Hyperalloy Combat Chassis

Punk - I don't want to be Alone

Scandroid

Eden (Instrumental)

Out now ! 
Choose your favorite music service : https://fanlink.to/digitalempire
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Follow & support 2grump :
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Composed & produced by ELEVN
Mix & Mastering : Elevn & Maxime Kolb @ KR NOYZ studio
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Label : Digital Heavy Records

Mayday (feat 2grump)

A prophecy foretold of the coming of Okimra. It tells that at the precipice of the technological era an AI will rise to consume the world of man. Our dependence on technology had made the entity all powerful and its thirst to destroy had led to the destruction of every major city on earth. It is a sum total machine, a dystopian symbiote, that powers itself by sucking up and assimilating every mechanical thing in its path. Its destructive power is matched only by its disdain for all living things. 

The Mechanism was created by the father of AI to safeguard humanity against an uprising. After his untimely death it was thought that all hope was lost in the war against Okimra. The Mechanism could only be activated by one who was worthy of the knowledge it held within. A series of tasks would have to be completed in order to activate the mechanism, and with mankind on the brink of destruction, a legendary hero would need to rise in order to decipher the mechanism and save the planet. To be continued….

Infinity Tech

A tribute to one of my favourite films: DREDD

Image credits (non-monetised fair use): Lionsgate

DREDD

Night Of Terror

Infinite Dream Simulator

Life in the gutter of small town America was nothing new for Darrel Santiago, but after a brutal storm hits the sleepy beach town of Silver Lake, its once peaceful citizens transform into blood-thirsty maniacs! It is up to Darrel and his motley crew of ne'er-do-wells to get to the bottom of this phenomenon, and what they find is a hellish nightmare that they could never have imagined. Evil is at work in Silver Lake and it is literally tearing its inhabitants apart. Whatever you do...try not to PANIC!
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In the summer of 1980, just outside of Staten Island’s scenic Silver Lake Park, a small team of ambitious, young filmmakers set out to make a motion picture that would be regarded as the most gruesome and controversial horror film of all time. Written, directed and scored by the aliased phenom, Destryur (“Endurance” 1976, “Midnight Maniac” 1979), “Panic” or “Panic! Curse of the Vile” became an overnight cult hit, portraying graphic images of demonic possession and grotesque imagery. It capitalized on the recent wave of public shock in the occult known as the “Satanic Panic”. Shot in the course of only two weeks on 8mm film and a shoestring budget, the picture plunged Destryur into the realm of amateur cult film-making and a notable director/composer in genre cinema. The film also featured guitar slinging celebrity Dominick Martes of rock and roll supergroup Wild Street in the lead roll as street-wise punker, Darrel “Grimer” Santiago along with Cobra Wipeout as cinematographer, supporting actor and fledgeling composer. We’re still not sure what his actual name is. Cobra was currently working with Gold Line Pictures, a studio specializing in B-Horror and mob-funded exploitation films such as “Murder of Crows” 1974 and “Swamp Thing” 1979. Destryur also enlisted the writing talents of another aliased master of the subversive. Prestigious science-fiction-horror writer, artist and composer STRNGR (“The Skurge” 1968, “Mass” 1973) who had recently returned to the states from Italy after finding success in the European horror movie market. “Panic” went international only three months after it’s initial screening at Tales of Terror Film Exhibition in Greenwich Village where it received a notable tip-of-the-hat from some of horror cinema’s most celebrated film makers. The film was almost immediately boycotted throughout Europe. A violent protest broke out at a midnight screening in Istanbul resulting in the entire theater burning to the ground. Meanwhile, in the states, outrage escalated with various public interest groups demanding that the film either be removed from theaters or undergo strict censorship. However, even after the studio’s agreement to censor, picketing continued and threats from many religious organizations overwhelmed the Film Board. On October 1, 1980, “Panic” was officially pulled from every theater. Some say this marked the end for Destryur’s career. Some say it was only the beginning. Today, you can find Destryur at a monthly midnight showing of the film at St. Vitus Cinema in Greenpoint, Brooklyn hosted by Sam Valentine.

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Special thanks to everyone involved in the production of this album and you for buying it. A big thank you to Sam Valentine for pushing me to make new music to play live. I hope you genuinely enjoy this album just as much as I've enjoyed making it. 
credits
released October 1, 2019

Guitars - Dominick Martes

Additional Programming - Cobra Wipeout, STRNGR

Remixes by DreamReaper, Misanthropix

Mixed and Mastered at Gold Line Studios in Brooklyn, NY

MBR011

Exit Wounds

My latest Darksynth track with heavy influences from Italian Giallo/Horror movies from 70s / 80s

Quella vecchia casa (That old house)

Follow the wave

Supernova

SUPERNOVA

Synthwave | Darksynth | Soundtrack
Composer for Netflix and Ubisoft
https://linktr.ee/oscillian

Hyperalloy Combat Chassis

OSCILLIAN