I think synth lead of intro need more slow attack. Then,kick`s compression should be more mild. I feel little oppress.

Machinarhythm

Can Güngör'ün 'Belki de Sensin' şarkısı için yaptığım versiyon.

fotoğraf: Cemre Yeşil
grafik: Fulya Fu

Belki de Sensin (dok Rework)

Saturated

Lyrics & Topliner: Derya
Mix & Mastering: Orçun Ayata
Cover Photo: Uğur Özbak

Lyrics: 

Wake up, wake up, wake up…nothing is real

Don’t you see, it’s all an illusion
Everything comes, everything goes
Just look around, look around
Watch, observe…
Don’t engage with the madness
Stay here, stay here, be still
Oh, feel desire….
Oh, feel desire….(to)
Wake up…nothing is real

Spotify: https://open.spotify.com/track/7pgZMF10qm…buRUmdV36DDSsorA
Itunes: https://itunes.apple.com/tr/album/lucidit…517?i=1392809518
Youtube: https://www.youtube.com/watch?v=uUEo-0Pkcak
Bandcamp: https://orcunayata.bandcamp.com/track/lucidity-ft-derya

Social: 

Orçun Ayata; 
Facebook: https://www.facebook.com/orcunayatamusic/
Instagram: https://www.instagram.com/orcunayata/
Twitter: https://twitter.com/orcunayata

Derya; 
Facebook: https://www.facebook.com/intunewithderya
Instagram: https://www.instagram.com/intunewithderya/
Twitter: https://twitter.com/intunewithderya

Lucidity (ft. Derya)

All the online streaming services play music back at roughly -14 LUFS, so that’s the level we should aim for when we’re mastering, right ? Wrong.

That may sound strange, given how much we’ve talked about online loudness over the years - but we’re serious. In this show we dive deeper into one of the points we discussed in the last show: why you shouldn't be aiming for specific integrated LUFS values when mastering you music for online streaming. But, why it is still useful to know how your music will be affected.

Topics we cover include:

 * A quick introduction to normalization
 * How it works
 * Why peak normalisation is useless for matching loudness
 * Why mastering songs to a specific LUFS value doesn’t work
 * So why are LUFS measurements of streaming services useful AT ALL ?
 * When Spotify’s normalization fails
 * The biggest problem with normalization right now

Full show notes and links at 
http://themasteringshow.com/episode-52

The Mastering Show

The Mastering Show #52 - DON'T aim for LUFS targets online

Okay Temiz - Deniz Altı Rüzgarları (Baba's Jam Cut)

Koo-Koo/Flowers

Domino

Melissa Lynne Strain a.k.a LISSA is joining us from Berlin for our 55th podcast.
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From Glasgow and now residing in Berlin for the past four years, LISSA’s industrial surroundings have had an impact on her music taste. Influenced by the 80s and her years as a teenage goth, her sets combine a range of styles, from dark techno to EBM, 80s, electro, industrial and wave.
contact: @l-i-s-s-a

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Guest Mix 055: LISSA

Independent mixing & mastering engineer, music producer whose passion is to make great music and connection with people around the world every day.

Lucidity (ft. Derya)

Orcun Ayata

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