Name: Jumping Jack Frost & LTJ Bukem Dreamscape 5 18-12-1992 by Oldskool Sounds in Library - Part 1
Duration: 59 min 41 s
Description: Dreamscape 5 18-12-1992

Library - Part 1

LTJ Bukem @ The Edge Experience - Vol 2 -1993

DJ SY & LTJ BUKEM SWING RED OCTOBER

A vinyl mix full of Blatant Beats & Next Generation tracks! Recorded on the 1210's. Some great tracks in this mix!

Tracklist:

Fracus & Sam Honey - What It Feels Like
Ham - Skream Your Heart Out
Double Dutch - Killer
Brisk & Stormtrooper - Twatris
Brisk & Vagabond - Drift Away
Ham - Let The Rhythm Flow
Ben Xtreme & MC Ortie - Looking Down (DJ Kurt Rmx)
Frisky & Hujib - Believe (Breeze & Styles Rmx)
Adam Harris - My Star (Brisk & Vagabond Rmx)
Brisk & Ham - Crazy Love 2008
Frisky & Hujib - Get Away (Gammer Remix)
Eclipse - 24/7 (Breeze & Styles Rmx)
Brisk & Stormtrooper - Grumblebum
Double Dutch - Worlds Collide (Brisk & Fracus mix)
Ham & DMO - Every Single Day
Brisk & Vagabond - Hardcore Never Dies
Brisk & Ham - Angel Eyes (Vagabond Rmx)

Last Track:

Bang! - Break Of Dawn (Scott Brown Rmx)

Next Generation & Blatant Beats Vinyl Mix (23.09.23)

Plump DJs - Nylon Radar (Start Edit)
Rasco & Bubble Couple - Old Groove
Ondamike, Tooltime - Bomb (VIP Mix)	
Greg Sin Key - The Circles
SY-KICK-NASTY (Greg Sin Key remix)
Awesome 3 - Don't go (Greg Sin Key Bootleg)
DREAM FREAQENCY & SI FASTER - REJUVENATION (GREG SIN KEY BOOTLEG)
SevenG & Binary - Guitar Hero
Destroyers, Basstyler - Woah
Bazco & Woter - Another Day
The Prodigy - Girls (The Rogue Elements Rmx)
The Prodigy - Smack My Boot Up (Re-Arranged)
Pray For Bass - That's Sick
Bad Legs, GreenFlamez - A Long Time
Bad Legs - Bad Decision Bitch
Creeds - Push Up (Pray For Bass Remix)
The Darrow Chem Syndicate-Mocument (BasStyler & Bad Legs Remix)
SevenG - Frenzy	
OnDaMike - Busy Child rmx	
Bubu - So Easy (SevenG Remix)
Perfect kombo - Killa Blow
SevenG, Basstyler, Bad Legs (Tryple-D) Funky Island
Pray For Bass - Arabe Aranobe
Basstyler - The Way
Krafty Kuts, Gordon Edge - COMPNDED (Krafty Kuts Re-Kut)	
SevenG & Ed Breaks - Are You Ready Now
Plump DJs - Dreamland (Pirate Jams Remix Radio Edit)

Greg Sin Key - Rejuvenation 12th BDay

Force & Styles - The Sound of Happycore '97 - Volume 2 (1997)

Kutski @ HTID - The Big Weekend (02&03 August 2013)

Breeze & MC Wotsee MC Smiley @ WF 2004 (30/10/2004)

Force & Styles @ DS 26 - The Vision (18/10/1997)

#dnb #atmospheric dnb #tears #max payne rmx

tears

Black Heart (FREE DL)

Dreamscape IV

LTJ Bukem Dreamscape 4 29-05-1992

Dreamscape 5

Jumping Jack Frost & LTJ Bukem Dreamscape 5 18-12-1992

Here is the mega-talented Wain Johnstone's final ever set at The Bounce Factory's 3rd Birthday event, we are honoured Wain chose us as the event to hang up his headphones at, and the atmosphere during this set was through the roof, re-live the memories here by having a listen ! 

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The next Bounce Factory outing will be at the Xstatic Summer Festival on 15th July where we will be hosting a tent..

Link to event page:-https://www.facebook.com/events/193471277752317/


& our next club event will take place on friday 4th august at Tunnel Club (Birmingham)

Link to event page:- https://www.facebook.com/events/613362105525349/

Link to buy tickets:-
https://www.theticketsellers.co.uk/tickets/the-bounce-factory-presents/10043700


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THE BOUNCE FACTORY PRESENTS - THE NEON UV CYBER PARTY!

