Huntemann

Awesome

Oh yeah!!

Oliver Huntemann

Oliver Huntemann 1

PARANOIA, my new album!

Take a listen and if you like it, feel free to buy the CD incl. bonus DVD with fantastic videos of all tracks.
Also available 2x12" Vinyl and digital versions on Beatport, iTunes and other Downloadshops. 
All of course in full length.

The edits here are just for your pleasure and to get an impression;)

Release: 2.11.2011
Label: Ideal Audio

Oliver Huntemann -  Rotten (Paranoia)

Oliver Huntemann -  Delirium (Paranoia)

Oliver Huntemann -  In Times Of Trouble (Paranoia)

Oliver Huntemann -  Dark Passenger (Paranoia)

Oliver Huntemann -  Phantom (Paranoia)

Oliver Huntemann -  They Are (Not) After You (Paranoia)

Oliver Huntemann -  Magnet (Paranoia)

Oliver Huntemann -  Tranquilizer (Paranoia)

Oliver Huntemann - Wahnfried (feat. Ane Trolle) (Paranoia)

Oliver Huntemann - The End (Paranoia)

Weather and waves

Vox&Lyrics by KerenDun

Keyz solo by Maya Dunietz

Produced by Rejoicer and KerenDun

Synths & Rec & Mix by Rejoicer

Mastered by Marko Gurken (Kicha Studios)

also featured on "Vision Diamond" - 

http://mb.mercedes-benz.com/en/mixedtape/compilation

Buttering Trio - Tired Love

Only five releases away from the 100th, Rodriguez Jr. delivers on the 095 with a generous 4-track, digital only edition titled "Muppet Anthem".

The self-titled number makes up the first track on the EP with a pleasant array of upbeat house-party elements and groovy vocals making this piece of work totally dance-floor worthy in the heat of the summer.

Seething down to the second track, "Ocean Drive" takes it down a notch by starting the track with exotic and tropical elements as it progresses into a high peak of faster beats and steady keyboard strikes. Its a number that will leave your feet grounded as your swaying shoulders and bobbing head lead the dance.

"Satellite" comprises the third number an emotional hymn bursting with soulful vocals and periodic tambourine jingles and jangles. Enjoy this eye closer preferably with your head back and arms reaching towards the sky.

Closing out the set is "Palo Alto", a high tempo number with various calculated beats one setting off the next. Crying vocals wrapped in multi-faceted elements will leave even your goosebumps dancing.

The French producer/DJ has a stupendous track record with mobilee and its sister label, Leena. In 2011 he released his very first album titled "Bittersweet" on the mobilee imprint. The summer of 2012 has seen weekly gigs throughout Europes favorite beach bars and waterfront clubs with Rodriguez Jr.

Muppet Anthem

Buy 'Muppet Anthem'

Muppet Anthem (Snippet)

Oliver Huntemann - PLAY! 04 EP

A – Tasmanian Tiger
B – Melbourne

Label: Ideal Audio
Release Date: Physical (12") 20.06.12 / 21.06.2012 (Beatport) and 05.07.2012 (iTunes)
Cat Number: Ideal021-6

In addition to the new forthcoming ‘PLAY! 04 Live in Melbourne’ release, Oliver Huntemann is also releasing an EP comprising two dark tracks that are awash with his unique musical stamp.

The last six months have been fantastic for Oliver. His concept album ‘Paranoia’ demonstrated a new diversity in his creative output, and provided fans with a collection of songs that were equally suited to home-listening and club soundsystems. Similarly, the new EP continues to deliver on quality, and serves up two productions influenced by his time down under.

On the A side is Tasmanian Tiger, a pulsating, warbling, synth driven track whose breakdown gives way to a teasing peak-climbing journey before the track’s mesmorising crescendo. A track that is certain to be used by headliners in peak time slots in the coming months.

Side B is ‘Melbourne’, which also features on CD1 of the new ‘PLAY!’ compilation. It involves dark, deep and driving drum patterns, but also synths that give off the intensity and warmth of a hot sunny day. Hefty amount of heads-down hands-up moments throughout this one.

Oliver is one of the few revered producers in the scene who is unrivalled in his ability to construct deceptively intricate yet powerful songs.This is illustrated by the fact that he has remixed the likes of Underworld, the Chemical Brothers and Depeche Mode. 

