Corvi

Delta Corvi

■概要(Overview)
夢で見た！
I saw it in a dream!

■歌詞
「秋の月見会」

内緒話　しているように
いくつもの影がほら
ひそひそと楽しそうだ

見上げた　星空
月明かりの下で揺られて

静かに浮かぶ　無数の小舟
秋の月見会

胸がときめくような夜は
そうさ　こんな夜さ


参加してる　人たちの
小舟とすれ違って
優しく挨拶するのさ

水面に浮かぶ　無数の小舟
秋の月見会

心の奥に忘れていたものは
こんな場面さ

誰もが持っている
ほんの少しの
優しさに触れてみたいな

心躍る夜



■Lyrics
"Autumn Moon Viewing Party"

Look, there are many shadows whispering and having fun

Looking up at the starry sky

Swaying under the moonlight

Countless small boats floating quietly

Autumn Moon Viewing Party

A night that makes your heart flutter

Yes, it's a night like this

Passing by the boats of the people who are participating

Greeting each other kindly

Countless small boats floating on the water

Autumn Moon Viewing Party

What I had forgotten deep in my heart

A scene like this

I want to touch the little bit of kindness that everyone has

A night that makes my heart flutter

Autumn moon viewing party(秋の月見会)

Good Day (2024)

ENGLISH TRANSLATION OF THE LYRICS CAN BE FOUND HERE:
www.gabriel.land/gabriel-guter-mann.htm
Dieser Song erschien bereits vor längerer Zeit auf dem Profil von Bonetender. Die Welt ist inzwischen nicht friedlicher geworden - im Gegenteil. Deshalb präsentieren Bonetender und ich den Song hier erneut.
This song appeared on Bonetender's profile some time ago. The world has not become more peaceful in the meantime - on the contrary. That's why Bonetender and I are presenting this song again here.
Music, Guitars (Tele), Bass, Drums (AD2): @bonetender
Lyrics, Vocals: Gabriel
This song is based on Bonetender's Instrumental Track "Berlin"

Guter Mann

Reflections

Flatten the curve.
Flatten us all.
The sound of a skull rolling up against the wheel well.
The dignity of roadkill
similar to ours.
A bell goes off, and there is no more blood pressure.

Cross the death path
paved with soul tracers
reflecting in and out of the black night
with the speeding light.
A steady roar
the event, and it's sudden passing.
There is no explanation.

Who did this?
and what do they even know?
How far does regret trace the plates?
What is the purpose of anything different?

Shovel it off the road
to place it somewhere else 
so the vultures don't share the same fate.
Too fucking late.
There is no nature.

Who created this danger?
We did.
For our reason.
To get things quick.
To make things tick.

We massacre for efficiency.
We bomb for tyranny.
We starve for profit.
We argue
but neither side is the solution.
The opposite.

We've altered the earth so severely
exceeded it's capacity.
We don't deserve it.
We've been taught so quickly
all the methods to destroy it
and so quickly it responds.

The animals are disappearing
and there is no ark.
The waters rise.
The storms surge.
The drought lengthens.
The design: distorted and erratic.

Since we cannot evolve so quickly
we will either all be erased
or science will save us
but it will not happen 
with this current way.
There must be a massive change
but it may be too late.

Exponential destruction
yet we cease to stop it.
It will stop us.
and we deserve it.
and the heavens will sigh
a sigh of relief.

Words by Riley Robinson

Ether at Unease

New edition and execution, 2025.
Video version is here: https://www.youtube.com/watch?v=JWqczN7dnxo

«Frederic». In Memory of Chopin. Op.10. (1987)

the crew

Discernment

Cherish

Speedmike a eu la gentillesse de me proposer ce très joli morceau de guitare afin de poser une voix dessus. L'inspiration au piano m'est venue rapidement ce qui m'a permis d'écrire le texte.
Cela a été un réel plaisir de travailler sur ce morceau. 
Merci à toi Speedmike et à toi Lena qui est venue poser délicatement ta voix :)

Musique : Speedmike@user-https://soundcloud.com/user-423331569
Arrangement, piano, harmonica, texte & voix : Steph Ouna
Coeurs : Lena : https://soundcloud.com/user-262019520

Paradoxe (Speedmike / Lena / Steph Ouna)

I set the words to chords on piano. Kind of singing along. I recorded the Casio electric piano, then my sawed-body Austin bass guitar, both plugged in directly. Bass played with a pick. (a square corner of my old driver's license)

The organ pretty much follows the piano chords. Two different organ sounds were used for each song on The Black Cat Record. The same Casio.

Vocals. I recorded one, then muted it and recorded another. So that the second vocal wouldn't be an imitation. One vocal is only on the left, and the other is only on the right. 

I recorded electric guitar plugged into a Blackstar amp, direct-in. Same pick used. I had a Lyon Disturbed signature guitar with a kill switch for The Black Cat Record, and a Squire with a whammy bar for Hex. Rhythm guitar was usually done twice, and only on the left or right, like the vocals. I like to think the left headphone is a slightly different album than the right.  Microphone used: Shure SM57.

Words: Riley Robinson
Music: Ryan Bulliner

All songs recorded in my room on an Hp laptop, through a Focusrite interface. On Audacity. One piece at a time. 

No A.I. 
No auto-tune. 
No metronome. 
No samples.

- Osatethe

Shout out to Ali Sky, Aziza Eskender, Sofia Marietta. Their YouTube channels inspired me a lot at the time. 

SC shouts:
MNOTR
!mmortal Creatures
Laura Hell

Albums I recommend:
AFI: Sing the Sorrow
Versus the World: Self-titled 
Dr. Dre: Dre 2001
Sufjan Stevens: Come On! Feel the Illinoise 
MCR: I Brought You My Bullets
        You Brought Me Your Love
Kehlani: SweetSexySavage
Daft Punk: Random Access Memories
Death Cab for Cutie: Plans
Copeland: Eat Sleep Repeat

Mentionable songs:
The Mars Volta: Televarors 
Coheed and Cambria: 21:13
Queen: Bohemian Rhapsody 
Of course

