Teri Pawanda Tar  Kalam Sheikh Ayaz  Awaz Alan Faqeer and Zarina Baloch

TERI PAWANDA TARTEN ٽڙي پوندا ٽار ائين

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‘When red roses will bloom, then we will meet;

When those birds will return and we will make their sounds, then we will meet;

When the tears will move down the cheeks like pearls, then we will meet;

Those days of parting were a mistake of youth, so we will meet when there are roses in bloom…’

(A facebook transcript goes like this:
O` galann gorha tremanda... [Our tears will slide down our cheeks]

jadahen motiyun tulleya Alla la [when tears will﻿ become pearls, we will meet then]

trhee pawanda taari ain jadahein garha gulla Alla la Tadahein milanda seen.

O` veechoray ja deenhara... [These days of separation (judai)]

Ghoraiye jee bhulla Allah la... [Its the mistake of this moment}
)

Nadeem Fareed Paracha has written about it on Dawn

http://www.dawn.com/news/1253300



Tarrin Paunda (Plant) is one of the most haunting songs in the vast reservoir of Sindh’s ancient Sufi music genre. It was first recorded by Allan Fakir (for Radio Pakistan) in the late 1970s.

Allan was the quintessential Sindhi folk singer, who had mastered the art of expressing the poetry of ancient Sufi saints who had settled along the River Indus in the arid province of Sindh.

Tarrin Paunda is often mistaken as being the work of 18th century Sufi saint, Shah Abdul Latif Bhitai. But it was actually authored by Shaikh Ayaz.

As a young man, Ayaz was a Marxist who went on to become a close colleague of the ‘father of Sindhi nationalism’, GM Syed (before they fell out in the 1980s).

Ayaz’s most prolific period as a writer and poet was between the early 1960s and late 1970s. And it was in the 1970s that he penned Tarrin Paunda, which was inspired by the mesmerising poetic style of Sufi saint, Shah Abdul Latif Bhitai.

The poem is about a man’s hope to one day meet his beloved when his natural surroundings will be in full bloom.

He sings (in Sindhi):

‘When red roses will bloom, then we will meet;

When those birds will return and we will make their sounds, then we will meet;

When the tears will move down the cheeks like pearls, then we will meet;

Those days of parting were a mistake of youth, so we will meet when there are roses in bloom…’

The poem was written by Ayaz to be sung in a hypnotic manner, as if the singer was blissfully caught inside an eternal loop of both hope and despair; love and melancholy.

Allan Fakir achieved that perfectly. 

Allan Faqir - Tarrin Paunda

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