The vocals on the original are done well -- and def. bear the mark of their time -- but this edit really makes the right choice to shed them & focus on the groove. Thanks.

Hi is there anywhere to purchase this edit

Great Edit ... it deserves a vinyl pressing :-)

keep coming back to this and never left a comment.. sublime

smokey ur selections are such a very good refreshing alternative to listen to anyrime

Chill With W. G.

'Dorian' is taken from Agnes Obel's second album 'Aventine'. Available here: http://www.agnesobel.com

Aventine

Dorian

🌺 Download the track here:
▶ https://paulgilmoremusic.bandcamp.com/track/agnes-obel-fuel-to-fire-paul-gilmore-remix

🙌 Look me up // ⟪ pvmm ⟫
▶ https://pvmm.ffm.to/lofidad

'Fuel to Fire' is one of my favorite remixes to-date. 

🌺 Listen to PUEBLO VISTA // ⟪ pvmm ⟫
▶ https://pvmm.ffm.to/lofivibes
▶ https://pvmm.ffm.to/chillbeats

2️⃣0️⃣1️⃣3️⃣🎵⏯️

Agnes Obel - Fuel To Fire (Paul Gilmore Remix)

The Danish-born Berlin-based singer-songwriter Agnes Obel landed a pan-European hit with her disarmingly beautiful debut album ‘Philharmonics’. After seven weeks at #1 in Denmark and hitting the Top 10 in both France and the Netherlands, the deluxe double CD version of the album will be released in the UK on May 2nd on Play It Again Sam.

Entirely self-produced and performed, ‘Philharmonics’ opens with the instrumental piano piece ‘Falling, Catching’ which sets the tone for Obel’s classically inspired songwriting. The next track, ‘Riverside’, flows with a depth of emotion embedded with further character by Obel’s love of combining her sweet melodies with carefully considered lyrics that evoke the song’s innate sound. ‘Just So’ works a similar trick, its blend of melancholy and optimism perfectly encapsulated into the opening line ‘Black turns beat me bright.’ Elsewhere, with ‘On Powdered Ground’, ‘Brother Sparrow’ or her interpretation of John Cale’s ‘Close Watch’, she melds different moods and atmospheres, all indelibly linked by the brittle majesty of her music.

The deluxe edition of the album adds a second CD featuring six tracks recorded at Obel’s recent acclaimed residency of sold-out shows in Copenhagen and five instrumental piano performances.

As a child, Obel was subconsciously guided into music by the influence of her mother and father, who would play and listen to a blend of the classical greats, folk music like Jan Johansson and the timeless sounds of Roy Orbison. After discovering the likes of Portishead and Elliott Smith as a teenager, she began writing her own piano-based songs, but it wasn’t until she moved to Berlin in 2006 that she began recording an album.

Many of the songs on ‘Philharmonics’ have subconsciously found an audience through their use in film and television. ‘Just So’ soundtracked a Deutsch Telekom advert, which gave Obel the unusual combination of having a song that everyone knew while having almost no profile as an artist herself. But soon opportunities presented themselves and continue to do so. One of Obel’s earliest breaks came when three of her demos featured in cult director Thomas Vinterberg’s film Submarino – ‘Riverside’ earned her a Robert Award (Denmark’s equivalent of the Oscars) for Best Song of the Year. Her music also reached a bigger North American and international audience when ‘Riverside’ was used in Grey’s Anatomy.

iTunes extended Obel’s profile further by requesting an exclusive release of ‘Philharmonics’ and highlighting Obel on the home page of their North American website. The attention of the press has been consistently positive with Vogue and culture magazine Telerama producing in-depth features in France, while Obel will also feature in both the North American and European issues of TIME.

Official website – www.agnesobel.com
Official facebook – www.facebook.com/agnesobelofficial
Official twitter - www.twitter.com/agnesobel
Official youtube - http://www.youtube.com/agnesobel


Agnes Obel - Riverside (Lulu Rouge Remix)

Alegría - ELIA Y ELIZABETH

Appreciate you all. Subscribe to my YouTube channel for BEAT VIDEOS & more instrumentals!

https://www.youtube.com/channel/UC8NJYzIiErJvwdN_ZG-JBXA

Blessings.

- LLusion

Memories

"There can be no true beauty without decay."

