The Novelettes (op.21) by Robert Schumann were composed in 1838. They are among his least-known works but are still considered masterpieces by many music scholars.

Each piece of the series is a gem of musical storytelling and displays Schumann's incredible talent for creating evocative melodies. For example, Schumann weaves a captivating narrative in the fourth Novelette through intricate piano passages and expressive melodies. The piece takes the listener on a journey of love and longing, with moments of tender introspection juxtaposed with passionate outbursts, showcasing Schumann's ability to evoke complex emotions through his music.

However, some critics argue that Schumann may have been skilled at creating melodies and evoking emotions, but his compositions lack structural coherence and can be overly sentimental. Many others admire his ability to create deeply emotional and captivating music that continues to resonate with audiences today.

The Novelettes are a prime example of Schumann's ability to connect with listeners on an emotional level. His use of rich harmonies and lyrical melodies in these pieces allows for a truly immersive and unforgettable musical experience.

For instance, in Novelette No. 1 in F Major, Schumann expertly weaves a series of melodic motifs that gradually build in intensity, creating a sense of anticipation and emotional tension. The piece then transitions into a sad and reflective section, where delicate piano passages evoke a deep sense of longing and nostalgia. This juxtaposition of contrasting emotions showcases Schumann's ability to evoke a wide range of feelings within a single composition.

The Sonata No. 2 in G minor op.22 by Robert Schumann is a masterpiece of Romantic piano music.

The form "Piano Sonata" is a genre explored and developed by many composers throughout history. In the Romantic period, the piano sonata became a popular and significant form for composers to showcase their virtuosity and emotional expression.

With Robert Schumann, the (romantic era) piano sonata reached new heights of complexity and innovation. One detailed example of Schumann's innovation in the piano sonata genre is his use of thematic transformation. In the second movement of Sonata No. 2, he takes a simple, melancholic theme and gradually transforms it into a passionate and virtuosic climax, showcasing both his technical skill and emotional depth.

Another example of Schumann's innovation can be seen in his use of unconventional harmonies and chord progressions. In the first movement of Sonata No. 2, he incorporates unexpected modulations and tonal shifts, creating a sense of unpredictability and tension. The last movement of the Sonata No. 2 showcases Schumann's virtuosic and energetic style, with fast-paced passages and dramatic flourishes that captivate the audience.

Sonata No. 2 in G minor, Op.22 I: So rasch wie möglich

David Ezra Okonsar, Belgian pianist, composer, conductor and musicologist was born in Istanbul, Turkey. He studied piano, composition and orchestration at the Brussels Royal Conservatory and musicology at the Istanbul Technical University. His primary teachers were J. Cl. Vanden Eynden and Alexis Weissenberg for the piano and Madame Jacqueline Fontyn for composition. He is laureate of numerous international piano competitions including the Gina Bachauer. Besides his international concert career he is a prolific composer and music writer.