A sentimental, impromptu orchestral composition for full string section.

Created in a single patch (arco ensemble) of this amazing strings library: http://www.cinematicstrings.com/

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<I>Image (c) Cap Photography (original <a href= https://www.facebook.com/photo.php?fbid=717222381627684&set=pb.156806751002586.-2207520000.1378945399.&type=3&theater>here</a>)</I>

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Oliver Sadie — Longing for Strings

collaboration with the lovely https://soundcloud.com/pascal-lengagne 

Page Through Time

Lastest.. and first work in 2015. It belongs to the new project available in summer.

Written and performed by Vicente Bueso. 

Dedicated to one of the most wonderful composers of all times: J.S. Bach.

Image by R. Davis.

Mellifluous

MATHILDE

Leaving

Another Sunday piece, when everything is shimmering and still... If you like this, check out my mini-album on  1631 Recordings, titled "Unhinged" : https://1631recordings.bandcamp.com/album/unhinged

Mike Lazarev - Sunday

Today we are happy to share with you an exclusive premiere of a track by Oleksiy Sakevych, also known for his project, Endless Melancholy, featuring Matt Finney. Available as a free downloadable single.

Bandcamp

TRACK PREMIERE : Endless Melancholy - We Found Love

original music: luca longobardi

Formally written for Les Madaleines, an exhibition by Valeria Patrizi.

Ta Peau

Through sound, emotion seeks new dimensions, not as an escape from reality but rather in a search for the image of a new reality. Music that creates emotion, is like a wind that purifies, rendering visible all the obstacles and divisions. It is rather like a piercing arrow that alerts the parts of our mind we do not normally go to, in our daily lives. It opens up unknown and obscure landscapes, like a ray of light that filtering into a dark room, banishes the darkness and leaves nothing to hinder vision. 
”Canone degli Spazi” is about the sound that journeys in all directions, the sound that travels through endless space - through the outer world and the inner space - through the unconscious and the senses. 
When I play with precision and with specific intent, the emotion that rises inside of me is the mirror of the one that arises in the person who is listening - it provokes a sense of union and communion with those sharing the same moment. Music becomes a vehicle of an objective feeling, which is almost the same for most people. Similarly, if I am not One with the sound and my intention is not clear, the same notes played carelessly are empty - they lose their power and their intensity. The level of clarity of my expression depends on what I can make arise inside of me. When that happens, the inner nature of the melodies that are being played spreads out into space, into the air, into the earth and out to the whole atmosphere. A real spell takes place between the performer and his public, creating a magical aura of deep harmony and sharing. This is the wonder of a sound that has come from a long time ago, through myths and mythology, and returns us to the essence of Music, that most supreme of Arts. 
I composed “Canone degli Spazi” around essential elements - the harmony of the triads, the melodic repetition and the cycles that follow the orbits of the planets and the structure of harmonics - the very same fundamental rules that Pythagoras followed to make the laws of the Universe coincide. Sound can help us to realize that our inner space is as vast as our outer space and that in reality there is no difference between them. Sound travels through walls - the walls of the mind too – transcending both time and space. 

Canone degli spazi - Michael

The Secret lighthouse

The Secret Lighthouse

Re: Better Now - Philip Daniel and Shawn Williams

COMPOSER FOR THE SCREEN
Film, TV, Advertising, Games

▶ http://oliversad.ie ◀

I am a composer, producer and pianist based in Berkshire, UK.

I write beautiful music with live and virtual orchestras, live instrumentalists and vocalists. With studio production quality, I am able to seamlessly integrate recorded parts with modern sound design and electronic parts, and deliver music-sync’ed video demos.

Writing professionally since 2009, my work can be heard in numerous original feature film and short film scores, in adverts for web and tv, and in general web and tv production where licensed from high end music libraries.

Good working relationships with filmmakers are hugely important to me, where I have many years of experience in the spotting-writing-production cycle. With great communication, I always aim to make the director’s work as easy and hassle-free as possible, an ethos which has carried me through many successful projects.

Get in touch if you’re looking for a high quality soundtrack for your next production.