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Vorso — Core

Out 18.06.25 
DL: https://vorso.bandcamp.com/album/core

Music, Video / Simulation by Vorso
Artwork by Kasper Plougmand

How many old Vorso tune references can you spot in this one?

Bandcamp

Vorso — CORE



Vorso — Core

Out 18.06.25
DL: vorso.bandcamp.com/album/core
Visuals: https://www.youtube.com/watch?v=vapKKKd5OA0


Music, Video / Simulation by Vorso
Artwork by Kasper Plougmand


Vorso — New Trajectory

Vorso — Time Trial

Taking 2nd place in our first-ever Remix Competition, Indukt delivers a banging minimal rework of Geostatic’s 'MYGRL'. Out now exclusively on our Patreon page.

♕ Subscribe our Patreon for Exclusive Content:
https://www.patreon.com/forbiddenfrequenciesdnb

► Indukt:
Instagram - https://www.instagram.com/indukt.music
Soundcloud -  https://soundcloud.com/induktdnb

► Geostatic:
Instagram - https://www.instagram.com/geostatic.music
Soundcloud -  https://soundcloud.com/geostatic

► Forbidden Frequencies:
Link Tree - https://linktr.ee/forbiddenfrequenciesdnb
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Bandcamp - https://forbiddenfrequenciesdnb.bandcamp.com/
Spotify - https://open.spotify.com/playlist/0rMkEq00yGc6AXrdYPF8H8
Patreon - https://www.patreon.com/forbiddenfrequenciesdnb
Email - forbiddenfrequenciesdnb@gmail.com

♫ Submit your music: 
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Buy Now

Geostatic - MYGRL (Indukt Remix)

By Carl Butterfingers, ESEF News

BREAKING NEWS: In a scandal that has rocked the music industry, or at least the three people who still care about credits, a man was apprehended last night clutching a Best Producer award that, shockingly, did not belong to him. The suspect, known only as "Dava," was allegedly the ghost producer for Doctor Printer, the drum and bass superstar renowned for his iconic releases of stylized Instagram photographs with his hands in the air and pre-recorded sets that move crowds to tears.

Our investigative team revealed how Dava the Ghost Producer slipped through the industry’s so-called "security measures", all thanks to Bobbi "The Gatekeeper" McAllister, the self-proclaimed "arbiter of real music" (who, it turns out, couldn’t spot a ghost producer if they haunted his own playlist).

When pressed, he added, "Also, I was at a rooftop party when I listened to it. The bass sounded great over the speakers, so I figured, ‘Why overthink it?’"

Sources reveal that the award was mistakenly given to Dava after the jury, comprising of two Spotify algorithm engineers and a man who once DJ'd at a wedding, believed that the people who actually create the music should receive the credit.

"This is an outrage!" declared an anonymous industry insider (who may or may not be Doctor Printer's publicist). "In today's music landscape, producing a track is the least important part of being a producer. What matters is owning a UK passport, a small family loan of £1 million, and a farm of Eastern European ghost producers working in shifts to launch your album on mainstages while you post gym selfies."

Doctor Printer released a statement: "I am shocked—SHOCKED—that anyone would think I don’t make my music. Next, you’ll tell me my Instagram poses aren’t spontaneous. I stand by my artistic vision, which is mostly pointing at the crowd and occasionally tweaking a filter knob."

Award Jury Spokesperson: "Look, we just assumed the guy with the laptop was the intern. Our bad. We just work here." Or we were just doing our jobs?

Dava: "I just wanted my mum to be proud of me for once." (He was last seen applying for a UK visa.)

When the jury mistakenly gave Dava the award, Bobbi the self-appointed guardian of "real music" was shocked, not because the wrong person won, but because he didn’t even know Dava existed.

Wait, there’s a real producer behind Doctor Printer?" Bobbi reportedly asked. "I thought he just, like, vibed in the studio while his team did the work?"

When reached for comment, Bobbi simply said: "Look, if Dava had have just tagged me in an Instagram story with 🚀🔥💯, maybe I would’ve noticed. But no, he had to take the hard road. Amateur mistake. The award needs to be revoked."

After the scandal broke out, Bobbi tried to spin the narrative: "Look, ghost production is just collaboration with extra steps… and money… and no credit's Dava should be grateful for the exposure!" He then allegedly offered Dava a consolation prize: a repost on his "Underrated Gems" playlist (which has 47 followers, 12 of whom are bots).

The Bigger Problem: Why Was Bobbi in Charge?
Sources reveal Bobbi’s qualifications for being a gatekeeper included:

- Owning a pair of "studio-grade" headphones (that he mostly uses for podcasts)
- Once getting a co-sign from a DJ who later turned out to be a literal ghost (long story)
- Using co-working spaces, paid for by his trust-fund
- An unwavering belief that "if it charts, it’s art"
- An unwavering belief that all his friends will chart

Meanwhile, the scandal has ignited a firestorm in YouTube comment sections, where armchair critics are doing what they do best: comparing everything to something else.

This is Carl from ESEF News reporting, reminding you: if you’re not cheating, you’re not trying.

Mirror

Buy link

ESEF

Available via: https://recordings.vision/samplepacks

TL;DR: Here's a bunch more sounds :D

We have been collecting our own samples since 2002. So as you can imagine we have collected quite a few. When you like making sounds, you make more than you use. Going on another deep dive through them resulted in another whole pack. Some of the sounds we might have held on to before, some were rediscovered.

