On the long-awaited Exaptations, Toronto-based composer Nick Storring presents two highly textural, side-long pieces. On “Field Lines”, originally composed for Yvonne NG Peck Wan‘s dance piece, Magnetic Fields, a certain fragmented, uncertain openness is conveyed: a series of brief, dreamlike clearings are vignetted by pregnant silences or various levels of waking or sleeping states. Storring plays with a variety of tonal instruments that swell and tumble along while being nipped at by expressive percussion. Organic clusters develop within event-based sequences, stretching attention across multiple timbres and rhythms. On “Yield Criteria”, shifting drones move about like independent layers of ice on a lake in the dead of winter, slowing crumbling, sliding, and cracking in perfect harmony. Storring has written for dance and other interdisciplinary settings, and here he brings the delicate resourcefulness of a skilled accompanist, as well as a narrative sense that belatedly, profoundly blossoms.

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Field Lines:

Composed and recorded October 2013 - May 2014 for Yvonne Ng's dance piece, Magnetic Fields, which premiered in May 2014.

Nick Storring / various percussion and found objects, vibraphone, glockenspiel, balafon, chimes, hand bells, toy pianos, thumb pianos, voice/whistling, electric (NS Designs NXT4) and acoustic cellos, electric bass, electric mandola, violin, hammered dulcimer, Hohner Pianet T, Yamaha CP60M, Hohner Clavinet D6, flutes, harpsicle, strumstick, guitalele, steel pan, harmonica, melodica, pitch pipes, hulosi

Special thanks to Yvonne, Marie-Josée Chartier, Mairead Filgate, Luke Garwood, Christopher Willes. Thank you to Germaine Liu for the use of her vibraphone, and John Farah for the use of his Pianet.

Yield Criteria:

Composed and recorded February - June 2014.

Nick Storring / NS Designs NXT4 electric cello, electric bass, electric mandola, thunder tubes, Yamaha CP60M, toy piano, harmonica, duck call, voice, hand bells, glockenspiel

Elements were used in Eva Kolcze's film, All That Is Solid. Thank you to Eva, Spencer Barclay, Jason Doell, Brandon Valdivia, and Bryan Bray.

Processing and manipulation performed on the above sound sources (and the sound of a blank, chemically-treated 16mm film sound-strip) using combinations of the following: transducer speakers on various resonant chambers, instruments and surfaces; talkbox; spring reverb; recordable cassette walkman; various speakers; (contact) microphones.

Special thanks to Nicole Cultraro for her violin and kalimba, her support and inspiration, and patience with my process. Thanks also to Andrew Zukerman.

Gratitude also to all who listened and offered feedback.

Artwork and layout by E. Lindorff-Ellery
Printed by John Fitzgerald at Fitzgerald Letterpress, New Orleans

NTR042 - Nick Storring - Exaptations "Field Lines"

From the LP record 'Time Deferred'. Out now on Gagarin Records. Available to buy here:
markvernon.bandcamp.com/album/time-deferred

Followers of the artist Mark Vernon will note a subdued and pensive mood on this new record. Monochrome and sepulchral, these tracks are in a minor key, a key which opens the door to a damp cellar of the imagination. Too-many legged spiders crawl over dusty violins. Time lurches, loops and echoes like excursions on slow motion railways in reverse. Concrète noir sombre séances for non-believers. Tauntological voices from the past provoke us. Half guessed ghosts, magnetic phantoms from funereal-to-reel tape recordings. The sibilant persistence of the deceased evokes the exhausted dread of waiting for a medical test result. Enigmatic messages thrown to the werewolves with nothing but cheap medication and some breathing exercises for support.

Caution: this record can cause dreamless nights.

“Psychedelic visions, blackouts and blinding lights reveal an unusual, sick, and feverish musicality... here the gods come back from the dead only to ensure us an existence nurtured by the freezing rays of a black sun.”

Massimiliano Busti, Blow Up (Feb 2022)

The New Game Of Emulation

One for the ol' Good Times!

Tango Mango (or Tago Mago)[2000-2006]
was the marginal electronic duo based in Melilla
formed by Iker Furtado and Michael Gonzales.
Heavily influenced by Suicide, Cabaret Voltaire,
Pink Floyd, Spacemen 3 and the use of pyschedelic sustances.

Tango Mango: MADE IN JAPAN

s.altro_cute

datafruits番外編　ブギーアイドル　音楽より遠く（第52回）

datafruits番外編 ブギーアイドル 音楽より遠く（第52回）

S&S&N - XXXIL

all horrid compress sorry

release on 16 September 2022 : https://wabi-sabi-tapes.bandcamp.com/album/visage-zyg-ne
@roxanem-tayer

Roxane Métayer is a French sound and visual artist now living in Brussels. She composes with the violin, primary wind instruments (ocarina and various flutes), archaic percussion and field recordings, fragmenting and reassembling them with synthetic effects. Nature becomes the backdrop of these wild soundscapes, populated by a phantasmagorical bestiary and an exuberant flora.

Artwork by Coline Llobet
Mastering by Adrien Lambert

Roxane Métayer - Sur Les Ailes, Huit Tâches

free improvisation with electric guitar + chamber ensemble (reacting/created of guitar impro)

ratio of specific heats

@empty6pack_cassettes PARTY ! 2023
@opus-vivaldi

https://empty6pack.bandcamp.com/

ALL RITES REVERSED MMXXIII Ⓚ

Opus Vivaldi LivE! @ EMPTY6PACK 𝓈𝒶𝓊𝓃𝒶!  Pumarejo. 7/7/2023

IS THIS THE END ?
Out NoW!
Vivaldi ANTOLOGÍA SIGLO XXI via @empty6pack_cassettes :
https://empty6pack.bandcamp.com/album/antolog-a-siglo-xxi

Opus Vivaldi LivE! @ EMPTY6PACK 𝓈𝒶𝓊𝓃𝒶! Pumarejo. 7/7/2023

Opium Vivaldi