Name: 6. Pearl's Girl (Underworld Cover) by Omegachild in FCKSALT
Duration: 8 min 24 s
Description: A cover of one of my fave Underworld tracks from back in 1996.

@SOCRATES WHEN HE SHOWS UP  WHAT IS IT ? I REMEMBER LISTENING TO UNDERWORLD, WAS THIS ABOUT MONTHS AGO, SEEMS AGO TWO WEEKS, @SOUNDCLOUD, I LIKE YOU, I LOVE YOU 💘❤♥💗💙💖💘❤♥ #8275

Wow! I liked it very much! Thank you for sharing!

FCKSALT

ALIVE w/ EVERY$T

Daniel Avery - Drone Logic

Track created for a class at 343 Labs Berlin. A student gave me a UK Bass reference - Sega Bodega - Salv Goes To Hollywood. I found some vocals on freesound.org -name is "HITTALYXS Rapper vocal stem", the uploader "_alyxr" wrote...'this is a vocal take of a old friend of mine. his vocal performance is so funny id had to share and hope to hear remixes'

HITTALYXS

Artists in order of appearing: Clark, Throwing Snow, Makeup and Vanity set, Dark Sky & Afriquoim Mogwai, Dj Signify, Joe Beats

Dark Party (vinyl mix) Vol 8.WAV

A cover of one of my fave Underworld tracks from back in 1996.


6. Pearl's Girl (Underworld Cover)

http://www.rebotini.blackstroberecords.com/PUBLIC/index-bsr003.html
http://www.youtube.com/user/doraful
https://twitter.com/rebotini
https://www.facebook.com/pages/Arnaud-Rebotini/42035491067
https://myspace.com/arnaudrebotini

The First Thirteen Minutes Of Lov

Remix by @mattwalsh

// Daniel Avery - New Energy [Collected Remixes]. A double album.
// Includes new reworks from Rødhåd, Silent Servant, Volte-Face, Powell, Conforce and Ø [Phase]
// @phantasysound

Out now: go.phantasysound.co.uk/PHLP05

Buy album

Daniel Avery - Free Floating (Matt Walsh Remix)

A mix was generated using Splash Pro's new AI models. 

I edited the songs together with fades and adding hits on the transitions, aside from that the music is all the output of a neural network.

I also used Bark by Suno for the voice.

AI-Generated Future/Tech House Mix

Pre-order: http://www.kompakt.fm/releases/golden_prints
Physical Release Date // February 9, 2015
Digital Release Date // January 21, 2015
Catalog Nr // Kompakt 319

(en)Following stunning solo releases from Julienne Dessagne aka The Twins and Sascha Funke, revered techno balladeers SASCHIENNE reunite for a stunning offering called GOLDEN PRINTS, a gorgeous set of synth-driven, beat-bound soundscapes rich in atmosphere and suspense. 

It's a kind of unruly romanticism that perfuses the budding techno scenarios from SASCHIENNE, often starting with a deceptively simple hook - which slowly evolves into a tense drama as abrasive as it is therapeutic. GOLDEN PRINTS is no different, smudging the volatile faultlines between anthemic electronics, cyber folk and industrial drones from the get-go. 

The A-side's double bill kicks off with the crawling synths from CHAMBRE BLEUE, a dusty, introspective vignette whose increasingly queasy mood is balanced by Julienne's self-assured narration and an unswerving bass line. THE ERA OF THE LEOPARD continues the trek through barren lands with a strong instinct for survival, embodied by its sunburnt guitar licks, throbbing bass and resonant leads. 

The flipside belongs to the somewhat ominously titled DON'T PUT YOUR FINGERS IN THE SOCKET, an exquisite arrangement of contorted feedback loops, foreboding synth sequences and a relentlessly mechanical beat. Short vocal interjections seem to only further the mystique, merely containing the seemingly erratic outbursts of a cut deliberately spiralling out of control. This is music for adventures and other transgressions, undiluted and unfaltering - an exciting new release from two people who know which way to twist the knife.

(de)Nach aufsehenerregenden Solo-Releases von Julienne Dessagne aka The Twins und Sascha Funke kehren die gefeierten Techno-Liederschrauber zurück zu SASCHIENNE und präsentieren GOLDEN PRINTS, eine umwerfendes Set von Synthie-befeuerten, Beat-affinen Klanglandschaften mit reichlich Atmosphäre und Spannung. 

Es ist eine Art von ungezogener Romantik, die sich durch die aufkeimenden Techno-Szenarios von SASCHIENNE zieht, oft gepaart mit einer täuschend einfach gehaltenen Hookline - die gerne in ein intensives Drama von Reibung und Therapie mündet. GOLDEN PRINTS macht da keine Ausnahme und verwischt von Anfang an die ohnehin flüchtigen Grenzen zwischen hymnischer Elektronik, Cyber-Folk und industriellen Lärmschlieren. 

Die Doppelvorstellung der A-Seite beginnt mit den krabbelnden Synthies von CHAMBRE BLEUE, einer grobkörnigen, introspektiven Vignette, deren zunehmend mulmige Stimmung durch Juliennes selbstgewisse Erzählweise und eine unerschütterliche Bassline in Schach gehalten wird. THE ERA OF THE LEOPARD setzt den Marsch durch karges Terrain fort, dank eines starken Überlebensinstinkts der sich hier in sonnengegerbten Gitarren-Licks, pochendem Bass und resonierenden Lead-Sounds äussert. 

