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MARCH NOVEAU MUSIQUE

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Oraculo

Oráculo Records :: Synthesizer surprises from a Spanish seaside town

Road

arild

DJ Mix by @matter
Tracklist + HD Audio on Spotify: https://open.spotify.com/album/0pK63BXjRWcr6IyadPEZkB
Follow VIRTUA on Spotify for the latest mixes! https://protonrad.io/virtua

Meanwhile 018 (Mixed by Matter)

Vancouver Sleep Clinic - Stakes (Klrx Edit)

from 'Silence Is A Rhythm Too' [CD|LP|DIGITAL]
Denovali Records · den207
released along with 'Splintered Instruments' [CD|LP|DIGITAL]
Denovali Records · den206
both records available on all formats at [http://denovali.com/matthewcollings]

MATTHEW COLLINGS is a Scotland-based composer. Not only being a solo recording and live artist, he collaborates regularly with artists from all kinds of fields including musicians (e.g. Dag Rosenqvist from JASPER TX and Denovali label mate TALVIHORROS), dancers and filmmakers. He’s responsible for several installations using custom-made software, which have been exhibited at Burning Man Festival in San Francisco or Glasgow's Centre for Contemporary Arts. His work for films includes a specially commissioned live score for Dziga Vertov’s 1929 silent classic, ‘The Man with the Movie Camera’ and an invitation to work on ‘The Invisibles’, a commission from Amnesty International. Before settling down in Edinburgh, he lived in Iceland for six years, where he wrote a number of albums issued under the name of his lo-fi/ambient project “Sketches for Albinos” and where he met fellow collaborator Ben Frost. His music can be roughly described as 'an elemental whorl of electro-acoustic (de)composition' (Boomkat.com), ranging from tiny delicate moments of intimacy to all consuming noise. Strongly influenced by avant-garde guitar music, it calls the minimal music of Steve Reich or Gavin Bryars to mind in like manner. Having received remarkable praise for his debut “Splintered Instruments”, Denovali Records is re-releasing the debut album accompanied by the release of his new and second full length album entitled “Silence Is A Rhythm Too”.

While looking back to an extensive period of creating music with his ambient project “Sketches for Albinos” Collings felt the urgent necessity of starting with a completely different approach to music, as the ambient aesthetic didn’t match any longer with new ideas burgeoning in his head. He wanted to create a more direct sound to involve a much grander and more dangerous range of emotions. The composition process of “Splintered Instruments” came out of personally reckoning with two contrary forces, something vicious and unrelenting challenging with a soft and kind energy – getting to their core and the dynamic interrelation to one another Filtered through melody and vaguely resembling songs, driven by nested rhythm patterns, one can imagine that the first sound Collings picked up on as a leading impulse “was like Sonic Youth’s ‘The Diamond Sea’ meeting ‘Music for 18 Musicians’. I wanted to take songs and kind of dissolve them and then bring them back again, with everything just being on the edge of these various types of structures.”

He worked closely with Ben Frost on the creation of “Splintered Instruments”, who took influence in the physicality and size of sound and helped to achieve him to reach into the deepest parts of human nature, pulling it out in a hybrid-pop-experimental-noise form. According to Collings, the record is “a revolt against machines” understanding the sense of precision as something pretty unnatural. He avoids working with computers only using them for convenience, not as a principle. 90% of the record is organic sourced from or played on acoustic instruments or objects, being drawn to sound of every kind which is more human, more imperfect in its subtle variations. Splintered Instruments '…is not about noise or the decibel levels – it’s about the sheer uncompromised approach to raw sound design' (Headphone Commute).

The title of the record 'Silence Is A Rhythm Too' goes back to a line from a 1980ies punk/new wave song by The Slits called 'In The Beginning There Was Rhythm', though Collings has mostly been pre-occupied creatively by an idea of painter Mark Rothko upon creating the album. Following Rothko’s statement, that the only things worth making art about were romance, tragedy and death, Collings condensed and transferred this thought to the antithesis of life and death represented by noise and silence.
“Silence Is A Rhythm Too” isn’t conceived as the absence of sound like a Cageian silence that is simply a span of time that is empty, but rather how silence and sound can be processed in a composition. Collings interest is musically based on huge densities of sound just as he’s fascinated by opposing forces to wrestle with each other. Silence seems to be harder and harder to achieve in this technologically saturated age and Matthew Collings admits that it reveals the habits of his own hearing, from being obsessed with its opposite: noise. “Silence Is A Rhythm Too” is about trying to find grace, space and expanse as much as tension and menace, and reconciling the two.

