Hoy os presentamos la quinta entrega de nuestra serie de podcast, en esta ocasión os traemos algo muy muy especial, 3 horas de cierre extraídas de el último All Night Long del gran Jesús Riaño, el pasado mes de marzo en el santuario de los domingos de nuestra ciudad, Cassette Club, su casa desde hace más de 15 años, muchos más años recorriendo infinidad de cabinas, dejando noches para el recuerdo, en las que ha demostrado porqué es un referente para todos nosotros, sinónimo de calidad, elegancia y mezclas perfectas, el es... Don Jesús Riaño.

¡Gracias Jesús por cedernos esta joya!


SP
Dj & Productor Madrileño con mas de 20 años recorriendo cabinas y haciendo warm ups a nombres como Marco Carola, John Aquaviva, Claude Young, James Ruskin, Oscar Mulero y un largo etc... de djs internacionales y tomando residencias en los clubs mas punteros de la capital (CLUB 7, DEEP etc..).
Actualmente es residente de CASSETTE CLUB (Madrid) compartiendo cabina con numerosos artistas nacionales e internacionales de la escena Techno actual.
Como productor tiene varios tracks en el mercado en diferentes sellos nacionales e internacionales (ILLEGAL ALIEN, DKN SELECTIONS, SUB tl, SELECTED RECORDS, HARDTOOLS RECORDS, HIDDEN RAGE, REKKTOR MUSIC, TRUE TYPE TRACKS, CUBIC CAPACITY)

ENG
Dj & Producer based in Madrid, 20 years around sharing cabins and doing warm ups with names like Marco Carola, John Aquiaviva, Claude Young, James Ruskin, Oscar Mulero… and a big list of international Djs, and taking residency in the best clubs (CLUB 7, DEEP, etc..)

Nowadays he is resident at CASSETTE CLUB (Madrid), sharing cabin with a big number of international and national artist from the panorama of the actual Techno.
As productor he has some tracks already at the market in different records labels national and international (ILLEGAL ALIEN, DKN SELECTIONS, SUB tl, SELECTED RECORDS, HARDTOOLS RECORDS, HIDDEN RAGE, REKKTOR MUSIC, TRUE TYPE TRACKS, CUBIC CAPACITY)

SYNTH Podcast Series 005 /// JESÚS RIAÑO All Night Long

This is Recorded Things 2024! 12 Artists, 12 Tracks taken from 12 releases! Sampler Two!

Sampler Two

They Are Coming

MSDMNR - They Are Coming

PWCCA
Obsidian pulse

PWCCA returns with Obsidian Pulse, a new EP that dives deep into hypnotic and heavy techno territory. True to his signature sound, the release blends raw, pulsating rhythms with textured sound design, creating an atmosphere that feels both ancient and futuristic.

▪ Bandcamp:  https://newrhythmic-records.bandcamp.com/album/obsidian-pulse

1: Echoes of the abyss 
2: Nocturnal descent
3: Obsidian pulse
4: Synthetic void
5: Veil of shadows 

Written & produced by PWCCA
Cat #: NRDR193
Label: Newrhythmic Recs 
Release date: Bandcamp : 16.05.2025
Other shops : 25.05.2025
Art & Sound Engineering by Joton

Promo & Press: thotpr.com


PWCCA Obsidian pulse [Newrhythmic Recs]

the recording of my set at Phyr rec showcase in Madrid. Was an amazing night with a line up for the books! i also played B2B with PWCCA this night but it wasnt recorded. So here is my solo set. hope you enjoy!!

LINEUP that evening was:

Irazu 
Oliver Rosemann 
PWCCA
Pyramidal Decode 
Unkle Fon 
Ricardo Morales

LFTC Series 008 - Oliver Rosemann at LASOCIACIØN Madrid | 29.03.2025

premiere of "Techno Tesseract" by Jamie Bissmire 
taken from the compilation "Structure Series 2", released soon on Molecular Recordings

Compilation Details:
https://novafuture.blog/2025/07/24/various-structure-series-2-molecular-recordings/

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Artist: Jamie Bissmire |  @bissmire
Label: Molecular Recordings | @molecular-recordings

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Order via Bandcamp: --- soon ---

Info & Buy

Jamie Bissmire - Techno Tesseract [MOLST02 | Premiere]

Here is the interview!

ACTANT: Can you tell me about your artist name PWCCA?

PWCCA: PWCCA is the Welsh name for a demonic creature or spirit, playful but dangerous. It was my evolution as a musician, a shift from my old AKA to a more defined and technically advanced sound. I also chose it because I like its written aesthetic.

