Team Clermont artists' tracks that went to press in 2017.
Contact Team Clermont for PR, Press & Radio
http://teamclermont.com
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Team Clermont 2017 Press Tracks

Releases Canal Electro Rock - #Rock #Indie #Alternative #NewWave #Electronic

Visite:
http://canalelectrorocknews.blogspot.com.br  
https://www.facebook.com/CanalElectroRockNews

Releases Canal Electro Rock (August 2017) #Rock #Indie #Alternative #NewWave #Electronic

The Sighs - "Wait On Another Day"

'Losing' (Release Date: October 20, 2017) 

Order Now - Sub Pop Mega Mart*  https://megamart.subpop.com/releases/bully/losing

*

All customers who pre-order the LP version of 'Losing' from the Sub Pop Mega Mart will receive the album on Loser Edition colored vinyl, while supplies last.

Bully: http://www.bullythemusic.com/
Facebook: https://www.facebook.com/bullythemusic/
Twitter: https://twitter.com/bully?lang=en
Instagram: https://www.instagram.com/bullythemusic/
On Tour: https://www.subpop.com/tours/bully

Sub Pop Records: http://www.subpop.com
Twitter: https://twitter.com/subpop
Facebook: https://www.facebook.com/subpoprecords
SoundCloud: http://soundcloud.com/subpop
MegaMart: https://megamart.subpop.com/
Podcast: http://subpop.fm/

Bully - Feel the Same

'Strange Peace' (Release Date: September 22, 2017) 
Order Now - Sub Pop Mega Mart*  http://u.subpop.com/2tEsV2F

*

All customers who pre-order the LP version of 'Strange Peace' from the Sub Pop Mega Mart will receive the album on Loser Edition colored vinyl, while supplies last.

Royal Mountain https://www.royalmountainrecords.com/
Spotify http://u.subpop.com/2tRcKQm
Itunes 
https://itunes.apple.com/us/album/strange-peace/id1247025222


METZ: http://www.metzztem.com/
Twitter: https://twitter.com/METZtheband
Facebook: http://www.facebook.com/metz
Instagram: www.instagram.com/metz_theband
On Tour: http://www.subpop.com/tours/metz

Sub Pop Records: http://www.subpop.com
Twitter: https://twitter.com/subpop
Facebook: https://www.facebook.com/subpoprecords
SoundCloud: http://soundcloud.com/subpop
Mega Mart: https://megamart.subpop.com/

METZ - Drained Lake

Pacific Coast

#53 is the first single from our sophomore LP "Wide Open" out October 6, 2017 via Buzz Records, Kanine Records, & Memphis Industries. Pre-order Vinyl/CD/Digital at http://smarturl.it/wide-open

Tour Dates:
08/05 Sackville, NB, SappyFest
08/12 Hamilton, ON, Collective Arts Brewing
09/30 Toronto, ON, Venus Fest
10/06 Guelph, ON, eBar
10/07 Edmonton, AB, UPDT Fest
10/10 Ottawa, ON, House of TARG
10/11 Montreal, QC, Le Ritz
10/13 Boston, MA, Middle East Upstairs
10/14 Philadelphia, PA, Boot & Saddle
10/15 Washington, DC, DC9
10/17 Brooklyn, NY, Rough Trade
10/20 Halifax, NS, Halifax Pop Explosion
10/24 Oslo, NO, Revolver
10/25 Copenhagen DK, Huset
10/30 Dusseldorf, DE, The Tube
10/31 Hamburg, DE, Haekken
11/02 Prague, CZ, Cross Club
11/03 Berlin, DE, Auster Club
11/06 Vienna, AT, Chelsea Club
11/08 Basel, CH, Kaserne
11/09 Geneva, CH, La Makhno
11/10 Paris, FR, Espace B
11/11 Brussels, BE, Botanique
11/13 Cambridge, UK, Portland Arms
11/14 Leicester, UK, The Musician
11/15 Glasgow, Scotland, King Tuts
11/16 Leeds, UK, Oporto
11/17 Manchester, UK, Eagle Inn
11/18 Newcastle, UK, Think Tank?
11/19 Birmingham, UK, Hare & Hounds
11/21 London, UK, Oslo
11/22 Brighton, UK, Green Door Store

http://weavesband.com
http://buzzrecords.ca
http://kaninerecords.com
http://memphis-industries.com

Wide Open

Pre-Order LP Now

Shadow Of A Wave

Fovea

Steve Shaw - bass, guitar, vox
Max Weigel - guitar, vox, keys, electronics
Jake DeNicola - drums, vids, foley
Halley Furlong-Mitchell - vox, keys, violin

The function of the fovea—a cone-laden well within the retina—is discernment of depth and detail. And for New York-based four-piece Fovea, depth and detail are all. On the surface you get the giddy whimsy of boy-girl vocal volleys and keyboard quirks, but the more you listen, the further you’ll delve...and the more you’ll perceive. 

