my wonder creation

Originally released July 25, 2011

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The second chapter in the Origami Sound compilation series.
This showcases Ilya Wazuhiru (RU), Aiora (GR), Empyrean (UK) and Montgomery Clunk (RO)
All tracks are free to download through our store and exclusive to this compilation.


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Aiora - Peace In A Cave

Nicolas Jaar - The Three Sides Of Audrey And Why She's All Alone Now (Original HQ Mix)

Track taken from the upcoming album 'Into The Well' released through Fluid Audio, October 2015...

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- Music and arrangements by Dag Rosenqvist and Aaron Martin
- Vocals arranged and performed by Dawn Smithson and Jerker Lund 
- Horns performed by Henrik Munkeby Nørstebø (trombone) and Jenny Olsson (French horn)
- Recorded in Gothenburg, Sweden and Topeka, Kansas
- Mixed by Dag Rosenqvist at The 63rd Link in Gothenburg
- Mastered by Taylor Deupree at 12K Mastering

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Aaron Martin:
Cello, bass, roll up piano, voice, vinyl, singing bowls, banjo, lap steel

Dag Rosenqvist:
Piano, pump organ, Fender Rhodes, various organs and synthesizers, acoustic and electric guitars, glockenspiel, voice and field recordings

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Mailing List:

http://fluidaudio.bigcartel.com/mailing-list

From The Mouth Of The Sun -  Into The Well

How to describe something that has no edge, no angle? Spherical! Then imagine the sounds travel through this sphere....

Sphere

Ambient music to use for DnD, as the group heads through a frozen labyrinth. Check out the talented artist behind this song

Sol DnD Alva Noto & Ryuichi Sakamoto with Ensemble Modern: Utp

Taken from the upcoming album 'Year Zero'...

Audio/Field Recordings: Gideon Wolf
Mastering: James Plotkin
Photography: Daniel Crossley

www.fluidaudio.bigcartel.com/mailing-list

Year Zero

Gideon Wolf - Falling

All (vocals + field recordings)an experiment in only voice...
+ FX and drone from my vocals as well
We long for things we may not always get and the wind plays with our dreams...  Suspiros en el viento... Un cielo limpio oscuro...

Suspiros En El Viento

Bersarin Quartett - St. Petersburg

0:00-2:40 — Arve Henriksen - Opening Image
2:20-3:10 — Nesta Kerin Crain - Gongs in the Rain
2:40-5:30 — John Cage - In A Landscape (Harp by Amy Schulman)
4:25-8:00 — Ben Lukas Boysen & Sebastian Plano - Winding and Unwinding
7:50-10:40 — Bersarin Quartett - Verflossen ist das Gold der tage
10:20-11:20 — Kara-Lis Coverdale - Grafts
11:11-15:05 — Susumu Yokota - Tobiume
15:05-18:03 — Roberto Musci - Claudia, Wilhelm R and Me
17:58-21:17 — Kuniyuki Takahashi - Asia
20:10-21:35 — Helios - Samsara
21:35-24:00 — Helios - Light House
23:36-24:03 — Broadcast - Innocence In Orbit
24:03-26:40 — Michael Price - Ink On Paper (Dmitry Evgrafov Rework)
26:40-30:10 — Keaton Henson - Elevator Song
30:10-31:47 — Disasterpeace - Vignette: The Lamb
31:47-33:32 — Nils Frahm - The Dane
33:32-38:43 — Simeon ten Holt - Canto Ostinato (Edited)
38:43-43:48 — Wouter Dewit - Winter Sleeps
40:54-44:54 — Chuck Johnson- Calamus
44:54-48:10 — Dmitry Evgrafov - Znanie (Alternative Version)
48:10-54:48 — Huerco S. - A Sea Of Love
54:48-59:55 — Ólafur Arnalds & Nils Frahm - Life Story
59:00-61:19 — Resina - Lethe

Dmitry Evgrafov - Mixtape 4

All facets of this diamond copyright their respective owners.
Recomposed by Max Richter 
ANTONIO VIVALDI
The Four Seasons
Die vier Jahreszeiten

Vivaldi - Four Seasons (Recomposed By Max Richter)

HOB17: Soteria I, II by @waterhouse-1

Artwork by Gaspar De Geyndt

waterhouse - Soteria I, II (HOB17)

Another week, another track premiere… but is it truly just ‘another’ track that bubbled up onto the top of this appending queue? I feel I know the work that goes in by composers. No matter if the track is short of stretched in time. Each little note, each pad evolving in its frequency band. Each slight adjustment to the volume curve, to carry forth the story in dynamics. Each atmospheric treatment with the reverbed textures. Each painstakingly placed sound in the stereo field – front, back, and center. Post-processed, mixed, and mastered; listened to on every speaker; then played and listened to again, again, and then some more, until the music feels just perfect for the only one who made it. And what about the others? Will they hear the small details, the carved out, guided path, the melodies that pierce the harmony in places, the melodies that hold the message of the piece? Who’s genuinely listening out there, consuming and appreciating the endless time and love poured into music? I know that I am. I hope you hear it too…

This is the sixth full-length for Bordeaux-based Franck Zaragoza, appearing, once again, on the beloved n5MD under his Ocoeur moniker, under which he’s been making music for over a decade now. The album embraces sound design with its melodic side of synthesizer music. So all the knob-twist-junkies of the analog and software emulations can marvel at the output that’s much more than just another jamming-late-night-sink-hole of their time. Here, Zaragoza brings it all together into a single cohesive package of an album that seeps with inspiration from its every nook. The sound is rounded and gentle, in many places very vital and organic, and then is structured in the architecture of complex rhythmic twists [check out “Glow” on the full album when it comes out tomorrow]. Meanwhile, the concept comes in with a message, of slowly fading and receding from reality, into our anti-social, virtual, and ego-feeding worlds.