ACTANT: PWCCA was born in 2019, but you produced earlier under the name Dr Cyanide. Can you tell me about the transition between the two?

PWCCA: It was the evolution that arose with the improvement of my production techniques and my ideas, although in reality, and logically, they still have some connection, since they are two AKA to produce the same style of music.

ACTANT: Why do you make music?

PWCCA: For me, it's a way of expression, entertainment and escape, I always wanted to create tools to be able to use in own DJ sets, to be able to listen to my music in the hands of great DJs… although it is true that today in my performances as a DJ, my music is what I use the least, since when I perform in Live format obviously, everything that sounds is mine, but a great motivation long ago was this.

ACTANT: The sound of your productions is  haunting, rough, extremely repetitious. What is the attraction of these sounds for you?

PWCCA: In techno music, I've always loved repetition. In fact, I think it's part of its essence. I like creating dense, dark, and dirty sounds. They particularly immerse me in an intense mental journey. Today, I don't want to give rise to frivolous sounds in my work, at least that's what I try to convey or capture.

ACTANT: As a record label, Hardtools seems to embrace a dark aesthetic, pointing at an interest in death, spirits, ghosts, and so forth. Do these realms hold a power that can be utilised in music?

PWCCA: For me, darkness, death, the universe or all of this that no one knows about, inspires me when creating my sound, I don't like to link my sound or the sound of different artists of the label, with colors or images that are not serious or more "Fun" I think that over time, I have become more strict with those things hehe, it doesn't mean that techno is this, but in my case it is what inspires me the most.

ACTANT: Where do you see techno evolving in the future? Will real, dark techno continue to expand as society continues to erode?

PWCCA: Techno will likely continue to expand because it taps into a collective sense of restlessness. It's a search for refuge, often logically linked to having fun. Many young artists will take over and maintain the essence, while others who seemed authentic will sell out to the highest bidder without flinching. It has always happened and will always continue to happen; it's part of the game.

ACTANT: What makes Spain such a powerful force in techno?

PWCCA: I think there are and have been great techno artists in Spain, influenced by the right sources. Many artists who have forged a unique and remarkable sound, known worldwide, highly influential people like Oscar Mulero, supporting national material. I think the different artists who re-emerge have a great source of inspiration without having to look too far. But only in a few cases is one a prophet in his own land...

ACTANT: Finally, who are your favorite artists and labels right now?

PWCCA: I like listening to old artists like Wünsch, Mulero, Surgeon, Regis, Portion Reform (R&F), Mugon… but today we also have a wave of brutal producers like Kike Pravda, Lakej, Lewis Fautzi, Pyramidal Decode, KØLPØS, Ribé, Endplate, Oliver Rosemann, Stanislav Tolkachev, among many others. There are great Labels like Mord, Semántica, Pole Group or Warm Up, and others, offering great stuff, but I think that a large part of the scene is also supported by labels of less “prestigious” since there are many tracks edited in these, which are used by world-class DJs.



DYSTOPIA 007: PWCCA

Phyr Transmission Episode 3: Oliver Rosemann

Phyr Transmission returns for its third episode with a driving one-hour set from Leipzig’s Oliver Rosemann, master of hypnotic, high-impact techno. Expect a full-spectrum club immersion as Rosemann’s deep sound and uncompromising rhythms merge with the show’s signature flashy visuals.

----------------------

Oliver Rosemann is a veteran techno DJ and producer from Leipzig, Germany, celebrated for his raw style and powerful releases on labels like MORD, MindTrip, and Warm Up. 
He’s founder of Recorded Things and a versatile performer whose energetic sets blend classic influences with modern experimentation. 
Rosemann’s close ties to PHYR Records include standout contributions like “The Truth About Unicorns” on the label’s first vinyl. 
He played at three PHYR showcases: in Krakow, Madrid, and South Italy, establishing himself as a regular force on PHYR’s international stage.

PHYR TRANSMISSION 003 - OLIVER ROSEMANN

After making a strong impression at "rural presents New Acao" in Atami, the Spanish techno master Oscar Mulero returned to the rural stage for the closing set on the third day of the festival this year, and once again pulling the floor into a deep groove universe. As a prelude to the release of the live recording of 2025, we are pleased to share it with you. We hope you enjoy this solid techno set, filled with pure techno pleasure in every direction.

