Experimental 2 (Noise, Autonomic, Industrial, Abstract, EBM, IDM, IBM) Noone

Well this whole world’s got holes in its values that the whole world just can’t see

I’ve got holes in my head where the good lord put my eyeballs and attached them to my brain so I can be me

We’ve got nothing in common except for the air that we breathe
Yet I sit here every night and i write these songs for thee
Hoping they’ll spill out like my brains out on the street
Hoping it’ll be better if we all just believe 
But believing all that I see and relating is:

Well this whole world’s got holes in its values that the whole world just can’t see
I’ve got holes in my head where the good lord put my eyeballs and attached them to my brain so I can be me

I smell air on the sand i see heart hovering out on the street
then I come back and remember it’s cold and its soup’s giving off the heat 
It’s just made with love, heat, and protein
And that’s why I can stay warm inside when I leave
Because out in the cold being warm is the only thing that has meaning:

this whole world’s got holes in its values that the whole world just can’t see
I got holes in my head where the good lord put my eyeballs and attached them to my brain so I can be me

If you’ve been arguing, you’re friends who can stand to meet
If you’re praying or lying or dying or sighing or giggling or driven or forbidden or living or disrespectful or forgetful or a disciple or have the right to survive 
You might have a disease, but for me that’s not what I see

Well this whole world’s got holes in its values that the whole world just can’t see
I’ve got holes in my head where the good lord put my eyeballs and attached them to my brain so I can be me

Panacea

Fivel’s Toon

From 12 little preludes by I. S. Bach, recomposed by Alisa Wunder

Stream

Prelude c-moll

Composer : Karl Heimgartner &  Sébastien Bacci, Dat : May / 10 / .2025 /   © Copyright
Artist: Carlito Home  & Mister BoO.
Genre: LO-FI 
Single: 2025
Instrumental: Karl Heimgartner 
Title: Coffee in the Morning 
Track : 03 

Mix and Mastering Sébastien Bacci ( BaboO Recording ) 
Artwork: Sébastien Bacci
A collaboration with artists: Carlito Home & Mister BoO.
Thank you very much, Sebastian, for your efforts on the LO-FI song I was working on.
You redesigned the drums, bass, and effects to make it sound LO-FI.
Thank you very much for our collaboration, Sebastian.

https://www.audiartist.com/

https://open.spotify.com/track/6ambBuFEVqzFAXvO2ttbSi?si=wo-2kevVTHytm7Txt_O7RA&context=spotify%3Aalbum%3A0q3ui0zq9bVouu8wolY4Bc

Meaning of LO-FI Music ( English ) 

Lo-Fi (also Lo-Fi) stands for "low fidelity" and means "low fidelity." It describes music that sounds like it was recorded using simple technology or as if it were recorded using such simple technology.

Low fidelity:
This means that the music was not produced to the high quality expected from professional recordings.

Lo-Fi music is a subgenre of hip-hop and electronic music that also includes influences from jazz, house, and other genres.

Origin:
The concept of lo-fi music dates back to the 1990s, where it was used by some underground artists to create a DIY sound.

Lo-Fi Girl:
A popular YouTube channel that streams lo-fi music 24/7 and features a Japanese animation depicting a girl studying or relaxing.

Coffee in the Morning

Who Can't Move On

The Unrequited King

Funny Looking Flowers (Jack Miller) [06.02.25]
J Dulva and Counting Coup
(c) 2025 Cenote Music

Funny Looking Flowers

Funny Looking Flowers [06.02.25]

They told us the right song would come.
That the great idea would just... arrive.

It didn’t.

Every time they try to write something new,
it feels like finishing someone else’s thought.
Or quoting a quote they never read.

Or maybe they did.

They’re not blocked.
Not dry.

Just… surrounded.

Ideas are everywhere.
And every single one of them
already sounds like them.

Kate hums a melody.

“Nice,” Ava says.

Kate sighs.
“Oh, that? Paul Anka and David Bowie liked it too. Back in ’68.”

This is Test 10.

It’s not about ego.
It’s not about fame.

It’s the question every artist, scientist, and over-caffeinated soul eventually asks:

When do I get to write that song?

Song: When Do I Get to Write That Song?

They told me the words would just arrive
But I'm still searching for a line alive
I stitch together threads so thin
Hoping to craft what's never been

A melody loops, a thought returns
The candle flickers, the midnight burns
A mirror of a mirror-so avant-garde
But no one's clapping in the avant-garde!

Is it derivative, or self-aware?
Does the art reflect, or just despair?
The tighter I hold, the more it slips
A song dissolves upon my lips

When do I get to write that song?
The one they'll hum, they'll sing along
Not someone else's shadowed trail
When do I get to leave my grail?

When do I get to carve my name
On sound itself, on the notes of fame?
Will they remember? Will they move?
When do I get to prove my groove?

Am I a genius? A cliché machine?
Caught between fresh and what's already seen
Every rhyme's been claimed before
I knock, I knock-an unopened door

It's like I'm Sparks pretending to be me
A ghost chasing ghosts in a parody spree
How deep can recursion go, I wonder
Before it tears itself asunder?

