avery

For Tomas

Curated ambient &amp; drone playlist for your deep introspection needs. Best played in random. Follow me (Twitter) @mathieugarcia

DRONE / AMBIENT

Released on October 29, 2013.

Digital: http://apple.co/295EQ0M
Physical: https://www.omnianmusicgroup.com/products/the-swamps

Widowspeak // Calico

Steve Reich - III: Fast (Pat Metheny), from Electric Counterpoint (1987)

'Music For Steamed Rocks' appears on 'Commissions I' by @oneohtrix-point-never, exclusive to Record Store Day 2014, learn more at http://bit.ly/commissions-i

Lopatin interpreted Witold Lutoslawski's Preludes in 'Music For Steamed Rocks', a piece composed for Polish Icons at Sacrum Profanum, a Warp staple that's previously hosted Clark & Aphex Twin.

Learn more about the release at <a href="http://bit.ly/commissions-i" target="_blank">warp.net</a>, set for release on 12" vinyl in a black foil print jacket with die-cut view of inner sleeve.

OPN's debut release for Warp 'R Plus Seven' is out now, learn more at http://bit.ly/1aE9CEM

<a href="http://smarturl.it/eb8fi6 " target="_blank">iTunes</a> / <a href="http://smarturl.it/hge9h2" target="_blank">Bleep</a> / <a href="http://smarturl.it/c23n1u" target="_blank">Amazon</a> / <a href="http://smarturl.it/t1zi9e" target="_blank">Google Play</a>

http://www.pointnever.com/
https://www.facebook.com/oneohtrix
https://twitter.com/0PN

Commisions I

Learn more at warp.net

Oneohtrix Point Never - Music For Steamed Rocks

this live cover by WARPAINT just makes my head spin it's so great. a MUST listen for one and all lovers of those times when a band just clicks like mad.    and here they sound so incredibly professional as well, you can tell the artysts have been together quite some time now, in this piece... 

Warpaint - "Ashes To Ashes" - [BOWIE] - FANTASTIC special Glastonbury session, 2014

Displaced - Dirty Beaches

Purchase from RVNG: http://smarturl.it/bb-rvng
Purchase from Bandcamp: http://smarturl.it/bb-bcamp

Taken from The Enlightening Beam of Bobby Brown (RVNGNL35C)

© and Ⓟ 2015 RVNG Intl. / www.igetrvng.com

The Enlightening Beam of Bobby

Kaitlyn Aurelia Smith - Bobbing Beams Of Light

From the album EARS released April 1st 2016 on Western Vinyl

iTunes: http://hyperurl.co/gz5pqt
Bandcamp: http://hyperurl.co/vo3n6n
Amazon: http://hyperurl.co/qypau1
WV: http://westernvinyl.com/shop/wv145

Artist Page http://westernvinyl.com/artists/kaitlyn-aurelia-smith
Website http://kaitlynaureliasmith.com/
Facebook https://www.facebook.com/kaitlynaurelia/
Twitter https://twitter.com/kaitlynaurelia
Instagram https://www.instagram.com/kaitlynaurelia/

TOUR DATES
April 	28 - Fayetteville, AR - George’s Majestic Lounge w/ Animal Collective
April 	29 - Austin, TX - Levitation
May 	01 - Tulsa, OK - Cains Ballroom w/ Animal Collective
May 	03 - St. Louis, MO - Pageant - St Louis, MO w/ Animal Collective
May 	04 - Royal Oak, MI - Royal Oak Music Theatre w/ Animal Collective
May 	06 - Nashville, TN - Marathon Music Works w/ Animal Collective
May 	07 - Atlanta, GA - Buckhead Theatre w/ Animal Collective
May 	08 - Asheville, NC - Orange Peel w/ Animal Collective
May 	10 - Washington, DC - 9:30 Club w/ Animal Collective
May 	13 - Wilmington, DE - World Café Live at The Queen w/ Animal Collective
May 	14 - Sayreville, NJ - Starland Ballroom - w/ Animal Collective

Listeners familiar with Kaitlyn Aurelia Smith's previous album Euclid (an album that prompted Dazed to call her "…one of the most pioneering musicians in the world.") will no doubt notice her heavier use of vocals on her new album EARS.  On all but one song, her gently ecstatic swells of vocals emerge to soar over a dense jungle of synths and woodwinds.

After initially composing on a Buchla analog synth, she wrote arrangements for a woodwind quintet, added vocals, and further refined the pieces with granular synthesis techniques she developed in her sound design work (she contributed sound design to Panda Bear's "Boys Latin" video, and handled sound design and original compositions for Brasilia co-written by and starring Reggie Watts).   

Kinetic arpeggios of synths pulse, often buoying her graceful vocal mantras, while woodwinds breathe and flutter, emulating the wildlife Smith observed while growing up on the West Coast (she even studied recordings of slowed down bird calls prior to composing these pieces).   Though some of her gestures echo the musical tropes used by early minimalist composers, the world she creates on EARS is uniquely hypnotic and full of life, not unlike Miyzaki's film Nausicaä, which she cites as an inspiration.

Kaitlyn Aurelia Smith - "Existence In The Unfurling"

Steve Reich - 18 Musicians

Zones Without People

Computer Vision

come see us on tour!
http://smarturl.it/slenderbodiestour

lyrics~

down below
my thoughts can wander and i
let go
i don’t need much in my life
i know
i like it better underwater

ive been drowning in anemone
here you’ll never get the best of me
ive been drowning in anemone
breathing deep 
breathing deep

down below
sandy like the ocean floor
quiet like i like it
here ill never be alone

i pause my life
i spend my time
its always right
its never wrong to try

it’s been alright
ive been alright

but here its better
i heal better

i like it better underwater
send me underwater


feeling little pulls
wont get the best of me so 
la la la lets go
a little destiny 
to tell you what you know
a fatal recipe of life

dreaming ‘bout a place 
where i can be by myself

anemone

Guitar, Vocals - Lila Ramani 
Bass - Jesse Brotter 
Synth/Keys, Percussion, Reeds - Brian Aronow 
Drums - Jonathan Gilad

Lyrics by Lila Ramani 
Recorded and Mixed by John Scott at Phoenix Down Recording 
in Somerville, MA 
Mastered by Adam P. Cissell at Guv Studios 
in Roslindale, MA 

Album Artwork by Isaac Baird, Lilly Donlon, and Jesse Brotter 
Layout by Jesse Brotter