Artist: https://soundcloud.com/jasonburns
Track: Acid 19
Label: https://soundcloud.com/user-198011853
Format: Digital EP
Release date: 18/03/22
YouTube: https://youtu.be/-XudfsaUjDE

Jason Burns breaks the seal for Planet 9 with a 4-track, break heavy EP featuring a remix of the title track by Lauren Flax.

Night Terror 

PREMIERE | Jason Burns - Acid 19 [Planet 9] 2022

Funboys is the musical partnership of Audun and a.d.a.m. baby, ably assisted by Poodfy. The three have their roots in club scenes spanning more than three decades, stretching from Oslo and Antwerp, ending up on Australia’s Gold Coast.

The Apparatuses EP is a collection oddball jams blending hardware and organic instrumentation. The result is refreshingly left-of-centre, showcasing the trio’s bent take on somewhat danceable music.

Apparatuses

Was inspired by the spirit of experimentation and old-fashioned laboratory equipment as seen on Australian television last century, courtesy of the late great Professor Julius Sumner Miller. His immortal question, burned into the brains of his young viewers, was always "Why Is It So?"
The practical execution involved an Adrenaline (a recent product from the inventor of the modern-day drum machine, Roger Linn), playing tug-o-war with a Devilfish, a mutant of that essential dancefloor engine, the Roland TB-303.

Take Me To The Cleaners

is based on the rather frankly disturbing 1965 Japanese art-house film "Black Snow", now almost impossible to find, but for which its director was actually arrested and tried. He was acquitted and went on to become known as the "Father Of Pink" films. In a satanic twist, under the demented synthetic orchestration and dub basslines, dialogue samples from the actual film have been spun in backwards.

Step Down

In 1976 when Bowie was making inquiries as just how enthusiastic Tony Visconti might be in regards to helping make his next record, "Low", he received the response "I've got just the thing we need! There's this new machine I've been testing that fucks with the fabric of time!!"
The machine Visconti was referring to was the Eventide Harmonizer, and it stamped a unique sonic character on that album that artists are still in awe of today.
Here it can be heard twisting the journey of a group of young spelunkers that are literally 'stepping down to the underground' for the very first time. The backdrop to this subterranean adventure is an evolving loop of raw acid from an ancient mini Korg 700, Korg's very first synthesizer from 1973.

Crackin' Bones

As its skeleton, a rhythm derived from the Bossa Nova crossed and braced with the Bolero. Over these bones are the flesh of gated noise bursts, ecstatic xylophones, Hollywood sound effects and "more cowbell"…

BUY on BANDCAMP

PREMIERE : Funboys - Take Me To The Cleaners

I HEAR (BORUSIADE REMIX)
Taken from @motherofmars's EP 'We Hear'
Out Now on Ransom Note Records - https://ransom-note-records.lnk.to/WeHear

Earlier last year Vito Roccoforte and Gabriel Andruzzi aka members of the era-defining NY post-punkers The Rapture emerged from their DFA/major label hangovers into a world of sonic wanderlust with their debut long-player ‘I Hear’ under their Mother Of Mars guise.

Emulating all that was good and great about the rhythm section of their previous incarnation but exploring corners all-new, on 'I Hear' they enlisted a third bandmate; Jaiko Suzuki, on vocals. The album ventured down different tributaries, journeying into psych, kosmische, avant-garde, fourth world and new age dreamscapes.
The resulting album provided technicolour bleeps, drones, ethereal singing and a plethora of percussion interweave, like a fractal mosaic in harmonious sensorium.

Now on 'We Hear' the band mobilises rising producers, friends new and old, to remix the best tracks from the LP. First up Russia’s @natasha_bai takes 'Through The' out into the morning light as the sun breaks over the horizon. Natasha’s touch is marked by her ambient-pop influences, transporting the listener through otherworldly universes.

Next up is the amazing Mozambican producer and DJ Nandele (@nndle) with his new project Cntrl Alt Del (a collaboration between Nandele, Marco Dray and Roberto Chitsonso Jr.), going into full band wig-out mode on their take on 'Durga & Demon'. The project sees the three musicians and composers merge local traditional
Mozambican music - in particular, traditional music from Cabo Delgado - with techno and other electronic music genres. Nandele is a well-established figure in the Maputo music scene, being one of the most
innovative DJs and producers to come out of the southeast coast of Africa.