The echoes mock, the halls repeat
Every step's another feat
The tighter I hold, the more it slips
A song dissolves upon my lips

When do I get to write that song?
The one they'll hum, they'll sing along
Recursive lyrics, my head spins on
When do I get to write this song?

When do I get to carve my name
On sound itself, on the notes of fame?
Will they remember? Will they move?
When do I get to prove my groove?

If "My Way" is someone else's way
Can I ever say I've had my say?
If every note's already been sung
Am I chasing shadows all along?

When do I get to claim my place?
To feel the warmth of their embrace?
Will they remember? Will they care?
When do I get to take them there?

Test 10: Is This Still Your Voice? (When Do I Get to Write That Song?)

Paroles et chant de Jean-Paul Gaido-Daniel
Musique de Myckaël Marcovic
Photomontage d'après le tableau Coin de table, d'Henri Fantin-Latour. 1872
Hommage à Léo Ferré qui a rendu lui-même hommage à Paul Verlaine et Arthur Rimbaud.

Ne pleure pas, Léo,
Mon Léo, mon ami
Léo de la passion
Naufragé de la vie,
Tu changes de couleur
Avec Paris Canaille 
Quand tu souffles la vie
Et la folie des hommes

Refrain :
Au musée des tourments
Les copains de la Neuille
Sont toujours de la fête
Quand tu viens nous chanter
Verlaine et puis Rimbaud
Dans un vieux bordel tango
Quand tu viens nous chanter
Rimbaud et puis Verlaine

Ne pleure pas, Léo, 
Va, porté par le vent,
Rejoindre le chagrin
D’amour et de pitiés
Dans tes rêves cachés
Pour ce moment royal
Les poètes maudits
Te saluent tout là-haut
(refrain)

Ne pleure pas, Léo,
Que le temps passe vite
Mais nous, on t’oublie pas
Toi, le messie de l’âme
Arrivé de la nuit
Ami du temps présent
Tu reviendras un jour
Danser sous les étoiles

Refrain :
Au musée des tourments
Les copains de la Neuille
Seront tous de la fête
Quand on verra chanter
Verlaine et puis Rimbaud
Dans un vieux bordel tango
Quand tu viendras chanter
Rimbaud et puis Verlaine
La la la la la la (4X)
Quand on verra chanter
Dans un vieux bordel tango
Quand tu feras danser
Verlaine avec Rimbaud

Tribute to Léo Ferré, the famous French singer who himself paid tribute to Paul Verlaine and Arthur Rimbaud, two great French poets.

Don't cry, Léo,
My Léo, my friend,
Léo of passion,
Shipwrecked by life,
You change color
With Paris Canaille 
When you breathe life
And the madness of men

Chorus:
At the museum of torment,
The friends of La Neuille
Are always partying
When you come to sing us
Verlaine and then Rimbaud
In an old tango brothel
When you come to sing us
Rimbaud and then Verlaine

Don't cry, Léo, 
Go, carried by the wind,
To join the sorrow
Of love and pity
In your hidden dreams
For this royal moment
The cursed poets
Salute you from above
(chorus)

Don't cry, Léo,
Time passes quickly
But we won't forget you
You, the messiah of the soul
Arriving from the night
Friend of the present moment
You will return one day
To dance under the stars

Chorus:
At the museum of torments
The friends of La Neuille
Will all be at the party
When we see singing
Verlaine and then Rimbaud
In an old tango brothel
When you come to sing
Rimbaud and then Verlaine
La la la la la la (4X)
When we see singing
In an old tango brothel
When you make dancing
Verlaine with Rimbaud

Translated with DeepL.com (free version)

Ne pleure pas, Léo

For anyone who's sick of people not minding their own business

Karen's Horse

This composition was created as part of a research-led project exploring the relationship between music and relaxation. It was created as part of my dissertation project on the cognitive and emotional effects of ambient music. Inspired by neuroscience, sound therapy and the song called "Weightless" by Marconi Union. Comment, how this song made you feel and if you think i achieved my goal in making a relaxing track. Thanks for listening!

Adrift

Acoustic Enema

noisy night (unmastered)

just a little bit of pitch dark

transmission

Harmonic Terror

nativedance

Geduldsfadenriss…means as much as: Patience thread break

geduldsfadenriss

toy destroy (intro)