"‘Everything’ is an expression of empathy towards our world that I feel is being completely neglected and abused. It is like a clock ticking reminding us the creation, the beauty and happiness trampled by emotionless people, blinded by their own greed and hatred." --Franck Zaragoza

Catch Everything on n5MD released tomorrow, February 28th. Available on all digital platforms, digipak CD, and 180 grams of ultra-clear vinyl.

Everything

TRACK PREMIERE : Ocoeur - Everything

Episode 22 on @radio-relativa

Guest: @myriambleau
Live broadcast from Relativa on May 28, 2020 (12:00-13:00 CEST)

📷 Picture by Aina Climent
www.ainacliment.tumblr.com
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Martina Lussi – Interlude
Fabio Orsi – Find Electronica (Part 1)
Folke Rabe – Va??
Oren Ambarchi & Robin Fox – Standing Mandala
Beins, Malatesta, Vorfeld, Wolfarth & Zach – Adapt-Oppose 14-1-A
Félicia Atkinson – I'm Following You
Lieven Martens – Ho'okena encounter
Mark Fell – INTRA-8
Allt Kvar – Afterglow
Lucrecia Dalt – Antiform
Giuseppe Ielasi – s/t
Astrid Sonne – One Inch Shrugs The Other Shoulder
Pomassl – qaraghandy storm
Ikue Mori – The Moon and The Abandoned Old Woman
Allt Kvar – Many Ours In Our Hands
Vladislav Delay – Kohde
Kara-Lis Coverdale – TOUCH ME & DIE
Laurie Spiegel – The Unquestioned Answer
Joshua Sabin – Sutarti III
Visible Cloaks, Yoshio Ojima & Satsuki Shibano – Toi
First Tone – Reiterations
Klara Lewis – Seascape
Arca – Extent

Nits de la Tramuntana #22 w/ Myriam Bleau (28/05/2020)

from 'Spectral' [CD|LP|DIGITAL]
Denovali Records · den335
available on all formats at http://denovali.com/robinschlochtermeier

Robin Schlochtermeier is an Anglo-German composer who has written the music for several award-winning broadcast documentaries and features. Classically trained, his music often combines organic sound design elements (and occasionally synthesis) with more traditional instrumentation (piano, orchestra).

Most recently Robin composed the music for 'The Spy Who Fell to Earth', an international espionage documentary which was released on Netflix worldwide in 2019. Robin, among others, also scored 'Virgin Queen's Fatal Affair' (Best Specialist Factual - Royal Television Society Awards), the features 'Queens of Syria' (Black Pearl Award - Abu Dhabi Film Festival), 'Retreat' (Premiere at Screenplay Shetland Festival, curated by UK film critic Mark Kermode), 'Oh No, Not Rudy Again!' (Cannes film festival 2015), and 'Strings' (British Independent Film Award).

"Spectral" is the first solo album of Robin Schlochtermeier. It's a set of slow, sometimes ambient pieces that function like distant echoes of childlike experiences of the natural and material world.

“My inspiration for the album is tied up in having become a father recently,” says composer Robin Schlochtermeier. ”As my daughter’s consciousness was forming I would often catch an amazed look on her face or notice that she stopped and stared at some small detail in her environment. This would frequently evoke a profound sense of mystery in me, and I grew curious as to what was causing her to react in such ways.”

The pieces on Spectral are attempts to capture some of this mysterious, nebulous spirit of bafflement and wonderment. “Seeing the world through my daughter’s eyes reminded me of the experiences the world can produce in our minds when we are open, receptive and boundary-less”, says Robin. “I started to wonder if I was half-remembering my own experiences of the world from when I hadn’t yet been trained to carve it up into neat concepts.” The result are pieces like “Lapping”, which in its slow, circular motion points to a rhythm of life unaffected by expectations of busyness, while rooted in a sense of grandeur and timeless wonder.

Spectral was recorded using a British upright piano from the 1950s with original worn strings, which are occasionally dampened with poster putty. The other elements are all forms of electronics and sound design, including a software synth (Retrologue) and custom programmed sounds generated from the composer’s bank of original sample recordings.

One of the aims for the album was to explore a limited palette of sounds. Some pieces only contain 3 layers of sound, while some are a little more complex. “The intention was to create space and openness in the arrangements”, according to Robin. “This principle also led me to explore longer and longer forms. As I went on I felt increasingly drawn to longer emotional arcs, resulting finally in Sonnenstaub."

my wonder creation

Olesė Kekienė