I haven't posted new music since a while now, although I never stopped composing. I guess this track is the most personal thing I could share with you.
It's about a woman who means a lot to me. She always encouraged me in my darkest hours. Even if I was close to deleting all of my recordings and burning all of the albums I made. She took me to Bonn to study filmmusic-composition this year and was proud of me doing what I do. She plays the violin in this song and was sitting next to me most of the time I was composing it for her and with her.

On December the 8th 2014 she passed away. I am trying to accept it and that's why I am sharing her beauty with you. May her playing move you the way it moves me and may she never be forgotten.

I love you.
I miss you.
And I will never forget what you have done for me.
Thank you for everything.

Eva's Clock

Original vocal version appears on his 1973 album "Pipedream"

Enjoy

Alan Hull - Blue Murder (Ole Smokey's Inst Edit)

Alkalino - Ghetto Blues

We made this remix for one of the most fun live acts Holland has to offer: Gallowstreet - a 10-piece instrumental sensation, and above all - one hell of a brass band.

The remix, alongside the original, is available on limited 7'' vinyl, available through Paradiso:
http://bit.ly/gallowKSremix7

Enjoy!

http://facebook.com/KraakAndSmaak
http://twitter.com/kraaksmaak
http://kraaksmaak.com

Hattori

Get 7''

Gallowstreet - Hattori (Kraak & Smaak's Hansenstraat Remix)

Kendra Morris "Concrete Waves"

TM Juke -Playground Games (Feat. Alice Russell)

Jungle By Night

jungle by night-Hot Mama Hot

Awesome track by http://soundcloud.com/theglimmers

Disko Drunkards (The Glimmers) - Do It

Mudd & Pollard - Mawson's Walk

Combining traditional African rhythmic textures with melodies and grooves steeped in American funk, soul, and jazz, Ikebe Shakedown offers a unique and powerful sound. The 8-piece, Brooklyn-based band formed in early 2009 and, after a slew of dates around NYC, recorded their debut 7” single and EP, Hard Steppin', at Dunham Studios (home of Menahan Street Band, Budos Band, Charles Bradley and more). The 5-track offering, released on Colemine Records, received high praise from critics, fans, and distributors.

No Answer

16 rare tropical groove tracks compiled by Mambo & Guts 
Available on CD , Double LP Gatefold ( included download Postal card with exclusive mix by DJ Damage@Jazz Liberatorz ) 
Collector T Shirt Edition ....
Cover Art by Mambo 
Ref : Heavenly Sweetness HS090 
Contact : puravidamusic@gmail.com

To pre-order now Beach Diggin' and download immediately an exclusive 50' mix of the compilation by DJ DAMAGE of Jazz Liberatorz, please click here : http://bit.ly/1bnvbbn

Beach Diggin' promo Tour ( DJ Set + Live percussion ) :
14/06 : Toulouse@Connexion 
21/06 : Bernières Sur Mer@Au Père Tranquille ( Normandie )
22/06 : Lyon @ La Marquise
26/06 : Paris@New Morning 
29/06 : Vanosc@La Bringue de la Fressange ( Ardèche )
05/07 : Paris@Pan Piper

Guts, a producer exiled in Ibiza, and Mambo, a Los-Angeles-based painter, have been lounging on the shore with the sound of the waves lapping in the background as they sift through the vinyl for their Beach Diggin’ collection. Far, far from the mouldy-smelling, lightless cellars where record hunters usually hang out. Diggin’ disks as others dig beaches, because getting your hands on a good vinyl, its grooves virtually unexplored, is like stumbling on a dazzling expanse of virgin sand.
Guts and Mambo have little time for the idea that Brazilians have to play bossa nova, Cubans must salsa and a Jamaican has to be into reggae. They sniff around the blind spots away from the beaches packed with noisy tourists and come up with Italians who beat out Afro rhythms, West Indians who lay down earth-shaking dub beats, and Trinidadians who unleash funk laced with lots of brass. Not to mention Peruvians, Frenchies and even Spaniards who can recreate the atmosphere of a humid, totally torrid sixties Rio party.
On the seafront, Guts and Mambo have put together a 16-track playlist that is hip without being elitist, guided by the highest standards and unwavering principles of sun, escapism, the good life and nothing below 25°C.
Seventeen tracks are stamped on the pages of the record’s passport - boss nova, soul, jazz, latin, afro-funk and tropical -, souvenirs of travels through North and Latin America, Africa, Europe and the Caribbean islands.
Intoxicating tunes, radiant rhythms, velveteen vocals: Beach Diggin’ is for sipping through a straw, wiggling your hips and shaking your pelvis to, and it’s made to bring bodies into friction.