Stepping away from song-like structures, which filled his previous record, “Splintered Instruments”, Collings creates more spacious sounds and evokes the impression of time stretched through the three dimensions. Still being intrigued by the idea of materials on the edge of collapse, he catches them up in their dying breath: The record is full of these processes, including prepared amplifiers and electronics pushed to the extreme to coax new sounds, close-micing and high volume. Despite the fact that most of his work is mediated by technology, he’s far more excited by the sound of acoustic. Featuring brass ensembles and a string quartet the instruments and sounds are full of cracks, breath, embedding rough materials informed by luscious intentions. “Silence Is A Rhythm Too” keeps an eye on the small textural details as it is about harmony and physicality in the moment where silence and noise meet.

Silence Is a Rhythm Too

Matthew Collings - Toms

Coldplay - Midnight

Boy Harsher - Lust

Pre order your copy: bit.ly/1v9GKkV

Official release date 11/11/2014

Void Vision is a Philadelphia-based electronic project helmed by Shari Vari. It began around 2009 at a time when a wave of synth-revivalists were materializing, but the quality of the songwriting and intense vocals set the band apart from the pack. In a rare instance, Void Vision has managed to combine vintage dance elements with melodic structures, haunting melancholy, and lyrics that have a palpable soul. The songs themselves are dynamic, referencing a cross-section of the last 30 years of electronic music, while simultaneously retaining a uniqueness all their own.

Wierd Records weekly club night in New York, which showcased a variety of talented electronic and coldwave artists, served as an incubator for Void Vision in it’s early stages. After a standout debut performance at the club, they immediately caught the attention of Blind Prophet Records, who consequently released their first 7″ single, ‘In 20 Years’, which received excellent reviews.

Vari has continued performing and recording steadily over the last few years, releasing songs on compilations for various labels, including Rough Trade, and in 2012 the song ‘Everything is Fine’ was selected for Artforum magazine’s ‘Best of 2012′ issue. In 2013, Void Vision toured the West Coast and later that year released a split 12″ with Portland-based band, Vice Device. The first official full-length album, entitled ‘Sub Rosa’ is set to debut on Berlin-based Mannequin Records, followed by a European tour in 2015.

Shari Vari formed Void Vision in 2009 originally as a duo, during the explosion of the new minimal synth and cold wave scene in United States. Sharing the same scene of the Wierd Records associates like Led Er Est, Martial Canterel, Xeno & Oaklander, Automelodi, in 2010 VV released ‘In Twenty Years’ on Blind Prophet (Sean Ragon’s Cult Of Youth record label), receiving also the attention of the Rough Trade dudes, who asked to put out a track for one of their synth wave compilations.
After other split vinyls, tapes and compilations, Mannequin approached Shari with the intention to continue what Wierd Records started, giving a proper shape to her beautiful and youthful dark electronic sound. The result is 10 hypnotic cold analog tracks dominated by the warm and fragile Shari’s voice, some more “pop orientated” some others belonging to the original “cold wave” atmosphere.

“Sub Rosa” is an edition of 400 copies on 160 gram black vinyl and 100 copies on 160 gram white vinyl.

Limited silskcreen hand numbered art edition for the first 50 copies, 160 gram white vinyl.

Void Vision - One

A single from my upcoming debut self-titled LP to be released August 18th. 

