John Zorn - The Mysteries
Bill Frisell
Carol Emanuelle
Kenny Wollesen

Buy at >> http://tzadik.com/volume.php?VolumeID=710

John Zorn - The Bacchanalia

Vogelkamer


بتحكيلي بدنا نعيش ونسافر كل العالم
نستكشف كل شي جديد وما يهمنا أي كلام
بس همّه نسيوا إنهم كانوا يوم بعمري
والدنيا زي ما بتيجي مش بس هيك بتمشي
أنا انت أنا انت

لمّا كنا صغار كتير كان عنا حديقة
كنا نطلع عالشجر وهمّه يسهروا وموسيقى
بس همّه نسيوا إنهم كانوا يوم بعمري
وإنه طلعوا عالأسوار وسمعوا الجارة بتشكي
أنا انت أنا انت

بيخبي هلكان سنين وبالسر يحاكي حاله
قديه هو لهاد السجن مدين كإنه في حد جاي عباله
ايدينا عم بتميل مع رقصة حلوة سمرا وعيونها خضرا هي ماسة

أنا انت

Sun Glitters - Nisyu - Forgot

You can order 'Revisionist' here: https://losttribesound.bandcamp.com/album/revisionist

Or subscribe to the 11 album series from Fritch on Bandcamp,
http://losttribesound.bandcamp.com/album/leave-me-sessions-subscription-series-pre-order

Our website also has an option for 3 or 5 monthly installments here: http://losttribesound.com/shop/wrfseries

Buy or Stream Revisionist here:
Bandcamp: http://smarturl.it/buyrev
Itunes: http://smarturl.it/revitunes
Amazon: http://smarturl.it/revamazon
Spotify: http://smarturl.it/revspotify
Darla (US): http://smarturl.it/revdarla
Norman Records (UK): http://smarturl.it/revnorman
Stashed Goods (UK): http://smarturl.it/revstashed
Experimedia (US): http://smarturl.it/revexperimedia

'Revisionist', the latest record from composer William Ryan Fritch (Vieo Abiungo), brings an emphatic close to his incredibly prolific 2014. Just one month after the release of Death Blues 'Ensemble'—his powerhouse collaboration with drummer and new music ringleader Jon Mueller—Fritch has produced his most focused and dynamic work yet. Energized by the collaboration with Mueller (Volcano Choir), the otherwise self-sufficient multi-instrumentalist surrendered his auterist sensibilities, seeking creative alliances with Benoit Pioulard, D.M. Stith, Origamibiro and Esme Patterson. The results are scintillating. From the elegant minimalism of “Winds” (produced by Pioulard) or the exultant vocals of “Gloaming Light” (performed by D.M. Stith), these inspired partnerships take Fritch’s instrumentation and craft to new destinations, employ new techniques, and further it’s immediacy and appeal.

Fritch writes, “The record explores the psychology of revisionism: how we forget evil, distort it, skim past it, papering over those aspects of history we find uncomfortable.” This way the tense, physical, and oxidized “Infant Sight” lands like a blow to the gut: “Can I forget all these burns? Oh to see again with infant eyes, to revel in such virgin sights/ I am too tired to start looking again.” Fritch has gradually made a name for himself through his peerless ability to build strange, looming musical architecture, seemingly the Babel project of a dozen artists and processes, but indeed nothing more than the sound of one expert journeyman and his live acoustic instrumentation. His kaleidoscopic array of layered sound is still foremost, but now more than ever his savant’s orchestration serves the song structure, not the reverse.

Accompanying 'Revisionist' are two contrasting EPs that serve as illuminating appendices to its aural aesthetic. 'Heavy' and 'Empty' are raw and unfiltered explorations of the distinct contrasting elements at play in the LP. 'Heavy' showcases a dense and propulsive maximalism that marked so many of Fritch’s early recordings as Vieo Abiungo, but realized with the evocative production and ruddy, unkempt western sound pallet of his most recent work. While 'Empty' is a work of patience and restraint, a look forward in many ways to the expressive and dynamic power uncovered by simplifying and paring down his ambitious, large scale works. Together these recordings are a formidable display of craft and skill from a composer no longer stymied by his expansive range, but empowered by it.

Trent Reznor & Atticus Ross-"In Motion" (Omniflux Remix)

Omniflux