@ Tunnel Club, Birmingham [04/09/17]

- 1 Arena!
- 500 Ravers!
- Full Venue Production
- Huge Sound System!
- Unique Bounce Factory Atmosphere guaranteed!

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♫ ♪ ♫ DJ Lineup ♫ ♪ ♫

★★ LISA PIN-UP
★★ ANNE SAVAGE (Bounce Classics Set)
★★ JUSTIN DANIELS & JAMIE R
★★ ULTIMATE RUSH
★★ KYE SHAND
★★ JOSH B
★★ JACK BUTLER
★★ JOSH TOUGH (New Resident)
★★ L-PET (Bounce Factory Debut)

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► £5 Super Early Birds (SOLD OUT)
► £10 Members
► £12 Early Birds (SOLD OUT)
► £15 Standard
► MORE ON THE DOOR!

We hope to see you all at both events!

Much love,

The Bounce Factory x

BUY TICKETS

Wain Johnstone's last ever set **LIVE** @ The Bounce Factory - Big Birthday Bonanza [03/03/17]

A perennial favorite as the best DJ in the world according to fans as well as the major mixing magazines, Carl Cox has been a part of Britain’s dance scene from the heady days of disco through to the global clubland of the new millennium, with temporary pit stops covering hip-hop, the rare groove movement, and the immense rave revolution of the late ’80s. That large span of time has undoubtedly affected his choice of records, since Cox routinely detours through breakbeat, Italian house, and the dance mainstream during his usual sets of hard techno. Perhaps the best testament to his mixing skills is his immense popularity despite his focus on music much more intense than the brand of arena trance spawned by Oakenfold, Sasha, Digweed, and others. 

Cox was born in Oldham in 1962, to parents originally from Barbados (they later moved back after he grew up). Cox began DJing family get-togethers at the age of eight, selecting records from his parents’ stack of soul 45s. He was buying his own records soon after, and owned his first pair of turntables at the age of 15. The rest of his teens was spent making spare money at any event he could DJ; though Cox studied electrical engineering in college, he quit after six months and began working various jobs until he could become a full-time DJ. 

Cox had followed the musical trends from disco to rare groove on to hip-hop during the late ’70s and early ’80s, but the introduction of house into Britain during the middle part of the decade convinced him that he had found his niche. After moving to Brighton in 1986, his reputation bloomed during the acid house explosion of 1988-1989; Cox played the opening night at Shoom, one of the defining club nights of Britain’s house revolution (as well as other legendary hot spots like Land of Oz and Spectrum). In front of 15,000 at the 1989 open-air event Sunrise, he unveiled his use of three decks on the mix; that signature technique built him into one of the top DJs of the late ’80s and early ’90s. 

By 1992 Cox had signed an unheard-of long-term production deal with Paul Oakenfold’s Perfecto Records and hit number 23 on the British charts with his debut single, “I Want You (Forever).” His second single, “Does It Feel Good to You,” also reached the Top 40, and he quickly diversified by setting up his own record label (Worldwide Ultimatum) and an international DJ agency (Ultimate). The onset of a more hardcore rave sound (and the fact that he was increasingly becoming pigeonholed within it) forced Cox to spend several years reestablishing his niche. In a bit of irony, commercial successes like Cox’s own steered him away from high-BPM candy-core and toward the still soulful house and techno scene. 

Three years after his hit singles, Cox returned with the first volume in what became a genre-defining mix compilation series, F.A.C.T.: Future Alliance of Communications and Tecknology. After the first volume dropped in 1995, surprisingly high sales figures earned a second two years later (released in America as well). One year later, Cox released his first studio full-length with 1996’s At the End of the Cliché. Mix album The Sound of Ultimate B.A.S.E. followed in 1998, with another studio album, Phuture 2000, appearing in 1999. One year later, he released the self-explanatory Mixed Live, recorded at Chicago’s Crobar. A second edition of Mixed Live appeared two years later along with the mix CD Global. The DJ’s next busy year was 2004 with the Pure Intec mix CD appearing in August and Cox’s entry in the Back to Mine series dropping in November. Second Sign appeared in 2006 with new Cox productions and a diverse set of collaborators, including superstar DJ Norman Cook and Detroit techno pioneer Kevin Saunderson. John Bush, All Music Guide

Jumping Jack Frost & LTJ Bukem Dreamscape 5 18-12-1992

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