and music festival, showcasing a diverse range of artists who are using algorithmic tools and processes in their works.” It’s being held in San Francisco on March 22 and 23, 2019. More information at aaassembly.org.

Disquiet Junto Project 0377: Algorithms Assemble

Surfers like us - Guitar soundcloud.com/user-411502040/tracks
Well - synths
This time our duo invites you all again into space. We suggest you chase the comet, which sparkles with colors and escapes from us to the unknown territories of the galaxy. We hope you will enjoy this atmosphere. See you aboard our spaceship 🌔
26/3 2024

Hale-Bopp Comet over Indian Cove
JOSHUA TREE NATIONAL PARK

Chasing a Comet - w/Surfers Like Us

KCID-K

Collaboration track made with @theshirebairnproject

The Shire Bairn Project & 4mat - dreamscape theories

Made for Disquiet Junto Project 0665: Clicks + Cuts Music Factory
The Assignment: Record a track in honor of the late Achim Szepanski.

Background: Achim Szepanski (1957-2024), founder of the Mille Plateaux record label, among numerous other accomplishments, died this week. This project is in his honor. You needn’t know much if anything to begin this project; just follow the instructions. As always, discussion of the topic at hand in the project’s llllllll.co message thread is encouraged.

Step 1: Listen back to the first Clicks + Cuts compilation album (originally released in 2020). It is streaming on YouTube (the first hour or so of that playlist).

Step 2: Consider the common elements in various tracks: the glitch effects, the sense of space, the attention to tiny details, the industrial minimalism, the emphasis on sampling, the tempo, the groove. What else do you hear?

Step 3: Record a track in the spirit of that first Clicks + Cuts album.
---
My notes:
I had not heard of the label, but was familiar with some of the artists on that compilation. I enjoyed the music and it was fun to try and make something inspired it. I used various samples including my handpan, camera, bathtub and water sounds from a Mr. Bill sample pack. The only non-sample part was is the bass track, which is from Ableton Drift synth. Processed the handpan samples with the excellent PitchLoop89 device in Ableton.
I imagined attempts at taking photos of, under and around water as this evolved.
---
More on the 665th weekly Disquiet Junto project, Clicks + Cuts Music Factory — The Assignment: Record a track in honor of the late Achim Szepanski — at https://disquiet.com/0665/

The image associated with this project was created by Lubomir Panak in 2011. Originally posted on Flickr, it is used thanks to a CC BY-NC 2.0 license. This is a detail of the original image, and it has been tilted at an angle, with the project information superimposed.

Drizzled Mementos [Disquiet0665] [Weekly Beats 2024 Song 39]

More Angel Heart than burning fires but there you go.....



https://llllllll.co/t/disquiet-junto-project-0666-beauty-and-the-beast/

[disquiet0666] Descent

I recorded this late night Thursday October 3rd 2024 and during the morning of today, next day, Friday.
Tempo is 66 bpm
I used 6 instances of Kontakt with creepy sounds and orchestral bursts.
I recorded 6 tracks with toys and little percussions I had around the studio (sticks, crotales, a turtle shell, a "cuica")


I used a photo by Vitaliy Shevchenko for the cover image.

Congratulations @disquiet  and all junto fellas for this diabolical milestone.
For this junto project:
https://llllllll.co/t/disquiet-junto-project-0666-beauty-and-the-beast


666 (disquiet0666)

Electronic composition, sounds from various sources including Pure Data & Audacity.

More on the 666th weekly Disquiet Junto project, Beauty and the Beast — The Assignment: We’ve hit a devilish numerical milestone. Do your thing. — at https://disquiet.com/0666/.