These sounds were made with a huge variety of tools over the years. When we started out, hardware was still king, and software was just coming out of the tracker era into the VST era. Some of the sounds will have been made with early versions of Cubase, with synths like Albino, GakStoar, Synth1, Reaktor (called Generator back then), and effects like Antares Tube, Izotope Trash, Kjaerhus Bundle, Anarchy FX and early Waves and Native Instruments stuff. We used some outboard in too, a Boss OD box, an old desk, Roland MC505 and 303, Yamaha RM1X, Yamaha A3000 Sampler, Korg N5 and Access Virus TI.

Not long after we started the amount of VSTs and options available skyrocketed. We started sampling and resampling more, using Kontakt a lot and FM8, as well as newer versions of Reaktor and the addition of Guitar Rig to the NI arsenal. Sylenth appeared, as well as countless other softsynths and effects. A lot of tracks were arranged using audio, because we'd still often abuse the CPU way too much with long FX chains. Running all the sounds live wasn't an option.

Later, outboard wise a Korg SV1 and Roland Integra were added, and Fabfilter plugins became mainstays. At some point Serum came along and changed the game. Superior Drummer made dreams come true. Too many to mention. CPU's became faster and the software was more stable, we could run more VST chains live without risk. We also incorporated different sequencers like Ableton Live and Bitwig, as well as a growing modular setup.

These samples were made across three studios - our improvised bedroom studios, our first 'real' studio that we insulated ourselves, and our final Northward Acoustics spaceships. The workflow changed constantly. Quick to be bored by repeating a process, we'd always be looking for new ways to make sounds. Like that one time we stuck some rolling paper to a small pc speaker and recorded the flapping. Or when we drew sounds in Photosounder to try and reverse engineer audio visualisation. The results varied wildly, and luckily we picked the cool sounds for you - cause rest assured, we also made a lot of...well, crap.

∴

Connect with VISION:
Website → https://visionrecordings.nl
SoundCloud → @visionrecordings
YouTube → youtube.com/@visionrecordings
Instagram → instagram.com/visionrecordings
Facebook → facebook.com/visionrecordings
Patreon → patreon.com/visionrecordings
Twitter → twitter.com/visionrecs
Discord → discord.gg/visionrecordings

Noisia ∴ Sample Pack Vol. 3 (Demo)

Stream / Download → https://found.ee/Arrivata_EP

Shop Critical → https://shop.criticalmusic.com/store
Critical Bandcamp → https://criticalmusic.bandcamp.com/

Ever versatile Dutch producer Waeys invites along a couple of friends for his latest dancefloor-primed drum & bass offering for Critical Music.

Title track ‘Arrivata’ sees Waeys link with fellow new school leader, Gino, who brings his manic, trademark energy along for a bone crushing, double distorted smasher, featuring one of the hardest drum rolls you’ll ever hear.

Waeys goes it alone on ‘Dredge’, unloading his insane sound design skills over a tightly wound drum groove and bustling percussion for a satisfyingly weird sonic slugger.

Last, but not least, fresh talent Cosmo gets involved on ‘Let Off’, shutting things down with a moody slice of minimal jump up, dominated by an off-kilter, chattering bassline that gleefully chews you ear off.


Arrivata EP

Stream / Buy 

Waeys & Gino - Arrivata

Buy / Stream Here: fanlink.tv/YAMREC045-REGROWTH

[YAMREC045]

One of the scene’s most exciting new faces has arrived an artist who has spent the last decade meticulously honing his production skills, refining a signature sound that’s minimal, immaculate, and unmistakably his own. After steadily gaining momentum over the past year, with major support from none other than minimal heavyweight Teej, he’s quickly become a name to watch in Drum & Bass.
We’re absolutely thrilled to welcome another standout artist to the Yamatai family in 2025 someone who truly embodies a style of Drum &* Bass we hold close to our hearts.

We welcome the notorious German producer Re:growth.

Re:growth joins the Yamatai imprint with his highly anticipated debut single ‘Nonanom / Take Me’ a devastating two-tracker that’s already turning heads across some of the world’s most iconic clubs, including Motion, Melkweg, and Grelle Forelle

Since making waves with his breakout ‘Get Close EP’ on Empathy Audio in 2024, Kevin (aka Re:growth) has been on an unstoppable rise. Blending dark, minimal textures with a razor-sharp underground sensibility, he’s delivered standout cuts like ‘Pluka’ and ‘Don’t Talk’, earning him a coveted collaboration with minimal maestro Teej on ‘Juxtapose / Mori’. The buzz hasn’t slowed since, with more projects in the pipeline including more upcoming work on Nyx and whispers of a release on Transparent Audio.

His Yamatai debut marks a significant milestone in this upward journey. Both ‘Nonanom’ and ‘Take Me’ are masterclasses in minimal production tracks that have been rigorously tested across European clubs and radio, gaining widespread acclaim.

Re:growth is not just arriving he’s making a statement.

Exclusive to Beatport, Spotify & Bandcamp on the 18th of July 2025!!

Art: Gaijin Graphics
Mastering: Kalane Masters

↪ @yamatairecords
www.facebook.com/yamatairecords
www.instagram.com/yamatairecords/

↪ @regrowthdnb
www.instagram.com/regrowthdnb/

----------------------------------------------
All of our other links: lnk.bio/YamataiRecords

💬 Join us on Discord → discord.gg/bYt3Tb6xgS
🎧 Listen to our Spotify playlist → open.spotify.com/playlist/35SV4Z7hH7mR7iqD9VDeoV

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OMNIDIPUS - NUMBERS (2007)

OMNIDIPUS