One Synth Challenge #140: Pendulate

These are my entries so far for the KVR OSCs...

Tj Shredders One Synth Challenges

Only made with Thorn Synth, 13 Instances in Ardour. No extra treatement, all played by hand on LinnStrument.
A wild massive Impro...

Tj Shredder - Waves Of Thornes

Tj Shredder - Tie Jaz

This Track uses loops of 13 different lengths. All prime numbers up to 37 or their multiples are used. The basic pitches are multiples of the underlying BPM. The pitches used belong to the overtone row of that fundamental up to the 13th partial or its octaves.
The basic idea is to create a complex groove-drone. This piece is building it up and down within 4+ minutes, but the drone itself would last more than 162695 years before it repeats. 
The piece starts just before the repetion point where all 13 loops would start together again!
All sounds had been made with Phase Plant for the One Synth Challange #130

DAW: Bitwig Studio 3.0.3
16 * Phase Plant (5 different patches)
1 * Dragonfly Reverb
1 * Stock Limiter

Prime 2: Kick - loop length 16.
Primes 3, 5, 7, 11, 13, 17, 19, 23, 29, 31: 3 layered and mixed sounds - loop lengths 13, 15, 17, 19, 21, 23, 25, 27, 29, 31, 33.
Prime 37: HiHat - loop length 37.

The BPM of 86.72 is the fundamental of all pitches...

Tj Shredder - Phased Primes

Contribution to KVR OSC #134 all done with Bitwigs Grid (6 instances)

Tj Shredder Kor+Rona OSC #134

Single instance no FX contribution to the KVR OSC #136
DAW Bitwig there is a video of the same recording on YT:
https://www.youtube.com/watch?v=RtRFuJIRrv8&t=27s

Tj Shredder - Odin's Arp

not dance but...

29 Pedulate synths in Ableton Live
+ Abeton Reverbs, Delays, Compressors, EQs

Desktop

World Mechanics

My submission for OSC #140
6 Instances of Pendulate synthesizer
1 * Reverb
All notes had been generated with a Bitwig Grid patch. The rest is mixing...

Tj - Shredder Generative Pendulate

Tried to make a cinematic soundtrack that is unsettling, yet emotional and hopefully provides some closure.

As always, everything is synthesized and MIDI; no samples were used.

DAW: Reaper 6
Pendulate : 23 instances
Native FX: ReaComp, ReaEQ, ReEQ, ReaGate, ReaControlMIDI
3rd Party Free FX: RandArp, Leveling Tool, SN03-G Tape Recorder, OrilRiver, SuperMassive, Cocoa Delay, GClip, LoudMax, W1 Limiter,  OTT, MAutopan, A1StereoControl
Mastering: JS: DC Filter, TDR SlickEQ, TDR Nova, TDR Kotelnikov, GClip, LoudMax
Metering: SPAN, Youlean Loudness Meter 2

Tempest

Tempest (OSC 140 Pendulate)

Music made for the OSC Challenge 140, using only Pendulate to create all the sounds.

DAW: FL Studio 20.6
Pendulate: 55 instances

FL Effects: 
Fruity Parametric EQ2, Fruity Compressor, Fruity Limiter, Fruity Balance, Fruity Reeverb 2, Fruity Delay 3, Stereo Enhancer, Fruity Send, Fruity Delay Bank

3rd Party effect: OTT

Three Movements Of A Complex Pendulum

Leo Amaral - Three Movements Of A Complex Pendulum

"Watch... as a young ambitious camel, dreaming of getting both very rich AND entering the Kingdom of Heaven, sets off on an epic journey in search of the Big Giant Needle. A tale of dusty plains, dazzling cities and, of course, genies and bottles. Will The Eye remain shut...or open to reveal it's wonders ?"

Entry for the One Synth Challenge 140 ( Pendulate by Newfangled Audio ) at kvraudio.com

EQ was not used for sounddesign purposes.
No transient processing was used to create percussion. 
All 100% Pendulate.

The main players are:
12 instruments  (  flute-ish, reed-ish, 3 plucks , mallet, brassy, brassy-stringy, bass - sustained, bass - pluck )
7 SFX  ( buzz, creaky, metallic, noisy trickle, not-noisy trickle, bubbly laser sweep )  
10 percussives ( kick, snare (2i), clap, cymbal, hat, crackly boom, hand drum, short tom ) 

The support caravan:
ReaControlMIDI ( transposing to get noise )
BlueARP (4)  ( on SFX and briefly on Mallet )
TAL Dub II as bus effect for some instruments and SFX )
Valhalla Supermassive ( insert for Brassy  ) 
ReaQ (5)  ( light EQ'ing, light HP-filtering ) 
TDR Nova 12 ( light EQ'ing, light HP-filtering and sidechaining of kick to bass, also on master bus)
Blue Cat's triple EQ 4  (2) ( stereo control for Sustained Bass )
Oril River (14) ( seven pairs of mono instances )
ReaVerb ( very, very  lightly on master bus ) 
Chebyshev LP  ( on master bus ) 
Ozone Imager 2 ( on master bus )
Limiter No6 ( on master  bus )
Signalizer
Voxengo SPAN
Voxengo Correlometer
Youlean Loudness Meter 2

Tj - Shredder Generative Pendulate

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