Oliver Huntemann - Tasmanian Tiger (PLAY! 04 E.P.)

Oliver Huntemann - Melbourne (PLAY! 04 E.P.)

Nigel Stately - Deep Café Vol.7

ALT DOWNLOAD: http://www.mediafire.com/?w02b2kc2nyx9llw

much luvv jeremih + FKI <3

www.facebook.com/pages/Shlohmo/21…843565?ref=br_tf
www.twitter.com/shlohmo

@wedidit-collective


Jeremih - Fuck U All The Time (Shlohmo Remix)

Quentin Tarantino's DJANGO UNCHAINED official motion picture soundtrack - Ft. Rick Ross,John Legend,Anthony Hamilton & Elayna Boynton and more.

OFFICIAL SITE: Http://www.unchainedsoundtrack.com
Available on Amazon: http://www.smarturl.it/DjangoUnchainedAMZ
Twitter: @unchainedmovie
Facebook:http://www.facebook.com/unchainedmovie?fref=ts


Freedom (Anthony Hamilton & Elayna Boynton)

Download EP here: http://www.beatport.com/release/licking-skin/172946

Release date: 27/05/2009

Marc Houle’s music is always innovative, experimental and unconventional, his live sets, choice of instruments and track titles never fail to grab the attention while his natural instinct as an electronic musician is to take the listener out of his or her comfort zone, dismantling the strict set of rules that techno music adheres to in the process. These two digital only tracks build on the foundations laid by last year’s sixty-four collection and will certainly appeal to lovers of the avant garde, so if you’re looking for familiar, user friendly beats that blend seamlessly and don’t ask too many questions…don’t bother reading any further.

Apart from the clinical drum machine groove Houle employs on Dirty Dirty, there’s nothing that remotely resembles anything from your standard soundset, yet it somehow remains deliciously monotone and minimal. If techno ever found it’s way into a Tarantino flick then Dirty Dirty would be a prime candidate with its fuzzy plucked guitar surging through beaten up amps and crazy, oscillating analogue synth line that seems to rise and fall simultaneously, creating bedlam. Houle makes it all sound so ridiculously easy as he stitches his wild, staccato riffs together, applying heavy doses of sporadic reverb to the twisting time signatures. A warm bassline rounds out the groove, before a secondary guitar line leads us into the tense breakdown from which the groove quickly reforms, although the shadows have all shifted slightly.

If anything Licking Skin goes deeper into the realms of abstraction cramming a night of feverish dream sequences into seven eventful minutes. Underpinned by another nervous guitar pattern, Houle sets the scene with some instinctive keyboard stabs and scary b-movie pad fx that create an odd, hallucinatory state before a chorus of chiming clocks send the Dali-esque symbolism into overdrive. What’s more, the subsequent subliminal mantra ‘I like to take things apart and put them all back together’ perfectly sums up Houle’s grasp of the logic of the absurd. At times it sounds like an orchestra warming up before a mischievous percussion improvisation takes control, accompanied by a chorus of heavily treated vocals that recall the climax of the early 80’s new wave punk sci-fi movie Liquid Sky. It certainly wouldn’t be speaking out of turn to suggest these two tunes deserve the same cult classic status.

Press contact: press@marchoule.net

Connect with Marc Houle:
www.marchoule.net/
www.facebook.com/marchoule.official 
www.mixcloud.com/marchoule
www.youtube.com/user/MarcRHoule
www.twitter.com/MarcRHoule
www.residentadvisor.net/dj/marchoule 
www.dj.beatport.com/marchoule 
www.juno.co.uk/artists/Marc+Houle/
www.discogs.com/artist/Marc+Houle 
www.itemsandthings.com


Marc Houle - Dirty Dirty | Minus | 2009

Download EP here: http://www.beatport.com/release/sixty-four-week-2/129053

Release date: 13/08/2008

Marc Houle follows 2007’s Techno Vocals EP with a string of releases that experiment with the true potential of the digital download age, 3 tracks released per week for one month.

The project aptly titled Sixty-Four represents an exciting phase in Marc Houle’s production cycle with most of the year having been spent testing ideas for his album. As a result, these twelve tracks were only ever meant to represent ‘work in progress’, functioning primarily as DJ tools for Magda, Troy Pierce and Richie Hawtin over the summer with Marc also performing them live on the road and during the Contakt shows. However, exactly because of their 'in-between' nature, their inherent quirkiness and route one approach the crowds have really taken to them and other DJs have been desperate to get their hands on them. To satisfy demand, Minus has put together this very special series of digital releases for August, before a double pack 12" hits the shops in September featuring seven carefully selected tracks.

