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recording trax in my bedroom studio since .. 10 - 15 years mby more . goal is to create music that i would dance to in raves n sht. 
recording instruments in live record sessions mixing all channels down to two channel stereo pair.
I'm too lazy to record, mix, edit and master multichannel [daw] and all the fancy coloured computer vst3 or smthn  . music shouldn't be a grind! 
 
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Mostly unfinished ideas. Firmly stuck in the 90s

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Big EDM Sounds: 
◄@bigedmsounds

Big EDM is a Music Label and Sound-Design company that was established in 2015 by Roman Trachta – the founder of another well-known sound-designing company W. A. Production. This label is following in W. A.'s footsteps, and is only creating and releasing the most current and mammoth sounds, samples, loops, construction kits, and much more for thousands of producers who want to add fresh ideas to their production. Big EDM will provide their products to all genres including electro, progressive, deep, tropical, future, dubstep, trap and many more.

Heist Recordings was founded by Dam Swindle as a means to gain full control over their own releases, and to create a stage for likeminded musicians to showcase their music. From the first release on, Dam Swindle’s “Break up to make up” EP in summer 2013, Heist has been a go to label for proper underground house and electronic music. Now, nearly 40 releases and 5 compilations in, Heist has brought forward artists like Frits Wentink, Nebraska, Adesse Versions, Fouk, Kassian, Nachtbraker and Alma Negra and continues to search for new talent, with Lars & Maarten fully focused on the A&R side of the label. 

Up till 2016, remixes on the label have been solely done by other original Heist artists on the yearly “Round up EP”, where the remixer and remixee get connected by the luck of the draw and a limited edition double pack is put out. After that, Maarten and Lars decided it was time to add remixers to the EP’s as well, which saw interesting collaboration, expanded the label family with names like Matthew Herbert, Tom Noble, Pépé Bradock, Ge-ology and Byron the Aquarius. 

In 2023 we've celebrated 10 years of Heist Recordings. The year showed a whole batch of releases by new artists like Byron the Aquarius, Amy Dabbs and Cinthie and by Dam Swindle themselves.

DJ, producer, musician, promoter and Techno Music enthusiast alike, Errol Dix hails out of Linz, Upper Austria. His creative work ranges from spinning vinyl records, hosting events like “Lost Diamonds” and “Rhythm Maker” to presenting his monthly DJ mix series “LIFE UNIT” on YouTube.

Having spent many years playing at numerous national and international clubs - alongside hard-hitters like Marco Zaffarano, Umek, Ben Long, The Advent, Jay Denham, Gayle San, Ignition Technician, W. J. Henze, DJ Murphy, Funk D Void, Brenda Russell, DJ Boss, Dave the Drummer, Chris Liberator, Boriqua Tribez, Jamie Bissmiere and DJ Preach... to name a few - Errol has had a lot of time to evolve his distinctive style. Inspired by his idol Ben Sims, he developed a multi-faceted and dynamic funky-sound with house influencies. Throughout his performances as a resident-DJ of “Hardgroovs”, “Schalldruckk” and “Technoelement”, Errol remained true to his Tribal and Hardgroove Techno music style. Producing his own sets was bound to occur and releases took place on various international labels like “Zero!”, “Adult Records”, “Work Hard Play Hard”, “Techno Artillery”, “*Cutz and Valvula Records”.

Some of the key gigs, that brought Errol Dix to where he is today, are: 02 Arena London, Brixton Academy London, Planet House Germany, Exact Moment Maribor Slovenia, Summerbeach Rudava Slovakia, Pressure Festival Austria, Sunflower Festival Austria, Technobase Graz Austria and Progressive Selection Tabakfabrik Austria...

Despite all remarkable achievements, for Errol it’s all about mood: listening, feeling and understanding. Playing his tracks will get you tapping your feet and nodding your head without even realizing it... so don’t be surprised when you suddenly find yourself dancing!

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Big EDM is a Music Label and Sound-Design company that was established in 2015 by Roman Trachta – the founder of another well-known sound-designing company W. A. Production. This label is following in W. A.'s footsteps, and is only creating and releasing the most current and mammoth sounds, samples, loops, construction kits, and much more for thousands of producers who want to add fresh ideas to their production. Big EDM will provide their products to all genres including electro, progressive, deep, tropical, future, dubstep, trap and many more.

As one of the longest standing independent record labels in the US, Nervous Records has built its reputation through a willingness to take chances on new sounds and new producers. Nervous was the first American label to sign and release tracks from such dance industry luminaries as Armand Van Helden, Paul Van Dyk and Nuyorican Soul. This spirit has enabled Nervous to build a catalogue of hits that spans the complete range of underground dance and hip hop genres.

The label was famous almost immediately when it started back in 1991 because of its eye-catching, very distinctive cartoon character logo. In addition the first three releases were produced by Roger S., Kenny Dope, and Todd Terry respectively, representing the three best house producers of that time. By 1992 Nervous was featured in magazines like Billboard, DJ Magazine (cover story), Mixmag, and ID, hailed by all as the “Sound of New York nitelife.”

Nervous’ first major dance release came in 1992, with “Feel Like Singing” by Sandy B. Nervous decided at that point to focus its energy on expanding the label’s musical field. The label’s first step outside the house music arena was with the Brooklyn, NY-based rap group, Black Moon, whose single “Who Got The Props” virtually put Brooklyn back on the map as a center of hip hop. At the same time, the label decided to alter the Nervous character for this release, giving it specific hip hop characteristics, and calling the hip hop label Wreck Records. Massive success followed with the Wreck imprint, as hits soon followed by Smif-N-Wessun, and Funkmaster Flex.

