Japan Central Electronic

Psychedelic Electronic

Olttaoff IDM

Olttaoff Electronic Hip Hop

Olttaoff Post Rock

Olttaoff Glitch

Olttaoff Electronic

Inside Out - Duster (Slowed + Reverb)

Kelly Dean takes the controls for the 10th release on Kuro Records featuring 2 brand new tracks. "Snakes & Fakes" takes no punches delivering Drum & Bass with aggressive drums, warping low-end neuro bass and iconic hip hop vocals. "Something Out There" slows down to a dubstep pace with infectious triplet drums, dark midrange bass and chest rattling low end.

Written & Produced By Kelly Wargo 
Mastered by Kial at Substaintial Mastering

all rights reserved

Snakes & Fakes EP

Buy Here

Kelly Dean - Something Out There - [KURO010]

MIDI生成ツール Track 4

lilith (Saint Avangeline) slowed and reverbed

Renis – Weight of memory, pulse of renewal.

With deep, bass-heavy textures and glitch-laden rhythms, Renis channels the sonic gravity of acts like dark, immersive, and emotionally charged. This instrumental track unfolds like a foggy recollection: fractured, but still pulsing with life.

The beat lurches forward with intent, dragging shards of the past into the present, only to melt them into something new. Glitch elements crackle like static in a dream, while thick, brooding tones anchor the listener in a sense of moody reflection.

Renis is not just about looking back—it’s about rebuilding, piece by piece, from what remains.

Renis

xscape - slowed&reverb

I’m always on the hunt for vintage, psychedelic tracks.
This one — if I had to put it into words — carries a faint trace of the ‘80s. But it’s not about nostalgia.
It’s rooted in my love for dub, layered over breakbeats with a post-rock spirit, and driven by a sharp electronic edge.

It’s like New Order suddenly crashing into a session, and the Bristol crew getting into a brawl right then and there.
Chaotic, yes — but a chaos with intent. Noise with direction.

My music is instrumental. I don’t use vocals.
That doesn’t mean I don’t respect them — on the contrary, I hold vocalists and lyricists in the highest regard.
But the story I want to tell doesn’t need words.
I speak through melodies, I scream through beats, and I question through silence.
That’s my form of storytelling.

I know this track might not be easy to grasp right away.
But if you’re into krautrock, post-rock, alternative, hip-hop, IDM, or experimental electronic music —
you just might find something in it that resonates with you.

I’m Japanese.
And I believe there’s something compelling about how a Japanese mind interprets psychedelic sound.
Maybe not as wildly unhinged as Damo Suzuki’s work with Can,
but this is my own vision of a sonic trip — one that’s more grounded, yet still deeply exploratory.

The result is this track,
ironically named — Classy Slang.

If you give it a listen, I’d be honored.
Come take a journey through my world, told entirely through sound.

The shadow of UK new wave, the depth of roots dub.
Guitar filtered through Tommy Guerrero, broken beats from IDM.
The origin: hip-hop. The destination: undefined.

Progressing like post-rock, sinking into lo-fi.
A quiet homage to New Order, Boards of Canada, and Madlib.


#newwave #postrock #psychedelic #hiphop #idm  
#electronic #dub #rootsdub #lofi #experimental #instrumental #ambient

Classy Slang

This track weaves glitch-laden textures into a flow that echoes the spirit of Terry Riley. It’s not about chasing the cutting edge—quite the opposite. I made this piece to break the mechanical monotony that often defines electronic music from within. Minimalism, for all its repetition, holds a revolutionary edge.

Think of this track as a condensed documentary—a long-form narrative trimmed down and sculpted with delicate arpeggios. Its backbone draws from hip-hop and the Bristol sound, with clear fingerprints of the ‘90s: dark, psychedelic, downtempo, electronic. That era was foundational for me—a time when sharp, bold sounds collided like they did in the ‘70s. I wanted to bring that spirit back.

In this barren landscape, I’m crafting sound like DJ Krush—pushing beats into places that feel abandoned or overlooked. Instrumental music has the power to tell stories without words, and for me, that’s its deepest beauty. Each sound carries a piece of my message—etched into the silence between the notes.


#Minimal #Glitch #Dub #BristolSound #IDM #Electronic #HipHopRoots #Experimental #LoFiPsyche #PostEverything

Lorvian

Flickersstorm is a sonic portrait of fragile hope trembling in the heart of a storm. Rooted in a vintage, lo-fi aesthetic, the track blends the melancholic grandeur of 80s Echo & the Bunnymen with the atmospheric sprawl of post-rock, layered with elements of electronic, hip-hop, and IDM.

The beat carries the weight and swing of hip-hop, while fractured rhythms and glitch textures hint at an IDM sensibility. Synths shimmer and decay like distant headlights through rain, wrapped in analog warmth and cassette hiss. Guitars echo in spacious reverb, evoking a sense of both distance and intimacy.

It’s a track where beauty flickers, threatened yet persistent—where a faint glimmer of hope survives, dancing on the edge of collapse.

Synth : Olttaoff
Beat :  Wrench

Flickerstorm

“Dying Lumen (Flickering Hope)”
A slow descent into dimness—where light still exists, but only as memory.
The piece unfolds like a shadow stretching across time, carried by deep, sustained tones and barely-there harmonics.
There is no climax. Only the gentle unraveling of something once certain.
What remains is a feeling: not absence, but the fading trace of presence. A mournful hush, suspended in sound.