They contain such a wealth of unique and twisted sounds that it’s a challenge finding adjectives to describe them. Houle attacks each idea with verve and tenacity, constantly varying the unconventional line up of machines at his disposal, in fact there’s a vast collection of equipment on display here - early analogue synths, sequencers and drum machines, 80s digital synths, modern buchla synths, samplers, vocals, acoustic drums, electronic trigger pads, bass guitar - even a vst! The result is a plethora of sound encapsulating different styles and multi – coloured dimensions as each track revolves around a musical motif that’s subsequently stretched, contorted and wrenched in every direction possible. It all works perfectly as Houle never loses sight of the basic orthodoxies needed to make a techno track kick.

Week 1 sees the digital release of Sands, Deathray At You and Jouster, and the depth and quality of sound generated from his arsenal of machines is immediately apparent. Just check out the heavily treated raw bleeps and blips that usher in the huge, filtered bass loop on Sands. Every element is given space to breathe as the slow techno groove constructs around a dark acid bassline before the 808 hats introduce more beautifully crafted sounds, creating a lush analogue landscape. The beginning of Deathray At You reflects the title perfectly. A four-note descending bassline then takes the floor and Houle starts running amok with a selection of modulated effects that literally pull the sound inside out while the unobtrusive beats keep everything ticking over. Jouster combines more classic beats with laser cheeky unquantized toms and a low slung, warbling bassline in a rough and ready style including a classic, sampled vocal section.

There’s a strong reference to 80s computer and video game culture during week 2 with Buchla9 as it leaps and cavorts across the sonic spectrum - Just wait for the bass to kick in. Steeplechase is another high-end mixing tool continuing the theme of machines in meltdown with a fuzzy bassline slowly warping up and down while the loose groove speaks with a lazy tongue. Door Nobula then rounds off the instalment with a more aggressive techno workout. The beat hammers the point home with lethal precision as a twisted, freaking acid line dominates the majority of the track.

Week 3 returns to a slightly more sedate state of affairs with Flapping Around displaying some distinct early techno tendencies although its not long before Houle launches the unassuming riff and we’re off again. Selection 12 contains authentic bass guitar work, looped and filtered against a backdrop of delayed drum rolls and thick, reverberating swathes of guitar. The post punk overtones bring a dark, brooding quality to the project making it a welcome but not entirely out of place departure. Ketchup and Beans then kicks in with a tasty electro-funk groove. It’s an infectious dancefloor warmer complete with bouncing, elastic bassline and hypnotic hook taking control and ordering you to dance.

As we enter the home straight of this mammoth release, the fantastically titled Meatier Shower rains down as the title implies, complete with raw sampled hook line and creative interplay between the bass and a Magda vocal. It’s a bomb that detonates with insane harpsichord riffing at the end and a deeply meaningful last note. Investments instigates more mischief with shifting time signatures and delay effects that disorientate the dancefloor before What Are You Doin brings the curtain down. Drifting amid a haze of classic beats and a self referencing cut up vocal, it revolves around a programmed sequence, chattering in a way that reaffirms Marc Houle’s complete and almost unnerving control over his machines.

Press contact: press@marchoule.net

Connect with Marc Houle:
www.marchoule.net/
www.facebook.com/marchoule.official 
www.mixcloud.com/marchoule
www.youtube.com/user/MarcRHoule
www.twitter.com/MarcRHoule
www.residentadvisor.net/dj/marchoule 
www.dj.beatport.com/marchoule 
www.juno.co.uk/artists/Marc+Houle/
www.discogs.com/artist/Marc+Houle 
www.itemsandthings.com

Marc Houle - Door Nobula | Minus | 2008

Download EP here: http://www.beatport.com/release/sixty-four-week-2/129053

Release date: 13/08/2008

Marc Houle follows 2007’s Techno Vocals EP with a string of releases that experiment with the true potential of the digital download age, 3 tracks released per week for one month.