Nervous decided to continue to expand its musical boundries in 1993 by signing Mad Lion, which would be the first reggae artist on the Weeded imprint. Once again, there was huge success as Mad Lion’s single “Take It Easy” sold over 250,000 units.

Meanwhile, the Nervous merchandise continued to produce massive sales numbers as it established itself as one of the most favored t-shirts for the youth cultures of America, Japan, and many European countries.

In 1994, the label decided it was time to move into the electronic genre, and started an imprint called Sorted. The first artist on that label was Josh Wink, who went by the artist name Winx. While Winx’s debut release was a critical success although not a major seller, Winx’s follow-up release “Don’t Laugh” became the American dance community’s most talked about single, and ended up selling several hundred thousand units worlwide. Subsequently Nervous released Winx’s debut album, “Left Above The Clouds.” This album was one of the first “electronica” albums to be released, and lead to Josh Wink being signed to Sony as an artist. Nervous also released an album by two Long Island based dj’s, DJ Micro and Vicious Vic. The album, entitled “Progress Into Our Future,” since became a seminal album for the crew of Long Island dj’s that currently dominate clubs with their hard trance sound.

In 1996, Nervous virtually single-handedly created a garage house music revival by releasing the debut solo artist album by house music legend Byron Stingily. Byron was formerly the lead singer of gold-selling group Ten City. His second single on Nervous, “Get Up,” went to number one on dance charts around the world, including the Billboard Magazine club chart in America.. For his album, “The Purist,” Nervous assembled an all-star cast of legendary House producers, including Frankie Knuckles, Masters At Work, David Morales, Basement Boys, Maurice Joshua and MK.

As the musical trends continued to evolve in the late 90’s, Nervous continued to create new imprints to remain at the cutting edge of all independent labels. Nervous Dog was created to accommodate the emerging harder-edged house sound of New York; Strapped was the home for uptempo, club oriented hip hop Party tracks; and Nervous Chill released the down tempo, jazzy grooves that are always in vogue in the newest restaurants.

The label also has had many successful tours over the years. One of the biggest was in 2,000, when the Nervous tour was sponsored by Playboy Magazine and KAMEL cigarettes, and featured DJ’s Jackie Christie, Razor-n-Guido and DJ Escape, along With PA’s by Nervous artists Byron Stingily, Charlotte And Kim English. In addition, Nervous created what became one of the Winter Music Conference’s most original Parties, the Nervous After-hours breakfast at Denny’s, which featured an International list of dj’s entertaining conference attendees at 5:00 AM while they ate their grand slam Denny’s breakfast.

In 2000 and 2001, the energy tribal sound dominated the US club and Nervous gave America’s club-goers four of the its most dominant anthems, “Skin” by Charlotte, “Ssst…Listen” by Jonah, “Unspeakable Joy” by Kim English and Dive In The Pool by Barry Harris featuring Pepper Meshay. During this same time, the label has also created many successful compilation series, among them “Hip Hop Independent’s Day,” and “Future Progressive,” and “Club Nervous.

As the hits grew in number, so did the value of the catalogue for sampling purposes. Nervous songs have been sampled in major hits by Mariah Carey, New Edition, Coolio, Flip Squad, Basement Jax, George Michael, Soulsearcher and more..

In 2006 Nervous gave the US one of the biggest dance radio records with What A Feeling by Peter Luts & Dominico, a track which won the 2007 WMC award for Best Euro Dance track. In addition, Nervous delivered the most memorable US underground track of the year with Ralph Falcon – I Need Someone, which was also number one club record of 2007 according to Billboard Magazine.

In 2008 Nervous had two of the top five most played records of the year at dance radio, with Bellatrax feat. Sophia May/I Can’t Help Myself and Every Word by Ercola featuring Daniella, and ended the year as the two most played label at dance radio in the USA according to Billboard Magazine.

Nervous has also made a strong foray into the compilation market, building a roster with some of the most credible house music. The past twelve months has seen full length cd’s from Oscar G, Ralph Falcon, Funkagenda, Mark Brown, Behrouz, Chris Lake, Starkillers & Austin Leeds, DJ Theo, Exacta and Marlon D. Second half of 2009 will see releases from Danny Krivit, Frankie Knuckles, Tom Stephan, Peter Bailey and Richie Santana and Anane (produced by Louie Vega. 

In the grand tradition of Nervous launching sub-labels to embrace the next sounds to take over Nitelife ... In 2011 we launched Nurvous Records.  With the Indie Dance / Nu-Disco sound that has erupted from England and is now barreling towards full speed in America, one of our primary goals is to provide innovative homegrown style; and bringing back emotion to the music, squashing the over-commercialized big-room invasion.

It started with Hip-Hop. 
Amsterdam is our inspiration. 

everything today, basically, is just an edit.
www.soundcloud.com/justedits

Bookings: latelier@live.nl // zeezout.info

Visit our new webstore: https://www.waproduction.com/

W. A. Production was founded in 2014 to provide electronic music producers of all kinds with the tools they need to make their best music possible without breaking the bank. Beginning by offering professional-quality audio samples, W. A. Production has since grown into a globally-recognized developer of Audio Plugins, DAW Templates, Music Production Courses, and more.

W. A. Production also prides itself on top-quality human-to-human customer support. Ensuring a positive customer experience is W. A.'s number one priority, and the team works hard to prevent and rectify any issues that customers may experience.

W. A. Production is constantly innovating and testing new boundaries, pushing its product offering and the industry as a whole to new heights. W. A.'s team does this by continuing to ask themselves each day: "What about making your sound better?"

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