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Artists: Burko & Bondar
Title: VOID
Release Date: 2021-04-15

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Nipplepeople - Sutra (ONIX & Marshall Remix) [FREE DOWNLOAD]

Mano Le Tough - Primative People (Tale Of Us Remix)

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - Deceive (feat. Sune Rose Wagner of The Raveonettes) [Clip]

Lana Del Rey - West Coast - Solomun Remix

Beatport

Art Department - Catch U By Surprise (Guy Gerber Remix)

Einmusika052 | Pysh - Stigmatik EP

Trippy house productions with a smart pop attitude, that is the style of Poland based producer Pysh. We have him back with his “Stigmatik“ EP which combines vocals and melodies without loosing the groove. It’s the R’n’B flavour which makes the three tracks of “Stigmatik“ so special and easy. And so “Lazy Life“ fits not only because of the title. Enjoy the end of summer with Einmusika052 by Pysh.

"Stigmatik" will be out August 17th 2015

Pysh - Visions

DUKE DUMONT - FOR CLUB PLAY ONLY VOL. 2

Stream/Download

Turbo Recordings presents the second in a series of club-vanquishing EPs from @dukedumont.

Following the rapturous reception of his first club-centric EP for Turbo, as well as remixes for Santigold and the forthcoming AlunaGeorge single, UK superproducer Duke Dumont returns to tighten his stranglehold on the worldwide nightgeist with FOR CLUB PLAY ONLY VOL. 2, this time training his sights on the Vocal Anthem heavyweight title.

A-side "No Money Blues" brings UK bass and deep house into the realm of crossover pop, while "The Giver" is an ecstatic vocal house anthem that would fit seamlessly alongside the most uplifting MURK classics. These are probably the two most "feel-good" tracks we will put out all year, but the impeccable level of quality actually lets you "feel good" about "feeling good."

This EP positions Dumont as the versatile international hitmaker we know him to be, establishing a globe-spanning Dukedom to unite us all.

www.turborecordings.com
www.dukedumont.com

Stream/Download

Duke Dumont - The Giver

Two contrasting remixes of ‘Space Date’ come courtesy of Pleasurekraft and John Monkman, as the three-way collaboration between Adam Beyer, Layton Giordani and Green Velvet continues to thrill. Joining the strong reworks is an unexpected treat for fans; a last-minute inclusion of a fresh new original track from the trio.

Drumcode got its first taste of Pleasurekraft’s unique production touch in 2016 when ‘Dopefield’ dropped on ‘A-Sides Vol.5’. The Swedish/American duo’s exploration of cosmic techno realms made them the ideal candidates to re-work ‘Space Date’. Their contribution is as visceral as they come; defined by a hypnotic vocal arrangement, a stirring call and response melody and propulsive galloping beats fashioned for peak-time moments. No surprise it was a highlight of Adam Beyer’s Ultra Resistance sets and gobsmacked Maceo Plex who requested a promo to play at Time Warp a week later.

Meanwhile Drumcode debutant John Monkman steps up with a very different, but not less deadly reinterpretation of ‘Space Date’. The Brit has impressed in recent times with strong releases on Ellum, Kompakt and his own Beesemyer imprint, and takes this form into DC207. His is a twisted intergalactic re-rub drenched in warped electro, blistering modular sounds and touches of IDM that manages the difficult task of taking the original to darker, more leftfield realms without ever losing its powerful dancefloor pulse. 

A new collaborative work ‘Data Point’ joins the pack, only completed by the trio of Beyer, Giordani and Green Velvet in late May in time for the Drumcode boss to drop it at IMS Dalt Villa during the sunset slot with Ida Engberg.

A new collaborative work ‘Data Point’ joins the pack, only completed by the trio of Beyer, Giordani and Green Velvet in late May in time for the Drumcode boss to drop it at IMS Dalt Villa in his B2B with Ida Engberg. The track’s sleek melodic grooves and hypnotic vox complimenting the sunset slot perfectly.

Buy all

Adam Beyer, Layton Giordani & Green Velvet — Space Date (Pleasurekraft Remix) — Drumcode — DC207

DHB 006: Anakim - Poseidon's Revenge EP

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Poseidon's Revenge EP

Anakim - Poseidon's Revenge [Desert Hearts Black]

'Igniting dancefloors with ‘Lost’ feat. Run Rivers earlier this summer, Tinlicker let Joris Delacroix work his magic on the track...'

Read More : https://whenwedip.com/2020/03/premiere-joris-delacroix-tinlicker/

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