There is a Japanese term: Mono no aware. It means basically, the sad beauty of seeing time pass - the aching awareness of impermanence. These are the days that we will return to one day in the future only in memories. How do we capture them? How could we possibly be able to fully appreciate them in the present? This project is our attempt to put time under glass.

The Midnight is a marriage between a songwriter from the Deep South and a producer from Denmark who both live in Los Angeles. This is our love song to our city and a testament to the weight these years can hold.

Label: Suntrip Records 

Cristian Fernandez Aka Morphic Resonance is a Musician/Producer born in 1988 and based in Girona, Spain.
Strongly influenced by the EBM/Industrial/Techno styles he became interested in electronic music since he was a child with bands like Front 242, Leather Strip, Velvet Acid Christ, Nittzer Ebb, Funker Vogt, etc. He discovered Goa Trance in 2003 with the Infected Mushroom´s track “Devil“ and he immediately felt totally attracted to this kind music. A few years later he was inspired by the new wave of new school Goa artists, especially Filteria, he started to buy synthesizers and to experiment with them. In 2013 the Morphic Resonance project was born with the mission of recreate the true old school Goa sound of the 90s.
His first release “Chromatic World EP“ was released on NeoGoa Records label in January 2014. After that, he got the attention of many labels including Suntrip Records where he released his debut album “The City Of Moons” with a huge positive feedback.
Other labels such as DAT Records where he released his aclaimed remixes of Etnica in “Trip To The Stars EP”.
He was also featured in a collaboration between Suntrip Records & Trust In Trance on Astral Projection EP "Let there be light".
His 2nd solo album "Perplexity" was released on Suntrip Records in 2018, more darker and industrial than the previous releases.
In 2023 he released his 3rd solo studio album "Extrasensory Perception" with an upgraded production.
Despite being a young project, Morphic Resonance played in several countries such as Japan, Israel, Brazil, Ukraine, Portugal, Croatia, Belgium, Serbia, Romania, France, Hungary, Spain,... He shared stage with reputated projects such as Etnica, Juno Reactor, Astral Projection, Transwave, Union Jack, Hux Flux, Filteria, X-dream, Koxbox and among many other big names of the scene.

Computer science student and a musician in hibernation.

Music and art can very much touch us with the essence of symmetry, balance, fluidity, cohesion whilst their counterparts: dis-juncture, chaos, inertia, provide the tension that makes for the through-line: Story.

No wonder then that Xavier Morel, a veteran and simply awesome producer and Dj speaks in such terms. In these days where the distinction between artist and playlist are becoming less distinct, the essence of audio art is becoming distilled in its import.

"The most important concept in music is not the way you play your tracks but the story you make with them! Mixing and music is my passion and my career. I hope to carry and share this as long as possible!" - Xavier Morel

Starting his DJ career off in 1988 Xavier has Dj'd throughout Europe, Australia and Asia, most particularly Japan where he was based for years.

On the production front has worked and collaborated with Juno Reactor, Prime Suspect, Section X, Eat Static, Fuel, Carcharodon Megalodon, VX & H229 (on Machine Label),Marcus Maichel,Shane Berry,Oz Morsley ,and project comming with greg hunter,Marcus Maichel. Presently very active on the new project with pat lazer (aka section x)  REPLICANTS 2049.

Enjoy the journey!

Impacting warehouses in Amsterdam and abroad since 2012.

◙▒◙♫♩♬ simply too cool for a bio

Take tribal drums, mix with pounding analogue synths and a killer club sound and what do you get? Welcome to iVardensphere. 

The new album, APOK, finds iVardensphere exploring different aspects of their sound, from dance floor stomping powernoise to more exotic flavors of tribal drumming blended with elements of trip-hop and a club-pleasing analog synth bumping EBM sound. APOK, iVardensphere's first release on Metropolis Records, also takes iVardensphere's passion for collaborations to a whole new level, bringing in guest artists including I:Scintilla, Caustic, God Module, and This Morn' Omina as well as featuring remixes by SKOLD, ESA, releveleR and Pull Out Kings.

The story of iVardensphere's rise begins a few years ago in Edmonton, Canada, where Scott Fox DJs the notorious club nights SICK and Das OOntz. Fox took his expertise in filling the dance floor and applied it to his passion for synths and industrial dance music to create a fresh take on the genre to form iVardensphere. Upon being heard for the first time by Vancouver-based label Synthetic Sounds, iVardensphere was immediately signed and the debut album Scatterface was released in July 2009, mastered by Sebastian Komor [Icon of Coil]. 

Soon after the completion of Scatterface, Scott enlisted the talents of Chris Lacroix [aka Siborg from Virtual Terrorist] to help bring the project from the studio to the stage, where the band shines. Ever since, iVardensphere has been constantly active live, having performed with acts ranging from Apoptygma Berzerk to Iszoloscope to 16Volt and Chemlab to Front Line Assembly at such places as Das Bunker in LA and the Kinetik Festival in Montreal. Buoyed by touring and word of mouth from an ever-growing fan base, iVardensphere has steadily swept across the industrial dance club scene in North America.

