Name: The Saddest Sh** I Ever Heard from a person by OLEZHAX / sound experiments
Duration: 1 min 9 s
Description: idk i miss my chosen life and my chosen family

idk i miss my chosen life and my chosen family

The Saddest Sh** I Ever Heard from a person

2.11 https://soundcloud.com/soosanlolavar/girl
4.01 https://soundcloud.com/retropetet/darkheart-locket

cover by Don Dudenbostel

La Fleur du Mal

For our sixth episode of RIDE FM we welcome special talent from Berlin's vibrant club scene, Viscerale. Playing the most exciting venues around the world and recently providing a hart hitting journey of fast and experimental Techno on our event series back in April 22, she is serving us once again one hour of pure and playful energy. Tune in and enjoy!

RIDE FM pres. Viscerale

Live recording of my set at the infamous "Unfold" Party at Fold in London 03/07/2022.

Live at Unfold XXXIV (Fold, London)

If you've ever had the pleasure of experiencing the lysergic sounds of Spekki Webu, chances are he was sending you into orbit. For his Fact mix, it's clear we're already there.

https://www.factmag.com/2022/12/05/fact-mix-886-spekki-webu/

Fact Mixes

Fact Mix 886: Spekki Webu (Dec '22)

info: https://radio.syg.ma/episodes/fermata-w-igor-forkash-resel

fermata

fermata w/ Igor Fórkash & Resel

vomit the heart forget the mind

This track for choir, brass and beat was born out of my anger. Sounds like nails hammering into the coffin of the empire, like a generational curse.

With this, I want to say one simple thing that thousands of people in the world are already talking about. The Western media write about it, Anne Applebaum said it in her text for The Atlantic, Timothy Snyder alludes to it in his speeches, and Janusz Bugajski wrote the book «Failed State» about it. Even russian fascists themselves realize this: the russian so-called «federation», as we know it now, won’t exist after the Ukrainian victory. At least I hope so.

I hope for a long and detailed tribunal for every person involved in the russian invasion of my country. A trial is good for everyone as it teaches us something important about ourselves. It teaches justice, without which there is no true freedom.

The only solution I see is complete decolonization. Oppressed nations should decide their fate by themselves. The sooner, the better.

Full statement and link to purchase the track: https://pincet.bandcamp.com/track/russia-delenda-est

All the proceeds will be transferred to Musicians Defend Ukraine fund.

Link to the short version video: youtu.be/gHIr6xkzP-w

The release was made possible thanks to KYUB residency, IKLECTIK community, Institute of sound and @Pincet label. Thank them!

RUSSIA DELENDA EST

Sasha Usti discovered the world of techno music in 2017. Performed at various promos in Minsk, such as IPSIPI, SPOTKANNE, GESTALT, and is a resident of the project TRAGEDIA.

1. Auntie’s harp - Flying Lotus 
2. Holy Ghost - Zombie Assassin
3. Black Labs - Space Bar (Gabriel Ananda Edit)
4. D.Dan - X-Dreams
5. R.M.K - Mind
6. Claas Herrmann, D.aiff - Tongue Out
7. Synchro - Kitchen Sync
8. Pessimist - Ridge Racer Revolution 
9. FSOM - International 
10. thibault - raindanc94
11. D.A.V.E. the Drummer - Hydraulix 30A
12. Guy McAffer - Smoke Out The Mole
13. Tommy Holohan - Rod Eo Samba
14. CRTB - Nature Boy (ft. Kettama)
15. Alec Dienaar - Out Of Print (Chlär Remix)
16. Alessandro Grops - Charge (Original Mix)
17. Julian Muller - Bright Grooves 
18. Morgenstern - Kimchi Dub
19. LDS - Punk Coding
20. Moloch Horridus - Distance

@sasha_usti
Country: Belarus

We remind you that every Wednesday 22:00 Minsk time our series of mixes is broadcast on Radio Plato - @radioplato

BS mix 113 • Sasha Usti

written and produced by @28082 and John Object
buy/stream: https://johnobject.bandcamp.com/album/plead

If there was something else that felt like this, it would be bought and sold as we breathe.