The project aptly titled Sixty-Four represents an exciting phase in Marc Houle’s production cycle with most of the year having been spent testing ideas for his album. As a result, these twelve tracks were only ever meant to represent ‘work in progress’, functioning primarily as DJ tools for Magda, Troy Pierce and Richie Hawtin over the summer with Marc also performing them live on the road and during the Contakt shows. However, exactly because of their 'in-between' nature, their inherent quirkiness and route one approach the crowds have really taken to them and other DJs have been desperate to get their hands on them. To satisfy demand, Minus has put together this very special series of digital releases for August, before a double pack 12" hits the shops in September featuring seven carefully selected tracks.

They contain such a wealth of unique and twisted sounds that it’s a challenge finding adjectives to describe them. Houle attacks each idea with verve and tenacity, constantly varying the unconventional line up of machines at his disposal, in fact there’s a vast collection of equipment on display here - early analogue synths, sequencers and drum machines, 80s digital synths, modern buchla synths, samplers, vocals, acoustic drums, electronic trigger pads, bass guitar - even a vst! The result is a plethora of sound encapsulating different styles and multi – coloured dimensions as each track revolves around a musical motif that’s subsequently stretched, contorted and wrenched in every direction possible. It all works perfectly as Houle never loses sight of the basic orthodoxies needed to make a techno track kick.

Week 1 sees the digital release of Sands, Deathray At You and Jouster, and the depth and quality of sound generated from his arsenal of machines is immediately apparent. Just check out the heavily treated raw bleeps and blips that usher in the huge, filtered bass loop on Sands. Every element is given space to breathe as the slow techno groove constructs around a dark acid bassline before the 808 hats introduce more beautifully crafted sounds, creating a lush analogue landscape. The beginning of Deathray At You reflects the title perfectly. A four-note descending bassline then takes the floor and Houle starts running amok with a selection of modulated effects that literally pull the sound inside out while the unobtrusive beats keep everything ticking over. Jouster combines more classic beats with laser cheeky unquantized toms and a low slung, warbling bassline in a rough and ready style including a classic, sampled vocal section.

There’s a strong reference to 80s computer and video game culture during week 2 with Buchla9 as it leaps and cavorts across the sonic spectrum - Just wait for the bass to kick in. Steeplechase is another high-end mixing tool continuing the theme of machines in meltdown with a fuzzy bassline slowly warping up and down while the loose groove speaks with a lazy tongue. Door Nobula then rounds off the instalment with a more aggressive techno workout. The beat hammers the point home with lethal precision as a twisted, freaking acid line dominates the majority of the track.

Week 3 returns to a slightly more sedate state of affairs with Flapping Around displaying some distinct early techno tendencies although its not long before Houle launches the unassuming riff and we’re off again. Selection 12 contains authentic bass guitar work, looped and filtered against a backdrop of delayed drum rolls and thick, reverberating swathes of guitar. The post punk overtones bring a dark, brooding quality to the project making it a welcome but not entirely out of place departure. Ketchup and Beans then kicks in with a tasty electro-funk groove. It’s an infectious dancefloor warmer complete with bouncing, elastic bassline and hypnotic hook taking control and ordering you to dance.

As we enter the home straight of this mammoth release, the fantastically titled Meatier Shower rains down as the title implies, complete with raw sampled hook line and creative interplay between the bass and a Magda vocal. It’s a bomb that detonates with insane harpsichord riffing at the end and a deeply meaningful last note. Investments instigates more mischief with shifting time signatures and delay effects that disorientate the dancefloor before What Are You Doin brings the curtain down. Drifting amid a haze of classic beats and a self referencing cut up vocal, it revolves around a programmed sequence, chattering in a way that reaffirms Marc Houle’s complete and almost unnerving control over his machines.

Press contact: press@marchoule.net

Connect with Marc Houle:
www.marchoule.net/
www.facebook.com/marchoule.official 
www.mixcloud.com/marchoule
www.youtube.com/user/MarcRHoule
www.twitter.com/MarcRHoule
www.residentadvisor.net/dj/marchoule 
www.dj.beatport.com/marchoule 
www.juno.co.uk/artists/Marc+Houle/
www.discogs.com/artist/Marc+Houle 
www.itemsandthings.com


Marc Houle - Selection 12 | Minus | 2008

Download EP here: http://www.beatport.com/release/sixty-four-week-4/130500

Release date: 27/08/2008

Marc Houle follows 2007’s Techno Vocals EP with a string of releases that experiment with the true potential of the digital download age, 3 tracks released per week for one month.

