AOSTH Robotnik's theme but it's like Earthbound kinda

EVERY TIME I TRY TO SEND A LITTLE [[Cool Refreshing]] ADVERTISEMENT DOWN THERE -- WHAT DOES HE DO? HE TURNS IT INTO [Heavy Showers].
AND WHO NEEDS THAT???
EAHEAHEAHEHEAHEAH

Art by poryphone on Twitter: https://twitter.com/poryphone/status/1459969177943371778

The first time in a while that something I've done has felt like a legitimate rip. I loved that original picture so damn much that I did this - and on the same day, too. I should've done schoolwork instead but I probably would've wasted my time on something unproductive otherwise, so whatever.

I might do a bit more with the vocals, but a running thing with my Spamton mixes is I tend to dislike how the finished vocals sound at first but then they grow on me. We'll see how it goes. (Update: the same thing happened again, surprise surprise)
At some point I also want to improve the counterpoint (mostly regarding the strings for the Major section).

I'd really like to analyze the counterpoint between melody and bass to find out why the same two bar pattern works harmonically throughout the entire melody, even though I wrote it with the Minor section in mind*. I'm thinking the resolution notes in bar 1 probably take turns being tensions or chord tones for w/e the melody's implied chord is at the time. 
*WAIT. Minor. Consistent harmony... I chord and VI chord are both Tonic chords.... HRM.
So, the bass goes like "B, F#, D# E, G->F# | B, F#, D# E, G->E" That means the bass technically stays on WAIT> WIAT IT'S A PENTATONIC SCALE ISN'T IT. 
1 2 3 5 7. E F# G B D# Just corrected myself, the pitch is also F# and not F; Holy SHRIEYT.
I was thinking about how it technically stays on the I chord, specifically in the form IM7(9). It makes TOTAL SENSE that it works consistently between all the melodic bars like this.
I DID THAT SHIT on ACCIDENT. AAAAGH 
DAMN. i'm so awesome.
(edit: technically it's got pieces from both kinds of a penta scale, which is why some parts felt like they worked better than others)

Anyway. Now all that I'd have to do after that is map the chords out, which rartedvisage already did in his sheet music in 2019, but I wanna take a crack at it myself. 
Fun time in the near future :]

((If I can't have 🇦🇱🇮🇹🇹🇱🇪🇧🇮🇹🇴🇫 𝕗𝕦𝕟 🇮 🇲🇮🇬🇭🇹🇦🇸🇼🇪🇱🇱 𝒍𝒆𝒂𝒗𝒆))

Spam-Miser

get your shit in gear pronto red guy its time to take over miami

ANTONBLAST - Outta My Way!! [WL4 Arrangement]

Frank F Nagy - Blissfolk

ahh, i love making things sound like how they're supposed to. 
unlike forces, of course! 
hope y'all enjoy, more music is coming soon when i feel motivated to finish more stuff, aha.

the sonic is from the Mania ending, btw.

Ghost Town [Cover]

Power of NEO

I wanted to do an epic Genesis cover. Act 2 coming soon....

Cube Zone Act 1

Yes, I finally did it.

Also, https://soundcloud.com/user-711247569/grand-dad-mania-final-boss Shout outs to this dude who did this same idea 2 years ago.

Arranged and produced by me.

Grandalovania

Happy 9th birthday Portal 2 (also my birthday too!)

https://www.youtube.com/watch?v=V2ab2Yau19o

Testing Start! (Want You Gone in style of Dating Start!)

Super Mario World Custom Song - Aboard The Doom Ship

Haven't uploaded a song here in a while, and it looks like after this I won't even be able to. Been listening to a lot of Zac Zinger, Adam Neely and Insaneintherainmusic, so I was inspired to make a song like this. A bit of a contemporary NY Jazz/DMV Go-Go vibe. I don't actually own an EWI, so I used a vintage synth lead. 

If I had enough drive I'd write a solo for this, but the song is long enough already lol. Hope you all enjoy. Go follow my side channel here: https://soundcloud.com/kaseboy-advance-nb-2

The World Funkvolving

Archive for my old stuff! New account over at @oreloverr

Cube Zone Act 1

Orelover (Archive)