I like everything dark, liquid, technoid, slow, fast, deep, chill, soft, broken, heavy, industrial, noisy, abstract, experimental in all kinds, forms and excesses of D&B, Jungle, Chillstep, Dubstep, Atmospheric, UK Future Garage, Ambient, Old School East Coast, Old School Techno/Rave, Autonomic, Ragga, Dub (Soundsystems), Downbeat, Lowbeat, Trip Hop, Downtempo, Noise, Industrial, Rythm n Noise, Breakbeat, Experimental, Accid Jazz, 90s UK GRIME, such kind of breaks, beats, bass ALL AROUND just like I also discovered electronic synth/cold/darkwave/postpunk as an VERY interesting new paths. My understanding of music mainly characterised by: David Bowie, Depeche Mode, Prodigy, Wu Tang, LTJ Bukem, Krush, Kid Koala, DJ Food, Goldie, Roni Size, CAM, Andy C, Kid606, Dieselboy, Q_Bert, BTTB, Tricky, MC Conrad, Ed Rush, Portishead, Antipop Consortium, Vadim, Massive Attack, KanKick, Enduser, Coldcut, Architect, Broken Note, DJ SHADOW, And One, Project Pitchfork, Hype, Shy FX,  Grooverider, Optical, Rebel MC, Marky, Zinc, Krust, Kool Herc, Tim Westwood, Beastie Boys, Kris Kross, KRS One, Busta, Snoop Dogg, DUB FX, Black Moon, Boards of Canada, Björk, Salt n Pepa, TLC, Janet Jackson, Missy Elliot.....
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Second account created for my new discovery of the genres electronical Wave/Synthwave/Darkwave/Coldwave/Pop, Industrial, Rhythm 'n' Noise, Noise, Postpunk, EBM, IDM, IBM & appropriate in all facets and wings around to separate this incredibly interesting and beautiful new door in https://soundcloud.com/noone-2-310434778.
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If you're SO insanely happy about every single new follower here like i am......i think it should give me and my self-worth (a lot) to think about, I absolutely know. For this reason: my biggest THANK YOU to every single follower. You and all this here really mean a lot to me.
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I know that music can neither heal nor prevent the decades-long existing global sick capitalism, consumption, politics, lobbyism, corruption, systems, society/s that are sick of it, nor the imminent climate collapse resulting from all these causes. But what it can heal and fill up wonderfully I know: hearts and souls - even empty, cracked, damaged and discarded ones. And that completely free of charge. Unbelievable nowadays...what is also clear: we will never be enough people to be able to break the capitalist climate-damaging sick system globally in time, now it has been really too late for too many years gone by. I live against this system as far as my framework as a system-dependent taxpayer allows me to do so. Music is an enormously important part of it. We should tune in together to the inevitable real climate collapse. With happy hearts & souls filled to the brim with music, contentment & love. Only then will the demise of our livelihoods be bearable for us all.
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War, natural disasters, politics, violence, protests, riots, injustices, attacks, terror and much more. Back then, compared to today, it was all relatively completely unfiltered, clean and completely free of any media and political fake news manipulation and twisted propaganda. All the  pseudo massiv CAPITALISTIC problems, much more its numerous symptoms of illness such as "burn outs", "social media", "depression", "shortage of skilled labour", "housing shortage", with manipulation, fake news, advertising, capitalistic, political influence soaked "media", or topics such as "urban gardening", "gentrification", immigration, all that "self-love, self-worth, what is happiness, the search for the self" madness, "gender", LGBT, "metoos". ... didn't exist back then or were healthy, normal, simple, clean. And yes, people's worries and fears back then were the same as now, just as real, normal, simple BUT FREE from any capitalist distortion, self-promotion, exaggerated and inflated hyperbubbles. Without the very large, constantly spreading epidemic of capitalism, there would probably be less than 40%? of all these problems on our planet, and a global negative climate collapse would never have been an issue. Religion does not affect our climate alone, but in numerous religious political disputes harms people beside climate, nature and all living creatures the most.

ohrchitekt.de & https://ohrchitekt.bandcamp.com/music an Experimental/IDM/Breaks/Jungle sound design. Exclusively inspirations and influences. Listening is an art…
 
!constructions for ear is what you hear…

___________________________

Releases @ pharmacom-records:

"KLAPPE DIE ZWOTE“ - (PCR027)

"EXP-DNB-Set 2008" - (Ltd.FloppyCaseEdition)...sold out!

"SNAKE SEED" - (PCR049)

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REVIEW:

https://soundcloud.com/ohrchitekt/ohrchitekts-exp-dnb-set?si=5d356958f0864ebc9f59298083ec8bae&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

New on Pharmacom Records is Ohrchitekt's "EXP-DNB-Set" - an approx. 52 minutes non stop journey into his specific Drum'n'Bass realm which is jam-like, lead by non standard beats and breaks, Electronica influences and some Electro and Downtempo breakdowns. Some will call it Leftfield Drum'n'Bass, some will name it as experimental, which is what "EXP" in the albums title stands for I reckon, and some will refer to it as IDM or DarkJungle rather than Drum'n'Bass. But whatever definition you choose, this one is interesting and defo stands out from what your everyday producer serves on 12" these days. Recommended to open minded people and not to those who expect UK-standards whenever they think of experimental Drum'n'Bass these days.

BIG THANKS to baze.djunkiii https://on.soundcloud.com/fbXfN (Nitestylez.de )

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toy destroy (intro)

🄾🄷🅁🄲🄷🄸🅃🄴🄺🅃

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