Double Standard

@vinerrrrr @aunt-zaza
Music Video: https://www.youtube.com/watch?v=mYOMYioQDxM
-----------------------------------------------------------

Death is certain, life is not. And both are available at our supermarket. 


With everything that’s happening in the world, one must wonder if there’s breaking free from it all or should they just stop trying to make sense of it. It’s a choice and it isn’t — depending on the circumstances one finds themselves in. What seemed senseless beginning to take form and what had always been solid shatters into pieces: home, family, plans, love, identity, freedom, sex, philosophy, technology, making-it, bank account, self, traumas, patterns, overcoming them, residence, conscience, morals, vodka, values, vulnerability — they have equal chances to serve as safe place or jail, wake or deliverance, life or death — go figure.

In its first release, Patar flips the table — and the cards, and the chips with it. No stake is too high to even mention it. One track and 7 versions of it, as an attempt to transgress from confusion to clarity — or maybe the other way around. Here’s an artistic experiment for you: do not brief, do not declare, do not obey, and do not fight — or do. And see what comes out of it. 

Qurgōn is a pit grave. There are dead horses in it, dead people, dead weapons, and vessels. It stinks and it’s scary. It’s a place where nothing will ever be born, or will it? It requires nothing, silently craving admiration. It only ever serves a collective memory of all the heroes and the blood-thirsty freaks alike. They are one, after all. It only is to be unbothered, looked at in awe and disgust; to be a break out on the smooth surface of the steppe’s ass.  

One artist made a call, seven responded — to dig to the bottom of that pit or touch upon its stony texture.

In order of appearance:

Viner [France, Marseille]
Şüräle [Kazakhstan, Almaty] 
Wulffluw XCIV [Moldova, Chișinău]
yutani [Armenia, Yerevan]
Sha Gen [Tajikistan, Dushanbe]
Aunt Zazá [Spain, Barcelona]
Hayk Karoyi [Armenia, Yerevan]
A.Fruit  [Spain, Barcelona]

Here’s another experiment for you: renounce all styles and genres and go with it. Who cares, anyway? Gloomy and epic, repetitive and bass-y — oh, always bass-y. Percussion-thick, yelling, obnoxious, rich. The sound of dying, finding peace, losing it again, and returning back to the hassle. The all-penetrating sound of a baby’s cry and the last exhale of a fighter knocked out for good. Ferocious sirens needling through the layers and layers of dead horses and weapons, clanking, squelching — resonating. With the horrors and hope. With memories and fantasies. With clinging to what seems to be it — and letting go. 

Nothing is certain anymore, yet everything is clear. 

p.s. The locations are mentioned to help gig providers locate the artists and, maybe, give an idea of their background and current state of mind, but not really and not necessarily.

* Qurgōn [Uzbek], commonly unknown as Kurgan [Turkic] or Курган [Russian]  a circular burial mound constructed over a mass burial site of warriors; originally in use in the Russian Steppes, Caucasus, and Central Asia, but later spreading into eastern, central, and northern Europe in the third millennium b.c.

text by Nastassja Popova
mixing & mastering by A.Fruit
cover by Timur Zima

Qurgōn

Qurgōn LP

Viner - Qurgōn (Aunt Zazá Remix)

haze-kissed lays warmth
you can barely find you
walk on it, each time lost
a bridge so vast
what’s that silky thing?


released March 21, 2025

written and produced by Andrea Vaghi
mastered by Isabel Schröer at Scape Mastering
lathe cuts by Disc Archive
artwork and design by Leonardo De Marchi


BF02
Bloom fase
© all rights reserved

out there

Mellow Yellow Train

This is one of my older creations and is 100% me. No a.i. on this one.
Yes, I can actually play..... Heheheh!

Vivid Thoughts

777 Simcity

Nico Niquo - In A Silent Way
2/24/17(LP / Digital)

Nico Niquo returns to Orange Milk with the synthetic ambient masterpiece In A Silent Way. The work contains slowly evolving compositions and sound meditations based around the palette of modern grime music minus the percussion. In the songs “Arbo Arco” and “He Loved Him Madly” the grime theme is most present, with droplets of synth and bass rising and melting to suggest invisible kick drums underneath. “Rendered” and “In A Silent Way” begin with simple arpeggios that build to intense climaxes, while closing track “Aa-m” is an almost ASMR-inducing meditation.

Music by Nico Callaghan. Tenor Saxophone by Joseph Buchan. Mastered by Simon Lam. Visual art by Keith Rankin.

Nico Niquo - In A Silent Way

Orange Milk Records