Vidi Bestiam (disquiet0666)

Vulning

Electric guitar, electric bass, soundscapes (some synth washes but mostly a reversed guitar track)
Related to this track https://soundcloud.com/daniel-diaz/tempest (that focuses more on the reverse guitar track from the same session)

This track "Down Together" was finished tweaked and mixed today inspired by this haiku by Miura Chora (1729-1780):
Stillness:
The sound of Petals
Sifting down together"


@naviar-records

Down Together (naviarhaiku571)

2025-01-08

LSSL PART - 05

I started with 12 glass bottles filled with different amounts of water.  Rolled a d12 8 times to get my 8 note scale. From here I rolled a d8 4 times to get my 4 main melody notes. The remaining notes were the replacement notes. Then I played each note in 4  different patterns. I rolled a d4 for the pattern and a d8 for the note in the specific pattern for all note selections..

Glass Bottle Algorithm (Disquiet0377)

https://llllllll.co/t/disquiet-junto-project-0377-algorithms-assemble/20779/25?u=eptc

TV ANNOUNCEMENT: A House That is Neglected is a House That May Be Doomed! (disquiet0377)

“The most indubitable respect in which ideas have helped mankind is numbers,” wrote the philosopher and logician Bertrand Russell. “We have become, in certain respects, progressively less like animals [in] that forethought more and more dominates [our] impulses.”

Russell believed that all human knowledge was, at most, a best guess based upon knowledge attained to that point. In his 1903 book The Principles of Mathematics, Russell argued that mathematical concepts were immune from doubt because they were constructed entirely of logic. An algorithm is really nothing more than a process — a set of rules to be followed in order to achieve a result.

The logic breaks down because life and language are slippery, inexact and subjective. A famous example of Russell’s Paradox is the barber who shaves everybody in town except those who shave themselves. Who shaves the barber? If he shaves himself, then he doesn’t shave himself; if he doesn’t, then he does. Groucho Marx once remarked that he would never join a club who would have him as a member. Suss Müsik doesn’t really make music, nor do we do much sussing. Paradoxes abound.

For this piece, a simple four-note phrase was played on piano utilizing a scale of 8 notes. The 2431 algorithm was applied not only to note sequences, but also to sustain levels and attack times. This created a weird phasing effect during transitions. The algorithm was also applied to a “scale” of wordless vocal recordings by Suss Müsik friend, collaborator and mentor Wm. Wolfgang Allen. Expect more such collaborations from this team in the very near future. 

The piece is titled Russellian. Many thanks to NorthWoods for contributing this inventive and interesting assignment to the Disquiet Junto community.

More on this 377th weekly Disquiet Junto project — Algorithms Assemble / The Assignment: Have fun with rules applied to scales, in coordination with the Algorithmic Art Assembly — at:
https://disquiet.com/0377/ 2

The project is lightly adapted from one proposed by Junto member Charlie Kramer (aka NorthWoods).

More on the Disquiet Junto at:
https://disquiet.com/junto/ 1

Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0377-algorithms-assemble/ 2

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Russellian [Disquiet0377]

vcv rack      release date: 24_ 03_ 2019     
More on this 377th weekly Disquiet Junto project — Algorithms Assemble / The Assignment: Have fun with rules applied to scales, in coordination with the Algorithmic Art Assembly — at:

https://disquiet.com/0377/ 2

The project is lightly adapted from one proposed by Junto member Charlie Kramer (aka NorthWoods).

More on the Disquiet Junto at:

https://disquiet.com/junto/ 1

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0377-algorithms-assemble/ 2

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Algorithms (disquiet0377)

More on this 377th weekly Disquiet Junto project — Algorithms Assemble / The Assignment: Have fun with rules applied to scales, in coordination with the Algorithmic Art Assembly — at:

https://disquiet.com/0377/ 2

The project is lightly adapted from one proposed by Junto member Charlie Kramer (aka NorthWoods).

More on the Disquiet Junto at:

https://disquiet.com/junto/ 2

blvd [Disquiet0377]

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Ohm Research: 
Craig & Todd Wharton 
Craig Carlton [https://soundcloud.com/user-453495586]
Bandcamp: https://ohmresearch.bandcamp.com/
Annasenz [https://soundcloud.com/annasenz]
Processing Room [https://soundcloud.com/processingroom]
Exploring the sonic landscape since 1979.

blvd [Disquiet0377]

Ohm Research

Recent comments

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NorthWoods

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