PRE ORDER NOW!

Beach Diggin' Snippet by GUTS (out on June 23rd)

Welcome. 

For lots more edits that are not on Soundcloud please visit https://ole-smokey.bandcamp.com

I spent the four decades that I’ve waffled on about below, soaking up all the musical goodness that informs my sets today. I was always record collecting, but never thought about DJing, but that would all change when I visited San Francisco in 92. Little did I know that I wouldn’t be coming back for 11 glorious years. There I met Eddie O’Callaghan (former co-promoter of the Garden Festival in Croatia) and together we put on many club nights and events, the flagship being the Bulletproof Boat Parties. 

During those years Bulletproof welcomed countless DJ’s and bands to it’s parties including Mark Farina - DJ Shadow – Galliano - DIY – Gilles Peterson – Marquess Wyatt - Rockers HiFi - Derek Carter – Coldcut - Wicked – DJ Food – Frankie Feliciano – Greyboy and the Greyboy Allstars to name a few. I also had a residency at Mushroom Jazz playing alongside Mark Farina, DJ Is, Thomas (Then Wicked, now Rub n Tug) and George (Behind the Post Office)

When I returned to the UK in 2003 I pretty much retired from DJing, but worked for Eddie at the Magnet nightclub in Liverpool Booking the DJ and Band nights. When Eddie moved out to Croatia in 2005 to plant the seeds for the Garden Festival with Nick Colgan I went out to give them a hand and became a Resident DJ at the Garden Festival for many years. I have also been a guest at various gigs around the UK including Mr Scruff’s Tea Tent, The Devil’s Jukebox and The One Deck Sessions at Electrik 

If music be the food of love... play on brother!

Some of the ingredients along the way that have inspired and influenced the recipe.... 1970 - 1990

Led Zep 3 (first album I bought 1970) - Ziggy Stardust (first 45 I bought 1972) – David Bowie and Roxy Music on Top of the Pops 1972 - James Brown’s “The Payback” (first James Brown album I bought 1973) – Kool and the Gangs Wild & Peaceful (the second funk album I bought 1973) - Pink Floyd’s Dark Side of the Moon tour (Empire Liverpool 1974) - Bowie’s Station to Station tour (Earls Court 1976) – The Sex Pistols’ Never Mind The Bollocks, The Clash’ White Riot, the Stranglers’ Rattus Norvegicus and The Damneds’ New Rose in 1977 –Iggy Pop Live at Colston Hall Bristol 1977 – Ian Durys live at the ? 1978 - The Blitz club 1979 - Buying Planet Rock, Walking on Sunshine and The Message from Groove Records in Soho 1982 – Art Blakey, Airto and Roy Ayers live at Ronnie Scotts - Grandmaster Flash perforforming Adventures on the Wheels of Steel at the Venue London 1984 – Flim Flam v Meltdown (later Coldcut) at the Harp Club New Cross 1984 - Afrikaa Bambaataa at the Hacienda 1984 – Gil Scott Heron at the South Bank - Monday Jazz night and Black Market Fridays at the Wag Club (‘81-‘86) - Tom Waits at the Apollo (1981) The Dominion (1985) Hammersmith Odeon (1987) – The JB’s at the Town and Country Club London 1988 - Dirtbox and many, many warehouse “raves” (’81-’86) at places like Battlebridge Rd and Clink St years before the House music phenomenom arrived with a bang with the likes of Shoom – Norman Jay’s High on Hope and Shake and Fingerpop nights - Soul II Soul DJing at the Africa Centre – Sonny Rollins at the Royal Festival Hall 1989 - Tribe Called Quest, Pharoah Sanders, Roy ayers, Galliano, Brand New Heavies and Steve Williamson at the Jazz Weekender Camber Sands 1990 - Gilles Peterson and Patrick Forge at the legendary Talkin’ Loud Sunday sessions at Dingwalls (‘87-’90) where you could hear Tribe Called Quest followed by Yusef Lateef’s Brother John and no one would leave the dancefloor! 

“What a Long Strange Trip It's Been”

I’m just glad I was along for the ride!

Alan Hull - Blue Murder (Ole Smokey's Inst Edit)

Ole Smokey

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