Then @borusiade’s interpretation of 'I Hear' - the LP's title track - disappears down electronic avenues of psychedelic wonderment, marked by their trademark sound, often dark and melodic, filled with piercing bass lines and immersive sonic vibrations.

Finally, Brooklyn-based Abby Echiverri (@echiverri) takes the tempo down a notch, evolving 'Matteruno's haunting vocals atop stuttered beats. A Drexciyan atmosphere seems to halt time for a short interim, releasing ethereal vocals, intertwined with distorted keys of analogue masterpiece.




FOLLOW MOTHER OF MARS
https://www.facebook.com/MotherofMarsMusic/
https://www.instagram.com/motherofmarsmusic/
https://soundcloud.com/motherofmars 
https://twitter.com/mother_of_mars 
https://www.youtube.com/channel/UCc3Y_9ossZpiDi5y3zExXew/

FOLLOW NATASHA BAI
https://www.instagram.com/natasha_bai/ 
https://www.facebook.com/supabai 
https://soundcloud.com/natasha_bai

FOLLOW ABBY ECHIVERRI
https://www.instagram.com/abbyechiverri/ 
https://www.facebook.com/echiverri.abby/
https://soundcloud.com/echiverri

FOLLOW BORUSIADE
https://www.instagram.com/boruborusiade/ 
https://www.facebook.com/borusiade 
https://soundcloud.com/borusiade 
https://twitter.com/bborusiade

FOLLOW CNTRL ALT DEL
https://www.facebook.com/ctrlaltdelofficial

FOLLOW RANSOM NOTE
https://www.instagram.com/thisisransomnote/
https://www.facebook.com/ransomnoterecords/
https://www.facebook.com/theransomnote
https://twitter.com/ransomnoted
https://soundcloud.com/ransom-note-records
https://soundcloud.com/the-ransom-note
https://www.youtube.com/c/RansomNote


All tracks composed and produced by Gabriel Andruzzi and Vito Roccoforte.
Mixed by Dmitrii Garmanov and Natalia Baimesheva.
Track 1, remixed by Natalia Baimesheva;
Track 2, remixed by Nandele Maguni & Marco Dray - Cntrl Alt Del for Awesomakossa Music;
Track 3, remixed by Miruna Boruzescu;
Track 4, remixed by Abigail Echiverri.
Mastered by Leaf Troup.

I Hear (Remixes)

Mother of Mars - I Hear (Borusiade Remix) [Ransom Note Records]

Cafe De La Jungle - Tuvan Spirits (incl. Tolouse Low Trax Remix)
BUIY LINK: https://dansledesert.bandcamp.com/album/tuvan-spirits-incl-tolouse-low-trax-remix
Label: Dans le Desert (https://soundcloud.com/dans-le-desert)
https://soundcloud.com/cafe-de-la-jungle

Cafe de la Jungle returns with Tuvan Spirits EP for Dans de la Desert, exploring further his fascination with shamanic practices in highly dynamic sound environments.

While his excellent debut Dancing with Cicadas was rife with dangerous and mysterious rhythms, the Kraków-based producer takes a more laid back approach this time. Built around cavernous ambiance and bass notes played with such grace they paint a picture of a dance ritual so subtle, it’s visceral and highly narrative at the same time. While the bass ballet of “Kus” opens the record in a beautiful and stoic way, its followup—the percussive “Chas”—takes on a playful approach as it’s juxtaposing throat singing samples with jaw harp-like one off sounds bouncing off skittery beats. “Kysh” on the other hand puts Zajac’s mastery of modular sculpting to such a high that you might change your opinion about Italians being the masters of dubby, ambient techno you can drown in.

To top off the EP in a spectacular way, Cafe de la Jungle invited Toulouse Low Trax who turned “Kysh” into his trademark mechanical style, achieving a fascinating combination of off-kilter clockwork precision and long-forgotten folklore of unknown lands.

