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PBR Streetgang with Chris Massey (Sprechen) - 20 March 2022

This is the 236th recorded instore session at the PP Headquarters.
Mixed and compiled by @attilaonline

TASCAM DR-40

PP INSTORE SESSION #236 (ATTILA)

🌻 For one of the last LYNX of the year & the last one for the USA (Los Angeles), The @warehousepreservation gang have decided to invite the man behind the suave voice you've been hearing in the interviews all year: @tavishdj

He's prepared a special 2 hours mix of deep & groovy curveballs – his speciality.

LYNX U.S.A. 006 - Warehouse Preservation Society w/ Tavish

www.openlab.fm | 106.4FM in Ibiza & Formentera
Check the full tracklist on our website:
https://openlab.fm/news/radio-guesthouse-07-mark-broadbent

Mark Broadbent is back with Radio Guesthouse, another 2-hour eclectic sonic journey this week featuring music from Dreamcastemoe, Lake Haze, Dorian Concept, Nidia & more!

Download our App:
IOS: bit.ly/OLappApple
Android: bit.ly/OlAppAndroid

Radio Guesthouse 07 - Mark Broadbent

Recorded on Friday the 10th of February

Tracklisting 

1. Fila Brazillia - Mermaids
2. Shanksy - Holding Me Down
3. Azura - Theme From Azura (Dream Version)
4. Brad Peterson - Memory Flash
5. LAAK -  The Garden
6. Barce - Universal Sound
7. Mediterranean Key Collective - Il Tramonto (Mediterranean Mix)
8. Sensory Productions - Deep Introspection
9. Hugo LX - Them Hurt Souls
10. Module One - The One I Believe
11. Rick Wade - Acid Creep
12. Paul Cut - Nucleus
13. French Connection - French Connection Speechless (Original Mix)
14. DJ Technics - Clair (Take Two)
15. Noel Nanton - Here Inside
16. Dez Andres - Danceteria

Sean Galvin Deep House February 2023

Joachim Spieth - Texture 40.1 (Claudio Prc Atmospheric Mix)
Freund Der Familie - Δ (Version)
E-dward! - Ctrl+v (Life Recorder's Re-Deep)
Chris Gray - Bring It To A Simmer
Brawther - Asteroids And Star Dust (Original Mix)
D5 - Time After Time
Philipp Priebe - Singende Fluesse
XI - Untitled 3 (SUED 011)
Francesco Mami - Mentat
Ariet - Shaman's Heart (Polygonia Remix)
Bluetrain/Steve O'Sullivan - Growing Pains
Bas Dobbelaer & Vand - Story Of Blade
Luigi Tozzi - Spiral
Polygonia - Stellar Rain
The Fly Insect - An Afternoon With Mr Ginge

crepuscular rays mix

2Sox - Radio Buena Vida 13.04.23

JUSTIN STRAUSS @ The Lot Radio 05-11-2023

Writer, historian and DJ Bill Brewster showcasing two hours of love, laughter, and music.

https://www.nts.live/shows/bill-brewster/episodes/bill-brewster-30th-may-2023

Low Life Loves You w/ Bill Brewster 300523

The prolific producer blurs the line between techno and house on this week's RA podcast.

RA.157 Tony Lionni

Listen back to a live mix from Andrew Weatherall recorded in Jæger’s basement.

In the early nineties after Acid House was firmly instated as part of popular culture and shortly after his success with Primal Scream on the 1991 record Screamadelica, Andrew Weatherall could have easily taken a position amongst the Oakenfolds and Sashas of the world as a superstar DJ, but feigned the spotlight in favour of something more substantial.
“It’s a lot of work, once you go up that slippery showbiz pole”, he told The Independent in a 2016 interview with Fiona Sturges. “(I)t would keep me away from what I like which is making things. I mean, I had a little look in the early Nineties. I stood at the bottom of that pole and looked up and thought to myself ‘The view’s pretty good. But it’s very greasy and there are a lot of bottoms up there that I might have to brush my lips against. So, maybe I’ll give it a miss’.”

Weatherall grew up in the suburbs on the outer fringes of London, and he would spend his weekends going on “raiding parties” in the city. Trips like these would usually involve some “skirmishes” he told Bill Brewster in The Record Players, but ultimately they would involve buying records. In Beaufort Market in the Kings Road, the same road which Sex Pistols came to the fore and Vivienne Westwood and Malcolm McLaren owned and ran the Sex Shop, Weatherall bought post punk records from a place called the Cage. In the week Weatherall would be engaged in all manner of jobs just to make enough money for a weekend jaunt into the city. By the age of 13 he had become known as the “bloke with the weird records” and as he came of age he would start being asked to “come play some music”, stepping into the role of DJ as that role became more defined through the 1980’s.
-->>>>>
“I want to listen to something in slightly open-mouthed wonder, doesn’t matter whether it’s a rockabilly track or techno. I got hooked in the idea that everything has to be new and original for a while. Originality is not what’s important, it’s authenticity.”
He knows his audience, and at Jæger his set favoured a 4/4 proclivity, but it combined guitars, synthesis and melodic vocal hooks in ways that you don’t often hear on the dance floor. His tracks come from vastly different sonic spheres but in the context of the mix they all find a disjointed relationship with each other bolstered by the unique artistic identity behind it.   
“Even if you’re playing wildly different music, I try to make some sort of connection or some sort of flow”, Weatherall told Bill Brewster when the latter asked what makes a good DJ.

Andrew Weatherall at Jaeger Oslo - live recording 27/04/18

Tomorrow’s world...today. 
Playing innovative music via www.openlab.fm and 106.4 FM in Ibiza and Formentera.

Radio Guesthouse 07 - Mark Broadbent

OpenLab Radio

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