A 16 year old. Rapper, songwriter, and Producer, tryna make it big. I write all the songs my self, follow to support! Gonna make it big one day! New music!!! Two songs or more a month!

Music and artwork crafted by squishy fleshy human beings.
Thanks a million for your listens, comments, likes and reposts 🖤🖤🖤
This music expresses the joy of weaving sounds, textures and rhythms together.
Some older artwork made by models, when they were still silly.

T.D.

Songs for Social Change

Hello, and thank you for taking the time to listen.  
My name is Johnny, a lifelong musician and songwriter whose work is deeply rooted in the pursuit of justice, equality, and meaningful change. For as long as I can remember, music has been my voice, my weapon, and my sanctuary—a way to channel the frustrations, hopes, and dreams of a world in turmoil.  

My songs are a reflection of the turbulent times in which we live. They are anthems for the marginalized, the oppressed, and the forgotten—those who bear the weight of systemic inequality, poverty, and injustice. Through my music, I aim to amplify the voices of minorities, the poor, the sick, and the downtrodden, shining a light on the struggles they endure in a society that often turns a blind eye.  

At the heart of my work is a call to resist the oppressive grip of the billionaire class, whose unchecked power and greed have eroded the foundations of our democracy. My lyrics are a rallying cry, urging listeners to awaken to the realities of our world, to challenge the status quo, and to fight for a future where equity and justice are not just ideals, but realities.  

But my music is not just a critique of what is wrong—it is also a beacon of hope. I strive to inspire others to join the fight, to look in the mirror and confront the uncomfortable truths of our nation’s bloody history. Only by acknowledging the past can we begin to heal and move forward. My songs are a tribute to the dreamers and the activists who came before us, and a call to carry their torch into the future.  

Above all, I seek to honor the vision of John Lennon and countless others who dared to imagine a world of peace, love, and unity. Through my music, I hope to contribute to that vision.  

Thank you for listening, and thank you for being part of the movement for change. Together, we can create a world where justice, compassion, and humanity prevail.

Lem wes is an undefined exploratory project by Nicolas Otisii from Paris.

New ep "FOLKLORE" AVAILABLE NOW ON BANDCAMP.
https://lemwes.bandcamp.com/album/folklore-ep

Info/ contact : Lemwes01@hotmail.com

I love music that takes me on a journey with unexpected twists and turns, painting pictures in my head. I hope my music does that for you.
 I have several albums available on Bandcamp (link below) and please also check out my YouTube channel where I did some music videos.

DJ from Spain (Murcia) in love with all types of music. After walking through a lot of clubs and founding the Latitud 37 59 sound, he has developed an eclectic and fun style that won't leave you indifferent. In his sessions you will find a wide variety of styles like Funk, Rap, Reggae, Dancehall, D&B, Triphop, Dub... however his only goal is to make you travel throughout his musical universe with amounts of rythms and melodies.

Dj murciano enamorado de todo tipo de músicas. Tras andar por muchas salas y ser fundador del sonido Latitud 37 59, ha desarrollado un estilo propio ecléctico y divertido que no te dejará indiferente. En sus sesiones puedes encontrar un gran abanico de estilos entre los que destacan el Funk, Rap, Reggae, Dancehall, D&B, Triphop, Dub... aunque su único objetivo es que viajes por su universo musical con sus dosis de ritmos y melodías.

Check it out//Síguelo en:
http://www.facebook.com/#!/sesiones.kokian
https://www.mixcloud.com/kokiansound/

Welcome - It all started when I was 6 and studied musical school on the top of normal school. We learned classical music - notation, scales, chords, etc. Within a couple of years, I got pretty good foundation of music theory, and I kept playing flute for next 5 years. 

But the real fun started at 13, when I purchased my first guitar, and then started composing within a year. I wrote many simple pop songs, punk songs, and some gospel, later on learned to play and compose very complicated riffs, licks, and many solo techniques, eventually landed in death metal band, where I played guitar for 3 years. 
     
Of course, that is a long history now, and I gave up making music at 31. But roughly 11 years after that I came along to own my first Ipad, which happened to have Garageband app. And since then I slowly learn more and more tricks, and have now done over 2 hours of music, which you can hear for free on this page. 
     
Every song is an experiment itself, although I tend to be melodic, upbeat, and various. I'm still using diatonic scales and chords as main channel for composition, just as I learned in school as a little kid. Although some pentatonic scales now and then won't hurt, right? 
     
Here is how I see it about the music. The most basic and effective way to make the magic is the combination of good chord progression and good melody. So basically, brilliant cords, brilliant melody and how much they complement each other - that is the magic. And, of course, the structure that utilizes all that to the max. All the rest is just a gravy, (I mean, "just" a gravy) Don't get me wrong, the gravy can be very beautiful and  enjoyable, and most of my tracks so far are mostly gravy, but the proper meal should contain some meat, Know what I mean? My most "meaty" songs so far are probably Autumn Falls and Hint Of Tribecore. The biggest and dirtiest gravy so far would be probably Tribal Beginnings and Warning Immediate Noise. But you can judge that for yourself. 

Still, my main focus now increasingly becomes a sound modulation, and structures of song, because more I play with that tweaking of sound, more crazy sound I can hear. The goal here is pure magic and beauty distilled into nice 2-6 min. pieces. 
     
Also, a little disclaimer here. I don't do any vocals, mixes, remixes, or live pieces. All should be well thought through, electronic, and freshly new, and original. So enjoy listening and feel free to comment. I appreciate the feedback as it gives me more info and insight.
Peace.

My music has no labels. I do this as a way to get away and find moments of quiet or peace. I hope you enjoy it.

Soy de los raros que escuchan las canciones de principio a fin....al final siempre hay sorpresas...

Mis producciones intentan reflejar eso... Evolucionan.

° Love for the fusion of technology and creativity.

° Tribute to the artists using the machinery to its full potential.

Akai MPCs (originally MIDI Production Center, now Music Production Controller) are a popular series of electronic musical instruments originally designed by Roger Linn and produced by the Japanese company Akai from 1988 onward. Intended to function as a powerful kind of drum machine, the MPCs drew on design ideas from machines such as the Sequential Circuits Inc. Studio 440 and the Linn's own Linn 9000, combining a powerful MIDI sequencer with the ability to sample one's own sounds. A major influence to Roger Linn's design was his love of rubber pads and how they could be pushed, prodded, and banged; this can be seen clearly in his designs especially from the MPC-60 onwards. Linn also had a passion for squares: thus, no round pads on the MPC Series. Later models feature increasingly powerful sampling, storage, interfacing and sound manipulation facilities, which broaden the use of instrument beyond just drum and rhythm tracks.


Keeper of the Universe - Self-Written + Self-Produced Classic Hip-Hop. From Reno, NV. 

Follow My Artist Pages: https://push.fm/fl/prxegiq0

Reach me via DM or @ keeperoftheuniverse.music@gmail.com

@shelpa

https://www.instagram.com/simhertz_01?igsh=aWJlYjAxYTZjMnVx&utm_source=qr

Followers of dafunkman