Klara Lewis returns to Editions Mego with a surprising live set recorded in 2018. Expanding her exploratory vision into haunted realms of unheimlich sound, Live in Montreal consists of a single piece with three distinct discernible sections. 

The set opens with a crude rhythm churning away under a choral loop from which a diverse array of rhythm and noise appear and disappear. Despite it's foreboding tone this sequence still retains a foot in the club, as damaged as that may be.

A state of permanent collapse is a thread throughout. In this opening sequence an array of strange sonic elements introduce themselves, rise to the fore, threaten the fundamental discourse only to recede on the brink of destroying the work itself.  

It’s this fascinating construct, this perpetual threat to the music itself that makes the listening experience so captivating. Midway the storm subsides laying bare a more static emotional framework rendered unrecognisable prior. Electronic phantoms swirl in a more gentle fashion as ghostly voices come to the fold looping into an uneasy landscape shifting into a blurry utopian finale. 

Finding itself between decay and hope, Live in Montreal 2018 is another stunning addition to the consistently solid output from Klara Lewis.

Live in Montreal 2018

Klara Lewis 'Live In Montreal 2018' [excerpt] (EMEGO306)

OXY w/ Oblaka - 15/05/2023

@usofusofusofusof
"This mix was recorded live at the last Living Room event a few weeks ago in June. We hosted the first NUG show and also the lovely project called Tutti by Heather Mease and Grace Holleran. It was a pretty random track selection of some of my most played tunes and I decided to do a lot of looping, fx and tempo changes to make it really drony and drowsy. Honestly most of these songs came out unrecognizable. I was trying to cool off the place while the audience was still arriving to the venue from an intense heatwave outside."

WAVES FROM Usof

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Archaic Vaults (29/7/23)

From Bluetung's 'Eternity by the Stars' Remixes, featuring 𝒃𝒂𝒅 𝒍𝒔𝒅 𝒕𝒓𝒊𝒑𝒔, 𝑭𝒍𝒐𝒓𝒊𝒂𝒏 𝑻 𝑴 𝒁𝒆𝒊𝒔𝒊𝒈, 𝑯𝒂𝒓𝒓𝒊𝒆𝒕 𝑱𝒐𝒏𝒆𝒔, 𝑵𝒊𝒄𝒐 𝑵𝒊𝒒𝒖𝒐, 𝑶𝒕𝒉𝒆𝒓 𝑱𝒐𝒆, 𝑻𝒓𝒐𝒕𝒉, 𝑾𝒂?𝒔𝒕𝒆 and 𝑾𝒚𝒕𝒄𝒉𝒊𝒏𝒈𝒔.

On bandcamp https://bluetung.bandcamp.com/album/eternity-by-the-stars-remixes

'Eternity by the Stars' Remixes

Troth - Ascension (Province Céleste Rework)

A mixture of ambient motifs interspersed with rhythm allows you to plunge into the atmosphere of the shadow

block C

Full stream of fatalism's "Gh0st II," taken from Gh0st LP on Bedouin Records, out October 17.

Pre-order: https://fatalisms.bandcamp.com/album/gh0st
More: www.orbmag.com/music

@bedouinrecords
@fatal_ism

Gh0st

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Premiere: fatalism - Gh0st II

Detox № 31 - Resel

The sum of the past is the present / The present is the sum of the past... Who knows life's infinite mysteries... #RNDOriginal #rednemesisdog :- ‘Original’ musical evolutions and experiments using a Polyend Tracker and/or Polyend Mini. With samples from: #teenageengineering #polyend #ep1320 #polyendtracker #akaimpkmini #stylophone #hawaiiangosling #polyendmini The Lift Music Series are usually palindromic and can be played forwards or backwards – up or down.

Sum Past Is Present

Transit

Obsidian Veil by Bislo is a reflective soundscape where piano improvisation meets ambient textures, creating an atmosphere that lives between shadow and revelation. The piece opens with intimate keys, gently unfolding into wider sonic spaces that invite the listener to traverse a hidden landscape. Like a veil of dark volcanic stone, the music conceals yet glimmers, revealing subtle shifts of light and emotion. Perfect for cinematic transitions, introspective sync placements and visual narratives that explore themes of mystery, inner journey and emergence.

Obsidian Veil

Fusing music, art, culture, and technology.

www.orbmag.com

Premiere: fatalism - Gh0st II

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