Risk Transfer

Made by Stolen Velour + Klahrk
Mastered by Dominic Clare @ Declared Sound
Design by Ziyiz

Stolen Velour & Klahrk - Get Back To Work

Sinais (Estoc Remix)

free

HOLD MY DRUMS

Taken from SBKT065: ABADIR & Nahash - Marchadair مرشدير
Release date: 25th September 2024

Over the past few years, Nahash and ABADIR have been sharing food recipes, the same sense of humour, and their love for 90's rave, Beth Gibbons, Sun Ra, and grilled lamb. They met last summer for the first time and enjoyed a B2B together during a label showcase in Fano, Italy. Their memories of and appreciation for 90’s and early 00’s Arabic pop music inspired their first collaboration on SVBKVLT. Marchadair is the distillation of the meaty club sound by both producers; ABADIR’s micro-edited audio sampling and surgical chopped percussions mixed with Nahash’s lavish dub techniques and hefty bass, all serving as the main ingredients for these 4 heavyweight tracks. To close the menu, the EP features remixes by Ehua and Toumba.

The track titles play on a symbolic link between both artists and their native languages, using French words that have morphed into Egyptian slang. This Franco-Egyptian mixture echoes the hybrid sound of the EP.

Artwork by Dave Gaskarth
Mastered by Raphael Valensi

Preorder

ABADIR & Nahash - Tenterlé تنترليه

Mun Sing - Frolic EP
ID009

https://munsing.bandcamp.com/album/frolic-ep

Mun Sing’s forthcoming ‘Frolic’ EP adopts the drama and intricacy of his productions to create a surreal, demented fairytale. In this world, fun and indulgence come at a price; a shadow of consequence is embodied in the form of a sinister blue faced scarecrow. He is a boogeyman of sorts, akin to the beasts scaring children into good-behaviour in bed time stories, but now finding his form in adulthood. The Scarecrow reminds us that everything comes at a price, and punishes those that have too much fun. He is the embodied voice of guilt after you choose one more drink, one more episode. He lays dormant, silently watching until it’s time to strike. Can we ever really escape this lurking figure? In the times we have succeeded, how long does it last?



‘Frolic’ follows a narrative that begins with indulgence and moves through to consequence; starting with euphoric melodies and big room drops ('Frolic', 'Didn’t Need U Anyway') and ending in moments of unravelling reflection ('Scrolling', 'The Hypocrite'). The Scarecrow reveals himself for the first time during the breakdown of the EP’s centrepiece ‘Somersault’; a theatrical club epic in which the scarecrow cackles the lines “You plead a pregnant passage yet frolic and frot without consequence!?” summarising the spirit of the EP succinctly. 



The concept of indulgence has fuelled the composition of ‘Frolic’ as a whole, where Mun Sing would lean into singalong melodies and satisfying drops using a more inclusive musical language in favour of the grief-inspired awkwardness of last years debut album ‘Inflatable Gravestone’ (Planet Mu). ‘Frolic’ is inspired by big stadium pop concerts for its large-scale storytelling and pantomime-esque audience participation. After years of navigating loss and spirituality, Mun Sing found the natural next step to be writing music which explores the dialogue of joy and escapism.

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Mun Sing - Somersault

Rumina returns with Chase: Remix, a bold reimagining of
her latest release, featuring innovative reinterpretations by
Deb Foam, Abidir, Wulffluwxciv, and Noise Diva. The
Swedish-Turkish producer and DJ, , invites these boundary-
pushing artists to deconstruct, reassemble, and amplify
the dark, club-driven energy of the original Chase.

Quarry (WULFFLUW XCIV Remix)

@patarlab @vinerrrrr

Music Video: https://www.youtube.com/watch?v=S4ehGk52g3E
-----------------------------------------------------------
Death is certain, life is not. And both are available at our supermarket. 

With everything that’s happening in the world, one must wonder if there’s breaking free from it all or should they just stop trying to make sense of it. It’s a choice and it isn’t — depending on the circumstances one finds themselves in. What seemed senseless beginning to take form and what had always been solid shatters into pieces: home, family, plans, love, identity, freedom, sex, philosophy, technology, making-it, bank account, self, traumas, patterns, overcoming them, residence, conscience, morals, vodka, values, vulnerability — they have equal chances to serve as safe place or jail, wake or deliverance, life or death — go figure.

In its first release, Patar flips the table — and the cards, and the chips with it. No stake is too high to even mention it. One track and 7 versions of it, as an attempt to transgress from confusion to clarity — or maybe the other way around. Here’s an artistic experiment for you: do not brief, do not declare, do not obey, and do not fight — or do. And see what comes out of it. 

Qurgōn is a pit grave. There are dead horses in it, dead people, dead weapons, and vessels. It stinks and it’s scary. It’s a place where nothing will ever be born, or will it? It requires nothing, silently craving admiration. It only ever serves a collective memory of all the heroes and the blood-thirsty freaks alike. They are one, after all. It only is to be unbothered, looked at in awe and disgust; to be a break out on the smooth surface of the steppe’s ass.  

One artist made a call, seven responded — to dig to the bottom of that pit or touch upon its stony texture.

In order of appearance:

Viner [France, Marseille]
Şüräle [Kazakhstan, Almaty] 
Wulffluw XCIV [Moldova, Chișinău]
yutani [Armenia, Yerevan]
Sha Gen [Tajikistan, Dushanbe]
Aunt Zazà [Spain, Barcelona]
Hayk Karoyi [Armenia, Yerevan]
A.Fruit  [Spain, Barcelona]

Here’s another experiment for you: renounce all styles and genres and go with it. Who cares, anyway? Gloomy and epic, repetitive and bass-y — oh, always bass-y. Percussion-thick, yelling, obnoxious, rich. The sound of dying, finding peace, losing it again, and returning back to the hassle. The all-penetrating sound of a baby’s cry and the last exhale of a fighter knocked out for good. Ferocious sirens needling through the layers and layers of dead horses and weapons, clanking, squelching — resonating. With the horrors and hope. With memories and fantasies. With clinging to what seems to be it — and letting go. 

Nothing is certain anymore, yet everything is clear. 

p.s. The locations are mentioned to help gig providers locate the artists and, maybe, give an idea of their background and current state of mind, but not really and not necessarily.

* Qurgōn [Uzbek], commonly unknown as Kurgan [Turkic] or Курган [Russian]  a circular burial mound constructed over a mass burial site of warriors; originally in use in the Russian Steppes, Caucasus, and Central Asia, but later spreading into eastern, central, and northern Europe in the third millennium b.c.

text by Nastassja Popova
mixing & mastering by A.Fruit
cover by Timur Zima

Qurgōn (WULFFLUW XCIV Remix)

Inner Space

Clip Farming

Prayer Requests

Diana

Geomancy

QUARTZER TEKK (BENTEKK)

Free Download

Pop, Lock & Drop It

Its The Po-Po

Booking:
EU/ROW-> osheyack.booking@gmail.com
Asia-> rm@scorched.asia

open.currents.fm/c/osheyack

Diana

OSHEYACK

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