@tariqa-kali posts a ukulele meditation
https://soundcloud.com/tariqa-kali/ukulele?in=myrhyum/sets/trajectory
@enigmacurry creates a new composition from a section
@myrhyum sings, mixes vocals & makes photo-art
@enigmacurry does final master & remixes photo-art for cover

"I Miss You" is an old song (2006).  I improvised it to accompany my friend Pasi, as he played the Mbira. For "Summer" a selection of the lyrics from the original are sung here:
--------------------
You should come home
Summer is coming
I see people holding hands
walking, smiling
I miss you so
------------------------

Summer | myrcury

Final Score

Winter landscapes

I Had A Dream (I Was Riding A Mechanical Bull In A Wild West Theme Bar In Manchester in 1987)

Emergency

Your Bright Light

The Day U Went Away

Bowing

Klagovisa

My daughter Tara doesn't really understand the concept of a public payphone. ...and I suppose there is no sense in having public payphones in a post covid world. This is a song to go with the pic I took of the last payphone in North Hollywood, Los Angeles, California, USA.

Last Remaining PayPhone In North Hollywood

This is the result of yet another jam session with Maxim Lichtenwald (@maxim-lichtenwald) and Leo Cuznetov. As per usual, the jam session took several hours, and we experimented with many sounds, settings and ideas. This time, we used several pre-recorded samples by ourselves and also two jam sessions by other artists, which we incorporated into our jam session and can be heard in the second half of this track:

1) Development in C minor 76 BPM  by Federico Marchionda, https://youtu.be/FJAyveFgzz4
2) C Minor again... Drum Machine, Drone, Bass, Guitar & Sequenced Synths by Nigel Honney-Bayes (@mr-honney-bayes), https://youtu.be/dajflYp26HE

We recorded the result of this jam session in Audacity, which was used in post-production to extract the best parts from that jam session in order to create this track. As always, only basic audio editing techniques like simple crossfades were used. Only a touch of soft limiting was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

MAB logo by @maxim-lichtenwald, check him out!

We hope you enjoy!

- Boss RC-300
- Korg R3
- Arturia Microbrute
- Korg Kaossilator Pro+
- Eurorack
- Various guitar pedals
- Various samples

Day By Day [Jam session sections: RAW2021 - 2]

New album https://3eilanden.bandcamp.com/album/harlingen

Comments & ideas for collaborations appreciated. 
Instruments: violin, mandoline, acoustic, bass and electric guitars, harmonica, tin whistle, darbuka, sansula, roland synthesizers. 
Recording with Cubase Elements 11 

Recommending these inspiring musicians: 

https://soundcloud.com/the-plugs ;  https://soundcloud.com/pleudoniem ;  https://soundcloud.com/markjbennett ; 
https://soundcloud.com/dan-lockhart ; 
https://soundcloud.com/julsy ; 
https://soundcloud.com/houckjt ; 
https://soundcloud.com/tante-meli .

Winter landscapes

Oorlab