Name: Where Angels Sing (1999) by Orbiting Freakshow Orch
Duration: 3 min 48 s
Description: An old one from the 90s, the vocals are embedded unfortunately....

Lovely, great balance of guitar and vocals etc👍

It does not sound like it was recorded in 1999….very cool guitar. Nice work OFO.

this is epic❤️👏🙂 congratulations.great outcome and your production wonderful 👏👏

The burning eternal question - do you love me?
Do you love me, you love me?
Well so do people who sell ice-cream
They'll say anything, they think I'd like to hear

Do yo love me like they do?

Hey girl, you better watch out
cos people care not for what you may
Though it's written on their faces
They hide behind sweet words

Anybody for ice-cream (or tennis)?
(a nod to @nic_nic_nic: Nic for tennis suggestion)

Live Studio recording, engineered by Darren Flynn
Drums Steve O'Keeffe (The Pale/BluesConfidential  www.bluesconfidential.com
https://soundcloud.com/bluesconfidential) 
Bernard Byrne (The Pale)
Lead vocals, BV, guitar, art by Suzanne Ledwith

Change of Address

Hey Ho

An old one from the 90s, the vocals are embedded unfortunately....

Orbiting Freakshow Orchestra

Where Angels Sing (1999)

"Up in the Gallery" (German: "Auf der Galerie") is a short piece of fiction written by Franz Kafka. It was created between November 1916 and February 1917 and published in the collection „Ein Landarzt“ (A Country Doctor) in 1919. The story offers two versions of a scene in which a young man watches a circus ringmaster and a woman on horseback. (Wikipedia)

The picture shows a section of: At The Circus Fernando, The Rider
by Henri Toulouse-Lautrec (1888)

Public domain translation by Ian Johnston (November 2003)                     


Up in the Gallery

If some frail tubercular lady circus rider 
were to be driven in circles around and around 
the arena for months and months 
without interruption 
in front of a tireless public 
on a swaying horse 
by a merciless whip-wielding 
master of ceremonies, 
spinning on the horse, 
throwing kisses and swaying at the waist, 
and if this performance, 
amid the incessant roar 
of the orchestra and the ventilators, 
were to continue into 
the ever-expanding, gray future, 
accompanied by applause, 
which died down and then swelled up again, 
from hands which were really steam hammers, 
perhaps then a young visitor to the gallery 
might rush down the long stair case 
through all the levels, 
burst into the ring, and cry “Stop!” 
through the fanfares 
of the constantly adjusting orchestra.


But since things are not like that,
(Since things are not like that…rep.)         

since a beautiful woman, in white and red, 
flies in through curtains 
which proud men in livery open in front of her, 
since the director, 
devotedly seeking her eyes, 
breathes in her direction, 
behaving like an animal, and, as a precaution, 
lifts her up on the dapple-gray horse, 
as if she were his grand daughter, 
the one he loved more 
than anything else,
as she starts a dangerous journey, 
but he cannot decide to give the signal with his whip 
and finally, 
controlling himself, gives it a crack, 
runs right beside the horse with his mouth open, 
follows the rider's leaps with a sharp gaze, 
hardly capable of comprehending her skill, 
tries to warn her by calling out in English, 
furiously castigating the grooms holding hoops, 
telling them to pay the most scrupulous attention, 
and begs the orchestra, with upraised arms,
to be quiet before the great jump, 
finally lifts the small woman down from the trembling horse, 
kisses her on both cheeks, 
considers no public tribute adequate, 
while she herself, leaning on him, 
high on the tips of her toes, 
with dust swirling around her, 
arms outstretched and head thrown back, 
wants to share her luck with the entire circus—
since this is how things are, 
the visitor to the gallery puts his face on the railing and, 
sinking into the final march as if into a difficult dream, weeps, 
without realizing it.  (rep.)

Up In The Gallery (Kafka, 1919)

Super Magic

Returned

A children's fairy tale as a name giver? One might have expected that from economists, but from astrophysicists? Well, they were also inspired by economists when it came to finding a catchy, symbolic replacement for the term habitable zone. This is the name given to the area around a star in which life could arise on possible planets.


Very roughly speaking, the distance to the star must allow temperatures at which water remains liquid on the surface of a planet. According to the ideas of terrestrial biology, life cannot develop without this.

For decades, this was a rather theoretical consideration. The few scholars who thought about habitats in other star systems first spoke of ecosphere or life zone, until they finally agreed on habitable zone. Sounds nicely learned. But with the discovery of the first exoplanets, planets outside our solar system, at the end of the millennium, academic as well as general attention increased enormously: Is there something out there? Is there distant, alien life? Could there be? With each newly discovered exoplanet is meaningfully tapped: Isn't it so close to its star that it burns up everything? Doesn't it orbit it so far that everything freezes on its surface?

It's like in a fairy tale with Goldilocks and the three bears, where everything has to be just right. The porridge must not be too hot, the little bear's chair undamaged, his bed unused. Economists have long spoken of a goldilocks economy when moderate growth coincides with slight inflation. A fairy-tale term - now also for an astrobiological concept.

Brevity Of Life (Goldilocks)

An experimental project featuring generative drones, improvised instruments, vocal performances, and unique production techniques.

Upheaval

sweet dreams.......my precious one.
sweet dreams.......my precious one.

last track of the album...........outro.

Sweet dreams.  (dual vocal mix)

Midnight

SK and Codex Scrolls https://soundcloud.com/codexscrolls    -  enjoying in this wonderful trip  :)

Codex Scrolls and SK Wonderful Trip

Bass: Mark
Lead Guitar: Luka
Rythm Guitar: Mark
Vocals, drum programming: Paul


Mark &  Paul (ft. Luka Janszen) - Junky

Purveyors of English Rock, Pop, Psychedelia and Various Other styles since the early 1990's...

Where Angels Sing (1999)

Orbiting Freakshow Orch

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