At the end of 2009, Scatterface made its way across the Atlantic on one of Europe’s leading darkrock and industrial labels, Danse Macabre Records, as Fox prepared iVardensphere's second release, Remixes Vol. 1, featuring remixes from Komor Kommando, Memmaker, Left Spine Down and others. Initially a digital-only release, fans demand CDs, and so Remixes vol. 1 came out in February 2010 on Synthetic Sounds. This release also marked iVardensphere's first introduction to the college radio charts across Canada. 

The summer of 2010 saw the band hit a wide range of cities and venues all across the USA and Canada with Iszoloscope and ad*ver*sary, gaining loads of new fans. Word of their powerful live shows continued to spread and they were asked to open Combichrist's North American tour in the fall of 2010, just in time for a new album to hit.

iVardensphere’s much anticipated second studio album, Bloodwater, came out in November of 2010, showcasing Fox's growing interest in using tribal drumming and other more organic sounds alongside electronics and samplers. Spurned on by club play and word of mouth from the band’s performances on Monsters on Tour with Combichrist, Bloodwater smouldered up the Canadian college radio electronic charts, eventually spending three months on !earshot’s national electronic charts in early 2011 and nine weeks on ChartAttack’s electronic charts. It also received great reviews, including in Outburn Magazine and Rue Morgue. 

The fall 2010 tour with Combichrist went so well that iVardensphere was asked to come out on tour with Combichrist again in the spring of 2011.

Wherever they roam, iVardensphere are always eager to collaborate with other artists, including working with Booming Tree Taiko on their first tour with Combichrist and trading remixes with the likes of Rotersand. Past collaborations with Iszoloscope went so well that iVardensphere recently announced that Iszoloscope's Yann Faussurier became a full-fledged member of iVardensphere at the end of 2010, and Fox, Faussurier and Lacroix wasted no time in starting work on APOK alongside their collaborators. iVardensphere recently grew again as Iszoloscope and Memmaker's Frédéric Scarfone also joined the fold as an official member after previously exchanging remixes with iVardensphere as Katastroslavia and co-writing on APOK.

The band's continuing growth and solid sounds caught the interest of industrial/electro powerhouse label Metropolis Records, who have now welcomed iVardensphere into the fold to help foster further expansion.

Artist, DJ, Producer, musician and record collector ... since 1980.

Releases on: ZYX, Blanco Y Negro, Best Record, DWA (Dance World Attack), Private Records, Disco Modernism, Flashback Records, Fresh Colour, Giorgio Records, Lusso Records, Special Groove Records,  Analog Language, Vintage Pleasure Boutique, Extravaganza Publishing Srl, Forest Jams, Mordisco records, Italo Moderni, Around My Dream Records, Disco Evolution, Magic Sound Records, Tonight Records, I.D. Limited, Fonogrammi Particolari, Mannequin Records, Pardonnez-nous, SP Records, No More Pop, Opilec Music, Radio Cosmos, Disco Segreta, Mecanica, Bordello A Parigi, Vielspaß, Archivio Fonografico Moderno, Mond Musik, Nadanna, Cyber Dance, Viewlexx, Moustache, Roller Disco, Red Laser, Flight Recorder, Rebirth Records, Panama Racing, Flexx, Mothball, Wuff records, Cargo Records, Centre Neptune, Magic Waves, Medellin Mixage, Space Sound Records, Maschina Records, I Am Private/Universal Music, Lucky Harvest Music Company, Paper Bag Records, Emerald & Doreen, CrunchyFrogDK, Power Dance.

Flemming Dalum, also know as King of the cut, discovered his musical journey at an early age. An interest based out of curiosity for electronic synthesizer legends emerging while he grew up. With his first synth, the Korg Polysix, a lifelong passion was born. He started playing in bands in 1982, experimenting with electronics and the new world of sounds and possibilities. At the same time he started experimenting with records and discovered a natural talent for mixing and blending synths with records, creating his own unique world of sound. In mind that the CD wasn't invented, neither was the HD recorder, the heart in Flemmings set-up was a simple cassette recorder. An invention that should soon add yet another angle to his musical universe. With snappy skills and imagination, the cassette soon became his most important instrument taking him to the next level. The world of mixing. With sampler, echomachine, decks, synths and a beloved cassette recorder, the first true mixes came out of his studio already in 1983. Mixes with so much detail, soon giving him the legendary name "King of the cut". In the same year, 1983, Flemming stumbled across Koto "Chinese Revenge", a discovery that should soon lead Flemming into a brave new world matching his own, with synths and electronics being the heart of the music. The passion became strong and shortly after the Koto discovery, brought him to his first trip to Milan, Il Discotto, Discomagic, Non-Stop, Merak etc. to investigate the Italo phenomenon in detail. The following years Flemming visited the Italian distributors 11 times which later proves to be one of the major reasons to the fact that he has one of the worlds most complete collections of Italo and Disco. Through the years, the synths has been replaced with computers and equipment matching the urge for mixing. Something that has kept the true Italo spirit alive and made Flemming Dalum a legend in mixing today.

80's synth music

'Murder Disco' -CD available here: https://www.recordshopx.com/artist/megahammer/murder_disco_ep/#527907

Contact: megahammer666@gmail.com

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