https://wantonwitch.bandcamp.com/album/wayang-hidup

Get Me Out Of Here

@patarlab @vinerrrrr

Music Video: https://www.youtube.com/watch?v=S4ehGk52g3E
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Death is certain, life is not. And both are available at our supermarket. 

With everything that’s happening in the world, one must wonder if there’s breaking free from it all or should they just stop trying to make sense of it. It’s a choice and it isn’t — depending on the circumstances one finds themselves in. What seemed senseless beginning to take form and what had always been solid shatters into pieces: home, family, plans, love, identity, freedom, sex, philosophy, technology, making-it, bank account, self, traumas, patterns, overcoming them, residence, conscience, morals, vodka, values, vulnerability — they have equal chances to serve as safe place or jail, wake or deliverance, life or death — go figure.

In its first release, Patar flips the table — and the cards, and the chips with it. No stake is too high to even mention it. One track and 7 versions of it, as an attempt to transgress from confusion to clarity — or maybe the other way around. Here’s an artistic experiment for you: do not brief, do not declare, do not obey, and do not fight — or do. And see what comes out of it. 

Qurgōn is a pit grave. There are dead horses in it, dead people, dead weapons, and vessels. It stinks and it’s scary. It’s a place where nothing will ever be born, or will it? It requires nothing, silently craving admiration. It only ever serves a collective memory of all the heroes and the blood-thirsty freaks alike. They are one, after all. It only is to be unbothered, looked at in awe and disgust; to be a break out on the smooth surface of the steppe’s ass.  

One artist made a call, seven responded — to dig to the bottom of that pit or touch upon its stony texture.

In order of appearance:

Viner [France, Marseille]
Şüräle [Kazakhstan, Almaty] 
Wulffluw XCIV [Moldova, Chișinău]
yutani [Armenia, Yerevan]
Sha Gen [Tajikistan, Dushanbe]
Aunt Zazà [Spain, Barcelona]
Hayk Karoyi [Armenia, Yerevan]
A.Fruit  [Spain, Barcelona]

Here’s another experiment for you: renounce all styles and genres and go with it. Who cares, anyway? Gloomy and epic, repetitive and bass-y — oh, always bass-y. Percussion-thick, yelling, obnoxious, rich. The sound of dying, finding peace, losing it again, and returning back to the hassle. The all-penetrating sound of a baby’s cry and the last exhale of a fighter knocked out for good. Ferocious sirens needling through the layers and layers of dead horses and weapons, clanking, squelching — resonating. With the horrors and hope. With memories and fantasies. With clinging to what seems to be it — and letting go. 

Nothing is certain anymore, yet everything is clear. 

p.s. The locations are mentioned to help gig providers locate the artists and, maybe, give an idea of their background and current state of mind, but not really and not necessarily.

* Qurgōn [Uzbek], commonly unknown as Kurgan [Turkic] or Курган [Russian]  a circular burial mound constructed over a mass burial site of warriors; originally in use in the Russian Steppes, Caucasus, and Central Asia, but later spreading into eastern, central, and northern Europe in the third millennium b.c.

text by Nastassja Popova
mixing & mastering by A.Fruit
cover by Timur Zima

Qurgōn (WULFFLUW XCIV Remix)

The Moldovia-based club avant-garde stalwart WULFFLUW XCIV goes back to long length format with Index_0 where his signature blend of primitive rhythms and sharp sound design melt into chaotic and hypermodern soundscapes.

Read more on CxC 🔗 https://couvrexchefs.com/en/wulffluw-xciv-index-0-dale/

Article

CxC PREMIERE: WULFFLUW XCIV - Dale

Clip Farming

Geomancy

Heme (Precolumbian Remix)

PREMIERE : ₽0₽0 - MY SWAG

Entrañas & NTFL - Creo que dependo de algo que no puedo controlar, gustar, tocar y sentir

OMG!

The Machine was born out of rebellion and the strong belief that no matter how massive the machine is, we won’t back down. We wrote this from the perspective of the machine, not because we are it, but because we refuse to become it. To us, the machine represents everything we’re up against as artists and as people. It is the expectations, the pressure, the cold system that tells us how we should sound, look, or move in order to succeed. But we’re not here to play by those rules. Every note we play and every lyric we write is part of our march forward. Not towards control but toward liberation. Not to dominate but to remind people what it means to feel something real. When we say "the machine is coming", it's not just a warning. It's a challenge. We see it coming, we know what it is capable of, and we are still standing. Still creating. Still marching. This album is about defiance, about identity, about choosing your own path in a world that keeps trying to put you in a box. This album is our way of holding up a mirror to where the world is heading and saying not without a fight. OUT NOW via @gudvibrations

Stream/Download: https://gudvibrations.ffm.to/themachine
Catch us on tour: themachinetour.com

Follow RIOT:
MERCH: www.shop.kt8merch.com/collections/riot
Spotify: www.bit.ly/RIOTspotify
Instagram: www.instagram.com/riotmusic
TikTok: www.tiktok.com/@itsriotmusic
Facebook: www.facebook.com/groupRIOT​
Soundcloud: www.soundcloud.com/weareriot​
Youtube: www.youtube.com/@riotmusic

Deadshot

Stream/Download

RIOT - Deadshot

Resurrection Cup 2025 original song | Grand finals FM4
https://osu.ppy.sh/beatmapsets/2414041#osu/5244723
gfx by mochasan (https://x.com/mochasan)
map by nuclei (https://osu.ppy.sh/users/25134566) and ralsricat (https://osu.ppy.sh/users/12318332)

Temple of Technology

Booking:
EU/ROW-> osheyack.booking@gmail.com
Asia-> rm@scorched.asia

open.currents.fm/c/osheyack

Geomancy

OSHEYACK