Composed, Written, and Produced by John Richards

Haekkun

Gehenna Protocols

Pyres Of Aeon

Purple Lights In The Fog (feat. †▼BF▼CK)

Sample from... OR_04 Agent Side Grinder "Rip Me" Limited Edition 12"
Distributed by Oráculo Records / Bordello A Parigi / Diana Charité
Find it at:
oraculorecords.bandcamp.com/
bordelloaparigi.com
redeyerecords.co.uk
juno.co.uk
deejay.de
kernkrach.de
discopiu.com
... and some others lovely vinyl stores

Grab Your Treasure

OR_04 Sample ≫ Agent Side Grinder "Sleeping Fury"

PREVIEW! Sample from... OR_07 Scratch Massive "Golden Dreams / Nuit De Mes Revês" Limited Edition 12" SHIPPING OUT november 15th 2015
Distributed by Oráculo Records / Bordello A Parigi / Diana Charité
Find it at:
oraculorecords.bandcamp.com/
bordelloaparigi.com
redeyerecords.co.uk
juno.co.uk
deejay.de
decks.de
kernkrach.de
discopiu.com
... and some others lovely vinyl stores

OR_07 Sample ≫ Scratch Massive "Golden Dreams II" DELIVERY NOW!

OR_09 Sample ≫ V.A "Obscura Europa S.A" limited Edition 12" PREVIEW!
Distributed by Oráculo Records / Bordello A Parigi / Diana Charité
Find it at:
oraculorecords.bandcamp.com/
bordelloaparigi.com
redeyerecords.co.uk
juno.co.uk
deejay.de
decks.de
kernkrach.de
discopiu.com
... and some others lovely vinyl stores

OR_09 Sample ≫ Behind The Scenes "Fate" APRIL 20TH!

OR_10 Sample ≫ V A L I S "Cold Hands" Limited Edition 12" EP PREVIEW!
Distributed by Oráculo Records / Bordello A Parigi / Diana Charité
Find it at:
oraculorecords.bandcamp.com/
bordelloaparigi.com
redeyerecords.co.uk
juno.co.uk
deejay.de
decks.de
kernkrach.de
discopiu.com
... and some others lovely vinyl stores

OR_10 Sample ≫ V A L I S "Black Carbon" APRIL 20TH!

PREVIEW! Sample from... OR_08 Cold Colors & Xiu "Loneliness" Limited Edition 12"
Distributed by Oráculo Records / Bordello A Parigi / Diana Charité
Find it at:
oraculorecords.bandcamp.com/ PREORDER NOW HERE!
bordelloaparigi.com
redeyerecords.co.uk
juno.co.uk
deejay.de
kernkrach.de
discopiu.com
... and some others lovely vinyl stores

OR_08 Sample ≫ Cold Colors & Xiu "Loneliness" APRIL 20TH!

Follow me on Spotify ➩bit.ly/VanDid  ♩♪ ♫ ∞ ♥

☁️ ☁️ ☁️ ☁️ Follow the artists > @esteban-lara / @lox-d / @teho 
☁️ ☁️ Follow the label > @grrreat-recordings

Release Date : 24.11

'Ep has been catching some nice support from Stephan Bodzin, Laurent Garnier, Darin Epsilon and more

French artist Lox D and Montreal based artist Van Did have teamed up on this EP. Combining their talents for building immersive and emotional tracks, the duo have released a collaboration on german label, Traum Schallplatten, a little ago

Lox D and Van Did's music has found support from the likes of Stephan Bodzin, Hernan Cattaneo, Moonbeam, Gabriel & Dresden and Deepfunk, Elena is a good example of their unique, multilayered sound. Warm bassline, enchanting pads and escalating melodies make for an epic opener. Miller is a groovy and progressive composition yet powerful and uplifting.

French artist, Teho, deliver a beautiful and captivating remix of Elena, this young artist from Montpelier has been catching international attention with very solid releases on labels such as Herzblut, Parquet and Manual Music.

Completing the release is remix by FEM, Nantes based DJ and producer who deliver a killer and uplifting rework that retains the energy of the original.

Download

PREMIERE: Van Did & Lox D - Elena (Teho Remix) [Grrreat Recordings]

Crazy

Samuke - Dream

Suffocating surrounded by a filthy poisonous haze. Drowning at the bottom of an icy lake with a brick tied to your ankle. Held hostage with a gun to your head. Bloody Knives latest record "I Will Cut Your Heart Out For This" exists in a world of forgotten places, the dark corners of empty cities, decaying buildings filled with vacant people, in the world of the lost and broken.

The album nods to the nihilistic abandon of the Birthday Party, the passionate desperation of The Sound, the dense filth of Merzbow, the electric disquiet of Christian Death, and the pummeling beauty of My Bloody Valentine. There are moments of intense beauty, of atmospheric filth, icy vocals, nasty synths, buzzing noise, pummeling drums and driving bass creating a feeling of moving at breakneck speed while standing still, of being comfortable lost in the chaos.