Dying Lumen

Sunburst

Shine, Shattered captures the moment when brilliance fractures—wrapped in a haze of retro synths and dark textures.Bouncy, analog-inspired electronic tones dance over shadowy undercurrents, evoking a broken yet beautiful vision of a forgotten future.The contrast between rhythmic playfulness and atmospheric melancholy defines this dark retro-electronic track.

Shine, Shattered

Cover version/remix for the Analord series rework compilation 2025

Bwoon Dub (Analord - cover version dub mix)

“Intelligence Insight (Olttaoff Situation) / Awrenzas”
This remix reinterprets Awrenzas’s original through the lens of meticulous analysis and deep insights.
Olttaoff’s approach fuses intricate sonic elements into an organic whole, transforming profound understanding and subtle realizations into sound. Delicate textures and unpredictable progressions create a space where intellect seems to converse with the subconscious.
The subtitle “Situation” hints at the unfolding stream of thoughts within the listener’s mind and an awareness of the complex structures hidden in reality.

Intelligence Insight (Olttaoff Stuation) - Awrenzas

why do i like you so much?

because you
are my reflection

you follow
and follow me -
exactly copying the movements

I like your languid gaze so much

how it slides over me and
is riveted

I adore your smile -
thinking that I am the only one enchanted

....

I see you in shop windows -

you pursue, as if you yearn

as if you can't - a day without me

you call - write - as if
not wanting another

you follow, like a shadow - you call, like an echo

crawling into my dreams at night

you are not there - you yourself do not live

and when you break - you admit it

when you break - you admit..it

....

you follow, like a shadow - you call, like an echo

crawling into my dreams at night

you are not there - you yourself do not live

and when you break down - you admit it..

....

you follow like a shadow - you call like an echo

crawl into my dreams at night

you are not there - you yourself do not live

and when you break down you admit

having broken down you admit...

почему так нравишься мне?

потому что ты — 
моё отраженье

ты следишь
и идёшь вслед за мной - 
копируя чётко движенья

мне так нравится томный твой взгляд 
как скользит он по мне и 
прикован

обожаю улыбку твою — 
думая что лишь мной очарован

....

я в витринах вижу тебя -

ты преследуешь словно тоскуешь

будто не можешь - дня без меня

звонишь - пишешь — словно
не желая другую

тенью следуешь — эхом зовёшь

в мои сны по ночам пробираясь

тебя нет — ты сам не живёшь

и когда то сорвавшись это признаешь

сорвавшись признаешь..

....

тенью следуешь — эхом зовёшь

в мои сны по ночам пробираясь

тебя нет — ты сам не живёшь

и когда то сорвавшись признаешь

сорвавшись признаешь ...

тень.

This track is a remix of Hue Solemn by Awrenzas. While the original explores a solemn and introspective mood, this reinterpretation approaches the concept from the opposite end of the color spectrum. The sound design embraces a cold, inorganic aesthetic—structured yet emotionally detached—aiming to express a sense of hue stripped of warmth or sentiment. It is a study in contrast, turning solemnity into abstraction.

Hue Solemn(Olttaoff Mix)

SKOLA / HYS

Childhood

NUISANCE(nagahori25 situation)  2016
guest vocal : Nagahori25

Hello Boy
イカサマに負けたなんて
嘘ばかりつくなよ

屁理屈ばかり、サロンで巻いた
髪の毛はエレベーターで
絡まってしまった
どこかのため息

混じった、日食みたいに

皆んな賜物、
こんなもの
一食他人丼
そこらで嘆いた

数々のエリアで発信し
そこらで笑った顔、
めっちゃ素敵で

成果の得られぬ
彫られた彫刻ナイフ
超故意に
手放された街灯の
おかげでなんとか足が浮く

「宇宙空間の中で彷徨ったあの人らの
声があまりにも伝わってこないんです。
耳が悪いのか、あの人らがどこかに行ってしまったような気がするんです。」

「そうですか。」

Hello Boy
イカサマに負けたなんて
嘘ばかりつくなよ

屁理屈ばかり、サロンで巻いた
髪の毛はエレベーターで
絡まってしまった
どこかのため息

混じった、日食みたいに

皆んな賜物、
こんなもの
一食他人丼
そこらで嘆いた

数々のエリアで発信し
そこらで笑った顔、
めっちゃ素敵で

成果の得られぬ
彫られた彫刻ナイフ
超故意に
手放された街灯の
おかげでなんとか足が浮く

浮いて浮いて浮いて浮いて
落ちる

NUISANCE(nagahori25 situation)

God is an Astronaut - Echoes

This EP is Wrench's debut single. It is a single selected from the debut album "Without a pause" released this year. 3 songs included. 
Sick Sunday produced songs on the theme of melancholy Sunday. Everyone imagines a melancholy Monday in the twilight of dusk. I like Sunday but I do not like Sunday to welcome tomorrow. It may feel I do not have a future.But I also want to believe that the future is in our hands.

Sick sunday EP

Sick Sunday EP

Sick Sunday

Hot Bass

http://www.freshvibez.fr/2013/05/01/supafreshbeats-vol-2-freshvibez-supagroovalistic-brooklille/

Hang time

Wishing everyone a happy holiday season.  Be warm, be safe and be smart

It's The Little Things

Not Underground. Not Mainstream. Just Left Ground.

Left Ground Music stands outside the boundaries of genres and scenes.
We are neither part of the mainstream nor the underground—we exist in the “left ground”, a space where sound refuses to conform.

From electronica, dub, and ambient to post-rock textures, our releases carve out soundscapes that demand attention, not background listening.
Born in Japan, our music captures the collision of urban noise and natural silence, offering listeners a sonic experience that feels both familiar and alien.

This is music for those who walk the edges of reality.
This is Left Ground.