The project aptly titled Sixty-Four represents an exciting phase in Marc Houle’s production cycle with most of the year having been spent testing ideas for his album. As a result, these twelve tracks were only ever meant to represent ‘work in progress’, functioning primarily as DJ tools for Magda, Troy Pierce and Richie Hawtin over the summer with Marc also performing them live on the road and during the Contakt shows. However, exactly because of their 'in-between' nature, their inherent quirkiness and route one approach the crowds have really taken to them and other DJs have been desperate to get their hands on them. To satisfy demand, Minus has put together this very special series of digital releases for August, before a double pack 12" hits the shops in September featuring seven carefully selected tracks.

They contain such a wealth of unique and twisted sounds that it’s a challenge finding adjectives to describe them. Houle attacks each idea with verve and tenacity, constantly varying the unconventional line up of machines at his disposal, in fact there’s a vast collection of equipment on display here - early analogue synths, sequencers and drum machines, 80s digital synths, modern buchla synths, samplers, vocals, acoustic drums, electronic trigger pads, bass guitar - even a vst! The result is a plethora of sound encapsulating different styles and multi – coloured dimensions as each track revolves around a musical motif that’s subsequently stretched, contorted and wrenched in every direction possible. It all works perfectly as Houle never loses sight of the basic orthodoxies needed to make a techno track kick.

Week 1 sees the digital release of Sands, Deathray At You and Jouster, and the depth and quality of sound generated from his arsenal of machines is immediately apparent. Just check out the heavily treated raw bleeps and blips that usher in the huge, filtered bass loop on Sands. Every element is given space to breathe as the slow techno groove constructs around a dark acid bassline before the 808 hats introduce more beautifully crafted sounds, creating a lush analogue landscape. The beginning of Deathray At You reflects the title perfectly. A four-note descending bassline then takes the floor and Houle starts running amok with a selection of modulated effects that literally pull the sound inside out while the unobtrusive beats keep everything ticking over. Jouster combines more classic beats with laser cheeky unquantized toms and a low slung, warbling bassline in a rough and ready style including a classic, sampled vocal section.

There’s a strong reference to 80s computer and video game culture during week 2 with Buchla9 as it leaps and cavorts across the sonic spectrum - Just wait for the bass to kick in. Steeplechase is another high-end mixing tool continuing the theme of machines in meltdown with a fuzzy bassline slowly warping up and down while the loose groove speaks with a lazy tongue. Door Nobula then rounds off the instalment with a more aggressive techno workout. The beat hammers the point home with lethal precision as a twisted, freaking acid line dominates the majority of the track.

Week 3 returns to a slightly more sedate state of affairs with Flapping Around displaying some distinct early techno tendencies although its not long before Houle launches the unassuming riff and we’re off again. Selection 12 contains authentic bass guitar work, looped and filtered against a backdrop of delayed drum rolls and thick, reverberating swathes of guitar. The post punk overtones bring a dark, brooding quality to the project making it a welcome but not entirely out of place departure. Ketchup and Beans then kicks in with a tasty electro-funk groove. It’s an infectious dancefloor warmer complete with bouncing, elastic bassline and hypnotic hook taking control and ordering you to dance.

As we enter the home straight of this mammoth release, the fantastically titled Meatier Shower rains down as the title implies, complete with raw sampled hook line and creative interplay between the bass and a Magda vocal. It’s a bomb that detonates with insane harpsichord riffing at the end and a deeply meaningful last note. Investments instigates more mischief with shifting time signatures and delay effects that disorientate the dancefloor before What Are You Doin brings the curtain down. Drifting amid a haze of classic beats and a self referencing cut up vocal, it revolves around a programmed sequence, chattering in a way that reaffirms Marc Houle’s complete and almost unnerving control over his machines.

Press contact: press@marchoule.net

Connect with Marc Houle:
www.marchoule.net/
www.facebook.com/marchoule.official 
www.mixcloud.com/marchoule
www.youtube.com/user/MarcRHoule
www.twitter.com/MarcRHoule
www.residentadvisor.net/dj/marchoule 
www.dj.beatport.com/marchoule 
www.juno.co.uk/artists/Marc+Houle/
www.discogs.com/artist/Marc+Houle 
www.itemsandthings.com