My Life, The Remix

This is not me. I am not a soldier in the Ukrainian Armed Forces, wearing my father's wartime uniform, on a laptop in a basement somewhere. I am an experimental producer.
but for some reason Russians want me dead, therefore
This is not me. I did not produce these wonders of soundwave, I did not mix the remix and master the masterpiece. I am a soldier in the Ukrainian Armed Forces, wearing my father's uniform.

But a heart is a heart and there are eleven hearts here and they are S280F and Grischa Lichtenberger and Angelo Harmsworth and Galen Tipton and sv1 and trngs and Sara Persico and Hwoaranng and Ludwig Wandinger and Ross Alexander and John Object. I am a file on their drives and they are the song in my heart.

The idea for a John Object compilation would seem obvious to some, as I really do know some of the greatest Ableton Live users to ever stumble upon this plane. I never had the heart to ask!

Ludwig Wandinger and Ross Alexander are two of my friends from Berlin, and they are, to date, the only people that made it their business to bring me to play in that blessed city. I played at 8MM Bar both times (that place is fucking sweet) at Salon Oblique events. Now, at this war, in what I can only describe as a gesture of love and tender caring, they called upon the geniuses of today to work on my work and provided me with an album where there could not be one. This is a remix compilation that I found out about only when it was already release-ready.

I really only could take one night off, walked to the nearest village, and my dear friend Andrii, a soldier himself, brought me my camera, and I titled the compilation in blood. Then for a month I worked on a .pdf booklet for the digital edition, that, really, tells the whole story.

I think this is probably the wildest, most advanced music ever to be released by a soldier in active service.

I can't adequately express the crushing magnitude of tenderness, love and gratitude that I feel towards every person involved.

Thank you S280F: s280f.bandcamp.com
thank you Grischa: grischa-lichtenberger.com
thank you Angelo: angeloharmsworth.bandcamp.com
thank you Galen: o0o0o0o0.bandcamp.com
thank you sv1: sv-1.bandcamp.com
thank you trngs: trngs.bandcamp.com
thank you Sara: sarapersico.com
thank you Hwoarang: fantasyfictionrecords.bandcamp.com/album/won-for-the-heart
thank you Ludwig: www.ludwigwandinger.com
thank you Ross: rossalexanderpayne.com
thank you Andrii for being the best friend in peace and in war.

This all happened only because Ross brought me to Berlin for Salon Oblique at 8MM Bar www.salonoblique.net, and then Ludwig brought me to Berlin to record with him and play at Salon Oblique again, and then because they cared about me, and because my friend Andrii brought me the camera and helped me find the right way to call this.

So much never happened, and so much never will, because of Russians and their deep-seated hatred of me, of everyone I love, and everyone Ukrainian. I am still at war and I am still under threat of violent death every day. Many people I knew and served with have already been murdered by Russians. I am just lucky.

Coming soon:
Limited edition engraved USB carabiner drive with Plead, .pdf booklet, and a recording of a John Object live set at Salon Oblique on October 18th, 2021, when the war seemed so very, very unlikely, and this existence was not imaginable at all. Ships starting November 1st.

And, lastly, alightineverydarkness.com

Kiss (S280F Remix)

3 - CONCEPTUAL - Nocturnal

here i post my experiments with sound

i do not limit them inside any genre just want to have a place where i can put it out without really thinking through much
this is kind of creative sandbox
olezhax is a place free from hard boundaries
in my experiments i tend  to enjoy choral vocal elements, harsh industrial breaking motives, nature's and creature's produced sounds and other things which i find hard to name

also I listen to a lot of experimental and hardcore music, which i regularly repost, so you might find some gems here for yourself too

i have some other places where i share my creativity through visual or text works:
https://www.instagram.com/olezhax/
t.me/olezhadance

The Saddest Sh** I Ever Heard from a person

OLEZHAX / sound experiments

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Marissa Remigio

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