comp of songs from 2020 so take from that what you will...
https://kokonoku.bandcamp.com/album/kokopuffs-vol-5
https://kokonoku.bandcamp.com/album/kokopuffs-vol-5
https://kokonoku.bandcamp.com/album/kokopuffs-vol-5
https://kokonoku.bandcamp.com/album/kokopuffs-vol-5
fun fact this is the first song i ever made with my guitar

yeah yeah

hello kokopuffs 5 is out

I WANT YOU I NEED YOU HERE

MORE POWER TO YA MORE POWER TO YA 
I LOVE U MUCH

my room is full of gatorade bottles and garbage

A Blues for Music is a journey into timeless romance and hypnotic soundscapes. Built on the foundation of jazz and soul, the record blends warm upright bass lines, brushed drums, and delicate Rhodes keys with lush strings and muted horns. Each track unfolds like a late-night conversation, intimate, smoky, and full of longing.

Themes of love, devotion, and spiritual connection echo throughout, painting vivid portraits of passion both tender and raw. From whispered introductions to soaring choruses, the music carries the listener through moments of vulnerability, desire, and completion.

This is an album designed for quiet nights, candlelit rooms, and the spaces where love and music intertwine. It is not just a collection of songs, but a mood, an atmosphere,where every note breathes intimacy and every silence feels alive.

A Blues For Music

Ashes and Brass: The Småland Second Line Jazz Funeral Parade is a dark, cinematic journey where Southern Gothic murder ballads collide with the haunted landscapes of Småland. Inspired by the ritual power of New Orleans jazz funerals and the raw storytelling tradition of the blues, the album unfolds as a requiem for betrayal, damnation, and release.
Across eight tracks, the record moves like a funeral procession: “Seven Curses” delivers judgment one curse at a time, with choirs chanting numbers like a ritual. “The Devil’s Bride” reimagines the archetype of Jezebel as a soul sold to darkness. “No Mercy at the River” turns the water itself into a judge that refuses to cleanse. “The Rumors Were True” gives voice to the whispers of a village, making gossip into prophecy. At the album’s heart stands “Ashes in Her Mouth”, a heavy dirge where brass, strings, and choirs thunder in a curse that cannot be undone.
From there, the story widens into a vow of vengeance in “Tenfold Interest”, and into catharsis with “No More Ghosts”, a declaration of survival and release. Finally, the title track “The Småland Second Line Jazz Funeral Parade” closes the procession as an instrumental epilogue, merging Swedish church bells, brass fanfares, and gospel cadences into one final march into darkness.
This is not just an album, but a Southern Gothic requiem: brass, organ, gospel choirs, strings, and funeral drums creating a soundscape that feels both like a New Orleans funeral march and a Småland churchyard at dusk. A work that speaks to betrayal, judgment, damnation – and the hope of walking away free from ghosts.

No more ghosts

_After Reading The Vegetarian_ENGLISH (HYUNJUNG KANG)

Ｄａｔｅ  Ａｔ  Ｔｈｅ  Ｃａｒｎｉｖａｌ

calm me down

no.46

did u never see this show

no
i dont watch girl anime

YOUR KIDDING

i saw the fat titty bunny girl on twitter
then i was like oh its a girl of the week show

mannnnnn u big lackin

Lazy Bunny Girl Edit

Mugen

mugen

yes yes, take a load off
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it was fun but you should get going now

pipe dreams are just that
dreams
fuck



if i stop posting here dont worry im probably not dead although that would be nice

my room is full of gatorade bottles and garbage

ohnoitskoko