BUY LINK

PREMIERE : Cafe De La Jungle - Chai

GG1FOX

He didn't consider himself a problem solver, solutions weren't his forte, rather he found himself growing more and more confused or flustered the longer the problem remained unanswered. Thus he'd made sure he was surrounded by others that could work these conundrums out on his behalf, however big or small. From life-changing decisions to trivial everyday occurrences, he let others guide his way, no questions asked.

It's always interesting when two seemingly disparate minds come together for a release. For the first time Capracara, the mind behind music for DFA, Cómeme & Unknown To The Unknown, joins forces with SMBD  (aka Simbad), who has releases under his belt for Hyperdub, Apron and his own Modern Dialect imprint, for a three-track EP that matches their contrasting styles. Raw and rhythmic, Club Ozone kicks off with two rhythmic machine rollers that blend elements of house, industrial and dub, whilst on the flip 'The Ozone' lightens up the vibe with a twinkling dream house number.

Club Ozone

PREMIERE: SMBD x Capracara - Roubaix Cube

A dynamic and driven celebration of techno, ‘Intelligent Jump Rope Music’, is a highly crafted and focused release by Thai producer ‘Sarayu’. The four track EP is an exquisite selection of darker club focused tracks, featuring an uplifting and celebratory remix from one of Europe's finest club producers Locked Groove.
	
Though shifting styles the four track EP presents a producer within his element, a craft of high quality and club ready dance music. On the A side, Sarayu opens the EP with the ‘The Bag’, a myriad of infused warm synths and driving hats placing the listener solidly on the club floor. E30 Track (A2) then follows with a much moodier bass filled aura, fluidly moving the listeners onwards with a set of sizzling synths and well crafted drums. On the B side the Album title ‘Intelligent Jump Rope Music’ drops the tempo to 120 bpm with acid tinged synths and dynamic snares. B2 then brings in Locked Groove, driving the tempo back to 136 bpm with an ecstatic club finish, intertwining floating sets of emotional synths and grooving hits together to tremendous result.

PREMIERE : Sarayu - Intelligent Jump Rope Music

https://soundcloud.com/mecanicaclasica
https://soundcloud.com/abstrakce
🛒 https://abstrakce.bandcamp.com/album/danza-sin-nexo
🔊 https://youtu.be/JAuTf_I1AVg

A new mutation on Mecánica Clásica's sound, preserving the essence of previous works: ambient inspired by electronic pioneers such as Craig Leon, K. Leimer, Marc Barreca, Jon Hassell or Cluster. Continuing with their contemporary update of these sounds, this new delivery evolves to more rhythmic tracks, oriental influences and percussive sequences that bring it closer to leftfield vibes, with a wide range of textures and details that appear and disappear. The title of the album "Danza Sin Nexo" refers to this: a rhythm that forms and deforms without an apparent link, but ends up forming a coherent whole.

Tracklist: 

A1 Mantra De Felpa 
A2 Una Dimensión Nítida 
A3 Danza Sin Nexo 
A4 Diseñado Con Un Fin
B1 El Mundo Se Vacía De Cosas 
B2 Reliquias del Futuro 
B3 En Otra Ocasión
B4 Nova

PREMIERE: Mecánica Clásica - Danza Sin Nexo [Abstrakce Records]

•not possible in michigan•
genre-fluid textured dj set: sound poetry, church chants, breaks

recorded in barcelona, catalunya, spring 2023

PIZZERIA LA BON MATIN

Imagine a peaceful cyberpunk world where flowers are used instead of laserguns, where bamboo towers are high in the sky and your fingerprints digitalized in a papermade card. This is the utopia you’re living in while listening to this record.

From the crowded city atmosphere of « Mecanic Chipo » to the suspended garden of« Lady Chipo », your existence is harmonious and serene. As a casual salaryman you dream of the countryside in « Chipo Sleep » but are waken up by the « Chipo Dub » bonzaï alarm clock.

« Chipo Sounds » reflect these everyday life and reveries which are at the end, not cheap at all!

https://soundcloud.com/camisole-records

FRST

Onushka

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