Adding Jack Ohara Harris (guitar), Ritchard Napierkowski (synth), and Martin McCreadie (synth) to the band's already explosive live show has turned it into a chaotic decibel heavy experience, creating an intense ethereal atmosphere dependent less on pure volume and more on sonic density.

Recorded by Preston Maddox and Ian Rundell (Dead Space, Ghetto Ghouls, Xetas), then meticulously mixed and mastered by Adam Stilson (New Canyons, Airiel, The March Violets), the album is exactly as the band envisioned their sound being represented in a record, with fidelity unmatched by its predecessors.

Ambient, cryptic, unhinged, and ethereal, "I Will Cut Your Heart Out For This" is bold move forward for a genre bending band that already escapes definition.

Bloody Knives / Poison Halo

OR_12 Sample ≫ BLEIB MODERN "DANSE EP" Limited Edition 12" EP PREVIEW!
Distributed by Oráculo Records / Bordello A Parigi / Diana Charité
Find it at:
oraculorecords.bandcamp.com/ PREORDER NOW HERE!
bordelloaparigi.com
redeyerecords.co.uk
juno.co.uk
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kernkrach.de
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... and some other lovely vinyl stores

OR_12 Sample ≫ Bleib Modern "Winter Mood // Danse Version" PREORDER NOW!

OR_10 Sample ≫ V A L I S "Cold Hands" Limited Edition 12" EP PREVIEW!
Distributed by Oráculo Records / Bordello A Parigi / Diana Charité
Find it at:
oraculorecords.bandcamp.com/ PREORDER NOW HERE!
bordelloaparigi.com
redeyerecords.co.uk
juno.co.uk
deejay.de
decks.de
kernkrach.de
discopiu.com
... and some other lovely vinyl stores

OR_10 Sample ≫ V A L I S "Cold World Melts Valis Remix" APRIL 20TH!

OR_12 Sample ≫ Bleib Modern "Lisa // Danse Version"

Get the new Café Covers CD: https://slinky.to/cafecoversvol3
Spotify playlists: www.doublejmusic.com
Subscribe on YouTube: https://www.youtube.com/cafecovers?sub_confirmation=1
Stream/Download this track: http://smarturl.it/Beth-iTunes

Love Songs

New Café Covers album

Faded - Alan Walker (Acoustic)

BEACHCOMA RECORDINGSArtists: BURAN Title: HIRST/ MELVIN Cat#: BEACH 052 Rls Date: Dist.: KONTOR One of our favourite Beachcoma releases from 2015 was definitely the Perilous EP, a collaboration between the mighty Heretic and some friends of his who at that point we were not familiar with, Buran. A few months later we received a demo with some solo material from Buran and every track was banging. Lucky us! It's such a pleasure for us to unleash the very first Buran single – Hirst.Mastering by: Jay @ Roofless Creations Delivered using <a href="https://www.promo-cloud.com" rel="nofollow" target="_blank">Promo-Cloud.com </a>

Buran - Melvin (Beach 052) Snippets

OR_13 Sample ≫ Neon Electronics (The Neon Judgement) "Interlude" 12" EP PREVIEW!
Distributed by Oráculo Records / Bordello A Parigi / Diana Charité
Find it at:
oraculorecords.bandcamp.com/ PREORDER NOW HERE!
bordelloaparigi.com
redeyerecords.co.uk
juno.co.uk
deejay.de
decks.de
kernkrach.de
discopiu.com
... and some other lovely vinyl stores

OR_13 Sample ≫ Neon Electronics (The Neon Judgement) "Interlude" PREORDER NOW!

Distributed by Oráculo Records / Bordello A Parigi / Diana Charité
Find it at:
oraculorecords.bandcamp.com/
bordelloaparigi.com
redeyerecords.co.uk
juno.co.uk
decks.de
deejay.de
kernkrach.de
discopiu.com
... and some others lovely vinyl stores

OR_06 Sample ≫ Boy Harsher "Spell" LAST COPIES!!!

