Welcome to the House Of NAMM. New Artists Music Management was formed in 2012 being created by Mana Manawatu. Based in Brisbane, Australia we manage aspiring new musicians/artists to reach their aspirations in this tough industry. NAMM has an amazing stable of unsigned artists covering the hip hop, reggae dub, pop, dance, indie rock genres. Artists with NAMM are currently based in Brisbane, Gold Coast and Perth in Australia and Auckland in New Zealand and Atlanta Georgia USA.

NAMM is always open to adding new fresh talent to their roster so feel free to use our drop box and show us what you got.

All our artists are unsigned so we welcome labels to contact us for any enquiries regarding any of our talent.
For bookings of these artists please use the below links.

smanawatu@windowslive.com
manamanawatu@namm.info
+61410361316

Links to our other sites:
http://newartistsmusicmanagement.tumblr.com/
https://twitter.com/#!/NAMMaus
http://www.myspace.com/582125329
https://www.facebook.com/mana.manawatu?ref=tn_tnmn#!/ArtistBandManagement
http://mrdreamzmagazine.com/profile/ManaManawatu
http://www.reverbnation.com/label/newartistsmusicmanagement#

Producer / DJ / Artist Manager (Melbourne, Australia) 
Minimal / Oldschool Melbourne Original [EST. 2009]
Creator of #PsyTrap - [blending Psy-Trance with Trap/Dub elements]

"Bending boundaries to create my own style" ♥ ♥ ♥
Lover of all genres! ♥ PsyTrap / Minimal / Oldschool Melbourne / Psy-Trance / Trap  / Melbourne Bounce / Electro / Vocal Mash / R&B / Commercial / Party

Bookings: contact@crewless.com.au
or www.crewless.com.au/bookings

Originally from Wanganui, New Zealand, Holly-J catapulted onto the Australian music scene in 2009, and hasn't looked back since. During this time Holly-J has produced and played almost every musical genre known, earning a strong reputation by constantly delivering fun, raging sets filled with her vocal edits and remixes, and has proven time and time again to possess skills to switch effortlessly between genres, getting the crowd heaving every time she hits the decks.

From running a weekly club night at the iconic Wah Wah Lounge in Melbourne, producing and hosting weekly radio shows which aired on both Fox Fm Australia wide and The Vibe in Las Vegas, managing two Record Labels, producing music for her other alias JINIXIT (Trap), producing both commercial and underground music for the ‘Holly-J’ brand, tutoring students in Ableton music production, teaching herself video editing, to now setting up and running her own booking and Artist management company "CrewLess" - this bright-haired, ambitious kiwi sure knows how to capitalize on an industry that one might say she was born for.

This journey which has spanned almost a decade has lead Holly-J to perfect her craft and finally discover a sound she truly resonates with - blending energetic Psy-Trance with Trap elements, a splash of her beloved Metal vibes, catchy vocals, and heavy Minimal basslines.

Prepare for #PsyTrap. 

Instgram - @djhollyj
Facebook – www.facebook.com/hollyjofficial
Twitter – @djhollyj 
Podcast - www.holly-j.podomatic.com 
Soundcloud – www.soundcloud.com/holly-j 
Beatport – www.beatport.com/artist/holly-j/115000
Youtube - www.youtube.com/hollyjchannel

OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

Olivia Mcormond is following