Songs for ears
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Ben Howard returns with his 4th album, Collections From The Whiteout, produced alongside Aaron Dessner (The National). The foreboding darkness that coated Ben’s second record I Forget Where We Were and thinly veiled its follow up Noonday Dream, isn’t so evident on Collections. These are songs written from headlines scanned, or news stories scrolled past, providing inspiration for a selection of vivid narrative snapshots – the death of amateur sailor Donald Crowhurst (Crowhurst’s Meme); Russian fraudster Anna Sorokin (Sorry Kid); the man who stole and crashed a plane in Seattle (The Strange Last Flight Of Richard Russell); and the dismembered body a friend of his father found in a suitcase floating along the Thames (Finders Keepers). Alongside them, the personal anecdotes from the same scattered period living between Paris, Devon and Spain. Yussef Dayes features, as does Kate Stables (This Is The Kit), James Krivchenia (Big Thief), Kyle Keegan (Hiss Golden Messenger), and Dessner. Thomas Bartlett, St. Vincent’s go-to pianist, and Rob Moose, a long-standing arranger of strings for Bon Iver, are also present. Long-term guitarist to Ben’s band, Mickey Smith (A Blaze of Feather), remains a reassuring constant. It’s a sonic adventure that continues this nagging suggestion that Ben is one of the UK’s most inventive and naturally talented songwriters. CFTW is his latest opus, and arguably his most fully realised to date.

Wide Open Light out now including Yard Sale feat. Jack Johnson, Love After Love, Masterpiece and more.  Stream/Purchase here: https://benharper.lnk.to/WideOpenLight

'Veneer - 20th Anniversary Deluxe Edition' available now (2LP / DIGITAL) https://josegonzalez.lnk.to/Veneer20YD

The Colorist Orchestra, formed in 2013, is an unusual pop/chamber music collective founded and led by Aarich Jespers and Kobe Proesmans. The fundamental idea is to rearrange the repertoire of an invited singer-songwriter. The unorthodox use of classical instruments in combination with a variety of musical objects is the foundation of The Colorist’s sound.

Inspired by the works of Harry Partch, Moondog, Kronos Quartet, Talking Heads and Steve Reich a.o., songs are 're-colored' resulting in a 'acoustic live remix’ or ‘an inverse Karaoke’. The eight-piece outfit is characterized by its members: Kobe Proesmans (percussion, calabash), Aarich Jespers (percussion, flapamba), Sep François (melodic percussion, hammered mbar), Wim De Busser (grand piano, prepared piano, keys), Tim Vandenbergh (double bass, electric bass), Gerrit Valckenaers (bass clarinet, stones, mirrors, glass bowls, electronics), Jeroen Baert (violin), Karel Coninx (viola).

Kobe and Aarich make their compositions with each particular instrumentalist in mind. With a background in percussion, they choose for multi layered grooves and a filmic approach, aiming to create specific atmospheres supported by their set-up on stage, which resembles an ever changing wooden installation. With an array of different sounding objects as the red line trough every collaboration, the Colorist Orchestra defines its way of recoloring while searching for the thin line between pop, classical and underground music. They also compose for theatre and film.   

The Colorist Orchestra have had the honor of working live with: 

*Sumie Nagano (Japan/Sweden - Bella Union) 2014, 
*Cibelle (UK/Brazil - Crammed Disc) 2014 
*Emiliana Torrini (Iceland - Rough Trade) 2015. The European tour extended into a live album.
*Lisa Hannigan (Ireland- Pias) 2017.

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