Die Rückseite gehört dem einigermassen ominös benannten DON'T PUT YOUR FINGERS IN THE SOCKET, einem exquisiten Arrangement von verzogenen Feedback-Schleifen, unheilsschwangeren Synth-Sequenzen und einem unermüdlich mechanischen Beat. Kurze Vocal-Einwürfe scheinen den geheimnisvollen Nimbus nur zu verstärken, kaum daß sie die vordergründig erratisch anmutenden Ausbrüche eindämmen könnten, welche den bewusst aus der Spur gelenkten Track heimsuchen. Dies ist Musik für Abenteuer und andere Grenzverletzungen, unverschnitten und unbeugsam - ein neues aufregendes Release von zweien, die ganz genau wissen in welchem Einfallswinkel das Salz in die Wunde gestreut wird.

03 Saschienne - Don't Put Your Fingers In The Socket

2015 will see German techno mainstay Stephan Bodzin ready to unleash his next full-length musical vision on the world. Entitled “Powers of Ten”, the 10-track album will land in June 2015 on his own Herzblut Recordings and provides another great insight into the melodically rich muscle mind of this modern great.
Says Stephan Bodzin of the LP: “Powers of Ten has been with me all my life and is named after a book that has been my background hiss, its confusing truth is my only real faith and its infinity shows me its finiteness. The album is about harmonies, melodies, rhythms. It is an homage to Bob Moog, full of techno beats and sounds and space and party and ecstasy and dancing and listening, and crying and feeling. It is a journey, a philosophy of life, a view of the world, a vague perception. It is my wife, my children, my family, my friends, my passion, my enemy, my greatest fulfillment, my fear, my deepest peace, my power, all my love.”
As such, this album is hugely personal and is filled with cerebral messages and well thought out concepts. All this shines through and makes it an all the more engaging listen from start to finish. Kicking off with the spine tingling chords and louche beats of ‘Singularity’ cuts like ‘Lila’ then continue to confirm that Stephan Bodzin has a classical understanding of melody that is way beyond your average.
‘Blue Giant’, ‘Wir’ and ‘Ix’ all manage to be uplifting and thoughtful at the same time as driven and groovy, whilst ‘Birth’ comes on with a hymnal high note, long tailed pads and subtly shifting beats. The ghostly grooves of ‘Zulu’ mark a majestic mid point to the album, which then continues to seduce with spiritual synths and more beautiful melodies on cuts like ‘Odyssee’ as well as the album’s standout title track.
Unfolding coherently and in soothing fashion, this album once again proves that few producers in the modern world have a knack for melody and an ear for sonic ingenuity quite like Stephan Bodzin.


Blue Giant

I was honoured to be invited to Elements Festival this year. Here's my Saturday night set.

AVAXA - Elements Festival 2018

Arei 003 

Riptidal - Perpetual (VIP)

محمد العزبي    بهية

Omegachild is the solo project of Brisbane-based electronic producer, multi-instrumentalist and vocalist, Daniel Newstead. 

Newstead fuses the raw emotion of his classical piano training with the primal physicality of his band days by playing live synths and drumming simultaneously. This led to the development of the Omegachild 'one-man-machine' live show. The show incorporates audio-activated projection and lighting to create a synesthetic music experience that not only challenges the limits of his own performance, but also explores the potential of technology to act as an extension of the human body. 

In what begins as a stream-of-consciousness style that may borrow the instrumentation of heavy electronic music at the pace of industrial rock one day, the next will see Newstead’s muse tempting him into the introspection of ambient, classical cinematic textures, or the rhythm found by allowing the fingertips to translate the way kaleidoscope patterns rearrange themselves. Vocals weave in and out of the futuristic landscape not demanding attention away from the ‘one-man-machine’.

After years of primarily working as a producer and touring as a live drummer in various bands (playing notable support slots for luminaries such as Pop Will Eat Itself, Combichrist, Cog, and Sleepmakeswaves), Newstead reigned his talent back home, and, drawing heavily from his experiences of life as a musician in the digital age, redirected his primary focus toward electronic composition and the formation of the Omegachild project. 

In 2014 Newstead journeyed to India with filmmaker Danny McShane. It was there, whilst transversing the countries mountainous terrains that the foundations of Omegachild's debut EP Postcards took form. McShane captured the entirety of this creative process, resulting in the vivid documentary film, Waiting for Postcards, accompanying the EP's release; a dual music-cinema event, which forms the initial patterning of Omegachild's highly ambitious audio-visual approach.  

Omegachild began his live journey in 2015 and quickly started showcasing the unique show at warehouse parties in Brisbane and festivals around Queensland and Northern NSW including; The Australian Body Art Festival (QLD), Faraway Festival (NSW), Jungle Love Festival (QLD) and Manifest (QLD).
This boundary-pushing approach quickly gained recognition and in 2016 Omegachild received the 'Best New Talent' award from the Brisbane City Council for his 360degree VR performance in The QUBE Effect. 

Drifting away from channeling the beautiful landscapes of India on his 2014 documentary ‘Waiting For Postcards’, Omegachild explores a more virtual space on the soon to be released album ‘Youtopia’.
The album is a vivid spectre of our time. Stark beats and dense synth walls sketch out a dystopian terrain, but a spirited resistance slowly emerges, with critical vocal lines unveiling slithers of optimism and progress.
 With an EP, documentary film, and a successful run of festival and warehouse gigs laying down the prelude of sorts, Omegachild stands poised and ready to launch into the next frontier of his musical saga. A performance at this year's Jungle Love Festival looms on the horizon, but the launch site is here and now. Enter Fifth Dimension and set your controls for the heart of an electronic sun.

6. Pearl's Girl (Underworld Cover)

Omegachild

Recent comments

🐰🤖🐰Lepidiscura🐰👽🐼, om.floraviriouement alis

🐰🤖🐰Lepidiscura🐰👽🐼, om.floraviriouement alis

GLOWKiD

FCKDSKO / Aléx ho Mégas

Related tracks