熱海で行われた〈rural presents New Acao〉でも鮮烈な印象を残したスパニッシュテクノの雄 Oscar Mulero が今年は3日目のクロージングセットのために rural の舞台へと舞い戻り、再びフロアを深いグルーヴの渦へと引きずりこみました。2025年のライブレコーディングの第一弾として、まずはこのセットから皆さまと共有できることを嬉しく思います。純粋なテクノの快楽性があらゆる方向から詰め込まれた、揺るぎのないテクノセットをお楽しみください。

Oscar Mulero at rural 2025

Galaxian has made a crucial contribution to modern electronic music in the 21st century, de- constructing & turning it on it's head while making bold strides into unexplored territories. Often recognised as a pioneer & innovator, his inventiveness is only surpassed by his ability to mine consistently new seams of sound, rhythms and intricate arrangements. 

More than a decade of authoritative releases on world-class labels & counting Aphex Twin, Mary Anne Hobbs, Helena Hauff & DJ Stingray among admirers, the latter being sometime collaborators. Notable live & DJ sets played worldwide at Boiler Room, Dekmantel, Resident Advisor and key releases on Tresor, BPitch, Ilian Tape, Return to Disorder, Micron Audio and many others & featured in a number of BBC Essential Mixes, BBC Radio 1 + BBC Radio 6 Mary Anne Hobbs. 

Beginning his journey behind the decks long before stepping into production, DJ sets display a reflect a deep well of knowledge and experience. Stylistically mixing style is rooted in a classic old-school approach, completely contemporary in track choices, techniques and performance. Sets are tightly woven, dynamic, incendiary, evocative. 

With recent releases on BPitch and Herrensauna, Galaxian - along with his alter ego Naix - continues to reaffirm his reputation for crafting unconventional yet essential electronic music that resonates in the 21st century and beyond. 

With such an intense output of 5 albums in 3 years it was time to take a long earned rest and consider new sonic avenues, developing new ideas and adopting different sound palettes and production techniques. During this extended period there has been a lot of evolution and shift for the Galaxian and Naix sounds resulting in dozens of new tracks and a few albums worth of material. 

In 2025 Galaxian turned his attention to the sample library world, launching a new platform called Wavkore in late March 2025. Designed to give producers fresh creative possibilities, it offers access to his signature sounds, a curated artist series, and plenty more developments on the horizon. 

Tracklist via
-Spotify: bit.ly/SRonSpotify
-Reddit: www.reddit.com/r/Slam_Radio/
-Facebook: bit.ly/SlamRadioGroup
Archive on Mixcloud: www.mixcloud.com/slam/
 
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Keep up with SLAM: https://fanlink.tv/Slam 
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For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk
Slam Radio is produced at www.glowcast.co.uk

#SlamRadio - 664 - Galaxian

Tresor Records announces the first-ever reissue of Drexciya’s 'Fusion Flats' 12” vinyl, including remixes from Detroit’s Octave One, Kaotic Spatial Rhythms and 043 Chaos. 

Originally released in the wake of Drexciya’s seminal 1999 Tresor debut album 'Neptune’s Lair', this release marks its long-awaited return and first appearance on digital platforms. The remastered edition contains the original extended version of Fusion Flats and features new artwork by Detroit-based contemporary artist Matthew Angelo Harrison, whose reimagined covers continue to shape the Drexciya reissue series. 

25 years later, Fusion Flats returns to the constellation of Drexciya’s Tresor works, connecting their debut full-length to further explorations that continue to inspire generations.

BANDCAMP

Drexciya - Fusion Flats (043 Chaos Remix)

// OGLE-2012-BLG-0026L c > DF-18 
// Incoming transmission: Patrick Russell

Patrick Russell is one of the more under-the-radar DJs who hail from Detroit. The reason for that is his uncompromising style. He plays what he wants, not what he thinks you want to hear. Finally the world is catching up and the man brought up on the Midwest rave scene is making wider waves. He is a core member of the No Way Back party that reinterpret the city’s rave past for a new audience, and will be one of the many DJs playing Dekmantel Festival in August, so we invited him into our series to show off his skills. 

His sixty minute mix is a heady world of creepy and paranoid techno. From the sort of warped, 4am soundtracks that makes best sense in a pitch black club to brain frying and peak time stuff that bashes you round the head, it’s always on the move and always keeping you guessing.

Dekmantel Podcast

Dekmantel Podcast 161 - Patrick Russell

Oliver Rosemann is a Leipzig-based techno artist with extensive experience in electronic music.

Known for a dark, gritty and hypnotic sound, he has released music on respected labels such as
MORD, Semantica, Warm Up Recordings and MindTrip, earning consistent support from leading DJs
worldwide. 

As a performer, he brings this intensity directly to audiences through both DJ and live
sets, delivering high-impact moments on dance floors across Europe. 

In 2021, he launched his own
label Recorded Things, focused on raw, functional techno and a strong, coherent aesthetic.

MSDMNR - They Are Coming

Oliver Rosemann | Recorded Things