This is Lundh's first release in collaboration with the art collective, festival and record label PLX. Approximately 15 years ago, Lundh - at the time settled in Halland, Sweden, yet originally based in Gothenburg - released a single titled "Subjektiv", an excerpt from his second full-length album "Morfint", which came to be one of his most artistically significant tracks. Sensory states has been, and still is, a red thread throughout Fiktion's discography. The mood and title of this track refers to just that - moments when we subjectively experience the various strange phenomena of existence, not seldom mysteries of biology, weather and light moving in the borderland between perceived reality and the surreal. The single from the upcoming album "Cerulean" is a reworked version of this particular track, logically titled "Subjektiv II", which also make up track six along with six other individual pieces, three of them which are reworkings of old previously released material by Fiktion but also the acoustic, narrated 'Tungt Vatten' - an at the time sonic collaboration with swedish wood artist Markus Pettersson. 

Lastly, "Cerulean" consists of interpretations of selected works by composers that have strongly influenced Lundh's artistic path, all of them more or less primarily oriented in old, vocal and organ / cembalo-based, sacral music: Johann Sebastian Bach, Diederich Buxtehude et al. Nevertheless, Lundh's body of work has become a sonically expressive language that constantly moves in the borderland between partly our secular present and classical past, partly perceived "reality" and dream.

released September 22, 2023
Recording, art-work, production and mix by Gustaf Lundh, Norrtälje, Sweden, 2023.

Master by Rashad Becker.

Subjektiv II (From Cerulean 2024)

Rocking Arms (2025)

Leif - Freerotation 2019

Levde Alice Miller som hon lärde? 

Människan har utvecklat en psykisk förmåga att undvika smärtsamma erfarenheter, för att det vänder oss bort från livet—gör ont och skadar oss. Vi undviker den heta elden för att den bränner vår hud. Men kanske lika starkt, om inte starkare, verkar vi utvecklat en förmåga och strävan att inte glömma bort våra smärtsamma erfarenheter. Denna psykiska paradoxala drivkraft, har många ägnat sitt yrkesliv åt att undersöka. En något kontroversiell figur som gjorde det var just författaren och psykoanalytikern Alice Miller, eller Alicija Englard som hennes ursprungliga namn egentligen var. För en tid sedan gav hennes son Martin Miller ut en biografi om sin mor. Bilden av Alice Miller vänds med detta upp och ner. Vem var denna psykoanalytiker egentligen, och levde hon som hon lärde?

Gäst i programmet är Daniel Kraft, psykolog och verksam i Stockholm sedan flera år. Daniel arbetar med integrationsterapi utifrån Ingeborg Bosch och Jean Jensons.

Producerad, mixad och masterad av SPV. Medverkande: Gustaf Lunch och Daniel Kraft. 
Musiken i programmet:
Titel: Irja p.I & II samt Kal Zathynn ur "Irja" 
Artist: Onomi

Titel: Kernel ur "Kernel LP 2008-2015" 
Artist: Onomi

9: Levde Alice Miller som hon lärde? (Gäst: Daniel Kraft, psykolog)

The introduction of Irja, track 1 from Onomis second album, released 7 sept 2019. 

Imagine a future where humans are gone from the face of the earth, and the machines left behind tell each other stories in synthesizer voices and distorted chirps. Onomi’s new release, Irja, could be an approximation of what this unknown future would sound like.

The record itself is a collection of electronic pieces composed and recorded over the course of five years. Its seven tracks are as beautiful as they are unsettling, as melodic as they are washed out. Here, Onomi has mixed elements of classical counterpoint and electro-acoustic composition with rough electronic soundscapes, sometimes reminiscent of videogame music. Several tracks were originally composed for short films, and Irja is indeed Onomi’s most cinematic release to date.
Onomi offers the following description of Irja: a sexless, artificial machine, like HAL 9000 in Stanley Kubrick’s 2001: A Space Odyssey. However, unlike HAL, Irja is not antagonistic, but a friendly machine that wishes everybody well.

For those brave enough to venture into this strange but friendly future, Onomi’s new album is out now in physical form as a Limited 12” 180g Red Vinyl version and in digital format on Bandcamp!
credits
released September 7, 2019

Album cover by Erik Solin
Press text by Peter Tóth
Production, mix and composition by Gustaf Lundh
Mastered at EAP: Elektroakustisk Produktion

Bliss

Two tracks from Gdańsk, POL-PAL, نابلس
28 February 2020

Track list:
1. Gdańsk 			0-2.58
2. Michaní Anemou 		3.00-3.58
3. Запах Києва			4.00-6.25
4. Boğaziçi Köprüsü 		6.27-9.36
5. Michaní Eurus 		9.36-10.58
6. نابلس‎				10.58-16.59

More info and order at:
https://burnthatgloom.bandcamp.com/album/gda-sk-pol-pal

The Scent of Kiev + The Bosphorus Bridge (from Gdańsk, POL-PAL, نابلس) 2020

Experimental and purely electronic music endeavour. by artist and composer Gustaf Lundh (also known as "Fiktion")

While Fiktion has incorporated acoustic instrumentation and narratives, ONOMI is all instrumental and electronic. Mixed elements of classical counterpoint and electro-acoustic composition. Rough electronic soundscapes, sometimes reminiscent of videogame music.

Support this project by purchasing the music at bandcamp.

Bliss

Onomi

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