Join me on my youutbe channel https://www.youtube.com/watch?v=1eSzbQ8suNI
Daydream by RosesAreBlue, available on iTunes, Apple Music, Amazon, Bandcamp and Spotify
https://itunes.apple.com/gb/album/daydream/id1242788621
https://open.spotify.com/album/4Q9xDkIWYCVcyeVF1Xpxwy

Heart strings honey
Falling like blossom leaves
Sugar words honey
Falling down like dust

Kiss and make up
I've already forgotten
By the light of this moon
I've already forgiven
Sparkles in the dark
I've already forgotten
Writings on the wall
I've already forgiven

Heart strings honey
Falling like apple trees
Sweet words honey
Drifting down like rain
Eat it up honey

Kiss and make up
I've already forgotten
By the light of this moon
I've already forgiven
Sparkles in the dark
I've already forgotten
Writings on the wall
I've already forgiven
You

I just wanted to say a huge thank you to all my friends, followers and listeners x
I appreciate all of you x
Love RosesAreBlue

Daydream

Forgiven And Forgotten | RosesAreBlue

OR_11_SE Sample ≫ Synths Versus Me "Tormento Part 1" Limited Edition 2x12" ALBUM (150 copies!) PREVIEW! 
Distributed by Oráculo Records / Bordello A Parigi / Diana Charité
Find it at:
oraculorecords.bandcamp.com/ PREORDER NOW HERE!
bordelloaparigi.com
redeyerecords.co.uk
juno.co.uk
deejay.de
decks.de
kernkrach.de
discopiu.com
... and some others lovely vinyl stores

OR_11_SE Sample ≫ Synths Versus Me "El Carnero De Siete Ojos" APRIL 30TH!

One last quick mix for 2016. Happy New Year!

Fink - Looking Too Closely (The Lonely Astronaut Remix)

from 'Electric Stutter' [CD|2xLP|Digital]
Denovali Records · den281
available on all formats at [http://denovali.com/orsonhentschel]

Almost one year after his debut LP Feed The Tape, Orson Hentschel enters new musical terrain wearing old shoes. His second LP Electric Stutter, which is almost 55 minutes long, is only loosely connected to his debut. Whereas Feed The Tape was strongly shaped by Classical Minimal Music, Hentschel now incorporates influences of Trip-Hop and Electronic Pop Music. Since his childhood, he considers artists like Massive Attack, Portishead and Björk as some of his most important sources of inspiration. The influence of this kind of popular music is clearly audible. Hentschel’s new tracks are shorter, more shaped and reduced in the density of their sound material. Pattern-oriented repetitions, which where in the focus of Feed The Tape, now fulfil the function of sophisticated sub-components of the overall composition and are subordinate to the melodic forms or merge with them. Also the amount of sample-based material has decreased in order to create space for synthetically produced sounds with melodic character. Electric Stutter is more complex and more detailed than Feed The Tape. At the same time the reduced density of sound material and the higher amount of melodies form a kind of music that is more easily accessible.

Whereas the Düsseldorf-based composer started off with classical piano, he by now concentrates on electronic and experimental music and film compositions. Even though Hentschel has experienced a classical education, his composition techniques are anything but traditional. His creative starting point is rarely rooted in musical ideas, but consists of finding appropriate sound material. His sources are diverse: sounds and samples like soundtracks, film sounds, music albums or internet findings encounter polyphonic vocal-music from the 14th century and composition techniques of Minimal Music such as Steve Reich. In his compositions Hentschel draws a cross-section through the history of music and its genres in order to form his own musical expression. Considering his studies of music science in Düsseldorf and previously in Vienna and Dresden, his musical time-jumps appear less surprising.    

Describing Orson Hentschel only as a composer of contemporary music does not do him justice. In his self-conception as an audio-visual artist he creates his own live show, combining lights, visuals and fog to a stunning atmosphere, which cannot be eluded. Supported by live-drummer Lukas Baumgart, Hentschel delivers a sound, whose energy is physically palpable and electrifies the audience. A live-show generating an intense experience, going to the limit and erasing any sense of time. Orson Hentschel moves perceptions not merely through sheer volume, but with driving repetitions and extensive tension.

Electric Stutter

Orson Hentschel - Paradise Future

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OR_13 Sample ≫ Neon Electronics (The Neon Judgement) "Interlude" PREORDER NOW!

ORACULO RECORDS