Perhaps the best part? Fovea’s music—an aural kaleidoscope spinning rock, pop, jazz, ambient and psychedelia—will be yours and yours alone. “There’s a universality to what we do that lets listeners understand our songs in their own way,” says Halley of pencil me in, the band’s full-length debut for boutique label Omad. 

A daring joyride fueled by “real” instruments and chimerical synths, pencil me in is as prickly as it is pleasing. First single “Cost Of” is lounge-y and lissome, its seductive ease provoked by intricate rhythms. Cool jazz cornet and teasing high hat swirl just ahead of melancholy on “S’appeller,” while the drum-propelled spectral dream state of “Always” may be as close as fovea comes to a true love song. And the buoyant “Don’t Play” does play — with ideas of desire and independence, its “he says/she says” tag team stirring the pot in, under and around its peppery pop. 

The band members—drawn to each other despite sonic backgrounds and influences as far flung as hip-hop to opera—began developing their impossible-to-pin-down sound while at Skidmore College in 2014. From the start and to this day, their approach has been collaborative. “Someone comes in with an inkling, and we’ll workshop it through improvisation or discussion,” Max explains. “We all like to toy and tinker with structure, groove and lyrics,” adds Steve. “Our aim is to retexture familiar sounds in a way that opens ears to new applications and permutations of ‘traditional’ pop music.”

If that makes for a certain complexity, so be it. “Our stuff is pretty involved, often with multiple changes and parts within a song,” says Jake, admitting, “We definitely don’t make it easy for listeners. We want to challenge you a bit.” 

Don’t expect to be spoon-fed literal lyrics either. “We have no intention for how our words should be received,” says Halley, who with Max pens the lion’s share of Fovea’s abstract poetry. “We’d rather encourage interpretation and connection than impose anything specific.” Yet Max allows: “We do a lot of social- and self-examination—the band is a musical means to explore ourselves and our surroundings—so it would be cool to inspire our listeners to do the same.”  

Fovea did just that with their 2016 EP Fear Of, which Sound Review called “A statue of sound, a monument of creativity and true expression.” The single, “Puppy,” had a self-produced video (check it out—we defy you to wipe that smile off your face https://www.youtube.com/watch?v=a5HFzO6S82o) and helped the band land a coveted session at sneaker giant Converse’s Rubber Tracks studio in Boston. Fovea also gigged around a bunch, offering their growing fan base a whole other experience. “We have a dreamy, subdued effect on record, but we’re louder and more aggressive live,” says Jake. “Lots of feedback, distortion, digital effects—a much wilder realm.” 

Sweet and striking. Twist and turning. Fun and confounding. In your face at a venue near you; in your space with pencil me in. Do yourself a favor and make a date with Fovea. Put it on your calendar. In ink.

Fovea "Don't Play"

Racetrack Babies

The Captain of Sorrow "Park the Bench"

All Is Well – Brad Peterson

There’s a word in Portuguese:
noun: saudade; plural noun: saudades
a feeling of longing, melancholy, or nostalgia
If we’re fortunate, as we get older, we may recall in wistful reverie -an idyllic Christmas season surrounded by loved ones. For me, that blissful time, before experience and loss, can hurt to contemplate. Rather than the melancholic tendencies I’ve often fallen to, this year I choose to celebrate in fond remembrance, those absent loved ones.
 Brad Peterson: Acoustic guitar, Electric Guitar, Keyboard, Bass, Drums
written, performed and produced at BPLabs Highland Park, IL 2017-11
Lyrics:
It’s twentyfive of twelve and all is well
Yet there seems there’s been something lost
The absent ones we grieve
On a Christmas eve
Sparkle in the crystalline frost
Come this late December
Recall when we were all together
We’ll toast the one who’ve come and gone
Ribbons on the wreath
Lights are strung on trees
Kiss me underneath mistletoe
Happy on our way
On a Christmas day
Memories buried deep in the frost
Come this late December
Recall when we were all together
We’ll toast the one who’ve come and gone
And if the wind blows
Like the ghosts of Christmas past
If come a long snow in a wintery blast
We’ll hold fast
It’s twentyfive of twelve and all is well
Yet there seems there’s been something lost
The absent ones we grieve
On a Christmas eve
Sparkle in the crystalline frost
Come this late December
Recall when we were all together
We’ll toast the one who’ve come and gone

All Is Well

For more than two decades, Omad Records has helped develop and build the careers of exceptionally authentic recording artists. Based in New York City, the label was founded in 1995 by Academy Award winner and Grammy Award nominee John DeNicola, a musician/songwriter/producer known for co-writing the #1 hit single “(I’ve Had) The Time of My Life” and “Hungry Eyes” for the Dirty Dancing soundtrack. With its past feats including the discovery and signing of Kara’s Flowers (later known as Maroon 5), Omad Records remains dedicated to cultivating the singular vision of each artist in its eclectic catalogue.