An artist doing what he loves to do.

Inquiries - hillary@regimemusicgroup.com

BIG DATA is the paranoid pop brainchild of producer, Alan Wilkis. His music explores the relationship between man and machine, and the ways in which technology is reshaping the human experience, all with a healthy dose of distrust.

In 2014, BD made waves with the #1 alternative hit, “Dangerous (feat. Joywave),” which has since been certified Gold in the US and Canada, and with nearly 40M streams. Big Data’s 2015 debut album, 2.0, featured collaborations with Kimbra, Rivers Cuomo, Twin Shadow, and Jamie Lidell.

3.0 is the long-awaited upgrade from Big Data. In creating 3.0, Wilkis became obsessed with the subject of artificial intelligence and its many possible applications in our not-too-distant future. While AI may become humanity’s greatest achievement, it carries with it a potential risk that is both existential and irreversible… one of many reasons why experts refer to AI as our “final invention.” This tension is both fascinating and terrifying all at once, and it is the chief inspiration behind Big Data’s latest effort.

alt-J are Joe Newman, Gus Unger-Hamilton and Thom Green. They returned in 2022 with their latest album, The Dream.  

alt-J are one of the most successful British bands of the millennium. Their 2012 Mercury Prize and Ivor Novello Award-winning debut An Awesome Wave, was followed two years later by their number one, GRAMMY and BRIT Award-nominated album This Is All Yours. Released in 2017, RELAXER flew straight into the top 10 of the UK album chart ahead of a summer of major international shows - including a headline show at London’s O2 Arena and headline performances at numerous festivals - and became their second album to be nominated for the Mercury Prize.

20 Years-Old, Pop Soul, Singer/Songwriter/Musician From Australia, currently relocated to the USA.  Signed to and managed by Will Walker Records, LLC.

“It takes something special to make a room shaped something like a laundry chute, feel

like a theatre.  The Strumbellas are a band that seems to know what that special quality
is, because from their first song to their last, they transformed the small Railway Club
into a blazing amphitheatre” – VANCOUVERWEEKLY.COM

 Since the release of The Strumbellas’ eponymous 2009 EP, which was peppered
with accolades from Toronto weeklies and prompted a proclamation from the CBC
that they are a “band to watch,” the six-piece group has been slogging it out, earning
their stripes through residencies at The Cameron House and most recently a month of
Home.Sweet.Home Tuesdays at The Dakota Tavern.  The band also left the proverbial
nest in 2012, making new fans with two cross-country tours as well as playing a plethora
of festivals including CMW, NXNE, Pop Montreal, Eaglewood and Hillside in Guelph,
which by all accounts was the equivalent of their cotillion ball.

“The Rivoli was too small to contain the crowd trying to get in to see bluegrass-gospel-
punks The Strumbellas launch their debut disc, My Father And The Hunter” – NOW
MAGAZINE

 Conceived in Lindsay, Ont., but born in Toronto, The Strumbellas are equal parts
small town dream and big city gumption. Sensitive singer-songwriters beware: this ain’t
your meemaw’s country music. The band brings wheat field harmonies and arena-
ready thunder to backrooms and festival stages alike. Folk wisp and country twang are
nowhere to be found as The Strumbellas pound out a bluegrass-inspired indie rock that
rivals punk and hardcore for sweat, blood, and ruckus. 

“The Strumbellas conjure an alt-country Canadian landscape in which home is a

beacon, the graveyard looms large, and it all ends with a piano dirge to carry a body and
bury it slowly”  - THE STAR PHOENIX 

“The album is full of high energy, earnest folk music, coupled with darker-tinged gothic
folk” – EXCLAIM! MAGAZINE

The Strumbellas’ 2012 debut album, My Father And The Hunter, offers a beautiful,
harmonious dichotomy between melancholy heartbreak on songs Carry My Body,

Diane, Windsurfers, Underneath A Mountain, Left For Dead and The Bird That Follows
Me compared to blow-the-barn-doors-off spunk on The Sheriff, Lakes, Sailor’s Blues,
Rhinestone, I Just Had A Baby and Pistol.  The album, which was produced by Cone

McCaslin and recorded at Blue Rodeo’s coveted Woodshed Studio, is the harvest of
talented friends, some whisky and a few rounds of euchre.  Harmonies, stomps, hollers,
claps and gang vocals unabashedly abound as the songs weave compelling stories
throughout the entire album.  Dance, cry, put your fist through a wall or call someone
you love – expect to feel it all. Check out the mini-doc for The Bird That Follows Me in-
studio recording here.

The group recently headed south of the border to record with West Coast producer
Ryan Hadlock (The Lumineers, Metric, The Strokes, Gossip) at Bear Creek Studio near
Seattle.

“If 2012 was their year to introduce themselves to the larger Canadian audience, 2013

will surely be their breakout year.  Chances are, we’ll all be much more familiar with The
Strumbellas sooner rather than later” – BEATROUTE

 The Strumbellas: Simon Ward – vocals, acoustic guitar / David Ritter – piano, organ,
percussion, vocals / Jeremy Drury – drums, percussion / Isabel Ritchie – violin, viola,
vocals / Jon Hembrey – electric guitar, mandolin /Darryl James – bass.



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