COMERAM MEU CAVALO

MOSQUINTRO

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Download / Stream: https://fanlink.tv/sidstorm

Music / Merch / Contact: https://music.lukhash.com

Album artwork: Luciano Oliveira (neondemon.jpg)
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Buy/Stream

SIDstorm

Go buy / stream / download:  https://lnk.to/indusnegra

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Instagram: https://www.instagram.com/indus.trax/                         

ZZK Records Presents Indus – “Alfa Indi”

A prayer from the Colombian Caribbean to the cosmos.

Alpha Indi is the brightest star on Indus, the southern constellation from which the band takes its name. It is also the first single from the group’s new album Negra, coming on June 21st on ZZK Records. 
The song fuses the classic Indus acid astral synth sounds with the ancestral song of the maestra Nelda Piña, a traditional Caribbean folklore singer who recorded many major records in the 1980s and 90s. The song focuses on a traditional rhythm of Colombian Caribbean drums called chalupa, performed in the percussion hotbed of Gamero, a village in Bolívar province in northern Colombia with a huge musical tradition, which has also given the world folklore figures like Irene Martinez and 2018 Grammy winner Magin Diaz. 
“Alfa Indi” immerses us in the depths of the Caribbean region, its beliefs, spirits and trances. It is a journey through sounds that transports us from the essence of folklore sound to the mystical beats of electronic music. 
The music video was made by audiovisual producer CRACK and portrays the story of four astral beings who land on Earth, meet each other and are guided by the great spirit in a quest to understand life and human elements such as music and spirituality. 

Negra will be out on vinyl and all digital platforms on June 21st, 2024.

Indus - Alfa Indi  (Radio Version)

Pipiadora - Dj Cachorro

Faixa feita para a Peça - Corrida para o Futuro de Arlanza Arantes

Uma festa. Um encontro. Uma corrida desleal.

Verônica realiza uma festa à espera de um convidado especial.
Mas tudo pode acontecer
quando Rosana confronta Narcisa ao perceber que está perdendo o controle sobre Verônica
e JB.

“Corrida para o Futuro” é uma divertida sátira ao capitalismo de plataforma e ao neoliberalismo.

O texto inédito traz, de forma leve e bem humorada, reflexões sobre trabalho e
oportunidades na sociedade atual.

Não perca essa festa por nada!

Dia 01/03 às 20h
Teatro Municipal Joel Barcellos
Av. Amazonas, S/N
Centro – Rio das Ostras

Produção: Marestinga Produção Cultural - @marestinga
Texto e direção: Arlanza Arantes - @cta3.art
Música original de Fábio Emecê (@fabio.emece) com
Produção de Dudu Foxx: "Somos Despossuídos "
Iluminador: Issaacar
Elenco:
Fernanda Ferrir - @fernandaferrir
João Farias - @joaofarias.s
Liz Reis - @gioshtar
Luiza Giron - @luna.lumos
Lulu Alves - @lourdes_alves60
Vanessa Mariane - @vanessamarianesa
Yasmin Arantes - @yasminarantesr

Somos Despossuídos (Prod. Dudu Foxx)

MC NICK MINA MALUCA ((DJ MTS 22 & LUCIANO DE CAXIAS )) FODA D+

ZZK Records Presents: Cruzloma’s Plegaria

Plegaria (Prayer) is the first single from Cruzloma's EP "Mitos y Ritos" (Myths and Rituals). This song creates a bridge between "bambuco," a traditional music genre from the province of Esmeraldas, located on the northern coast of Ecuador and electronic music, specifically Latin club.

The single is presented as a timeless collaboration, perhaps imagined, with a singer who would have already passed away by the time Plegaria was created. Inspired by Catalina Quintero's singing, both by her melodies and her lyrics, the track was built around an acapella sample of her voice. The original song can be found under the name 'Amigo - MI Amigo' (Friend - My Friend), on the album 'Marimba Magia' by Papá Roncón and Katanga. Bambuco has a strong presence in this album, inspiring the connection that Cruzloma expands upon, bringing their own interpretation of the genre into the equation through a blend of its rhythmic elements with those of dembow.

In Plegaria, Quintero's voice, processed with autotune, sings a poem to her beloved friend, who is represented in the video by the love and religious devotion characteristic of the Catholic faith. The track alludes to the relationship between rituals and prayers, where prayers are presented both as petitions and promises.

Cruzloma represents a quest for reconciliation with local musical languages from their position as Ecuadorian producers influenced by genres such as reggae and electronic music, and in the case of Plegaria, by dembow and club. This reconciliation appears during the creation of this track through not only a rhythmic focus on bambuco but also an instrumental one. The bambuco, as a musical genre, presents different variations throughout Colombia, Ecuador, and Peru. Bambuco in its Afro-Esmeraldean version is what influences the rhythms in Plegaria. Diego Zurita, an Afro-Ecuadorian percussionist specialized in the rhythms of the region, appears on the track having recorded instruments native to the Andean Pacific coast. On one side, there is the cununo, a conical drum made of wood with a membrane on the wider end, played with both hands. This is complemented by the guasá, a shaker made of bamboo or guadua cane, filled with seeds of achira and maize.
By blending these sounds with bass frequencies characteristic of electronic club music, a fusion of folk and contemporary elements is created, characterizing the sound of this EP. Plegaria takes us to a place of nostalgia that later lifts us up with a dynamic flute melody, which opposes and, in that way, complements the melancholic mood of the vocals. With these folkloric and contemporary elements, with this deep nostalgia that nonetheless encourages us to dance with its energetic rhythm, Plegaria presents itself as an emotional club track, shedding light on the "Bambow," an original fusion of bambuco and dembow.

Cruzloma - Plegaria

Haja Homen ( REMIX_Ku-Drill ) - Kome Todas & Dj Cachorro

Sawadee Krap meus encantadxs, prepare-se para balançar ao som do batidão com a nova versão do Miçanga! para o clássico “A Tonga da Mironga do Kabuletê”. Combinando o funk com a poesia da música original

A capa do álbum é uma representação do Bicho-Papão, inspirada diretamente pelo sample utilizado do game “Toejam and Earl”, lançado em 1991 para o console Mega Drive. A escolha deste elemento visual não é aleatória; ela reflete a essência da música “A Tonga da Mironga do Kabuletê”, onde o inesperado e o lúdico se encontram. Assim como o Bicho-Papão emerge das sombras, a capa é um prelúdio visual do que está por vir.

Essa versão participou da coletânea #Partiuitapuã que comemorou o centenário de Vinicius de Moraes.

A Tonga da Mironga do Kabuletê

Este projeto é apenas uma ameba no meio da indústria musical.

A Tonga da Mironga do Kabuletê

Miçanga!

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