I N C U B O

Gabber Modus Operandi - PUXXXIMAXXX (2021 Reissue)
Cat. Nr: DN018
Format: LP (splatter)/ DL
Remastered & incl. 3 exclusive bonus tracks - first time on vinyl!
Release Date: 19 March 2021
Buy / stream: dansenoire.ffm.to/PUXXXIMAXXX

You could call Gabber Modus Operandi’s PUXXXIMAXXX LP a ‘scene-defining’ record. That’s except there’s no real ‘scene’ to speak of where the DIY electronic duo come from, deep in the belly of the neo-colonial beast of Bali—an island province of Indonesia where tourism is its biggest industry, mainstream house and techno its musical staple. “Bali is like an Australian backyard for some people,” jokes Ican Harem about the capital of Denpasar where they both live, just a four-hour flight from Perth. “It’s basically like when you go to Ibiza. Those are the sounds, that’s the kind of the people, that’s how they dress up, that’s how they dance.”

Otherwise known by the project’s GMO initialism, Harem and DJ Kasimyn (aka Aditya Surya Taruna) first released PUXXXIMAXXX on influential Yogyakarta label Yes No Wave in 2018, before performing the Javan capital’s Nusasonic festival that same year. It takes its title from their original name that is a play on an unmentionable curse word, and it’s the result of a clusterfuck of influences that blew up with access to the internet in Indonesia, enabled by cheap Chinese smartphones in the mid-2010s. “Now, all the content that we posted in social media basically came from this layer,” says Kas about this new medium for cultural expression across the country’s diverse and disconnected archipelago—a girl in a remote village dances on Tik Tok, construction workers play act while on the job. “This is like the amazing channel where they make their own content. They make these absurd jokes—like, local jokes. They just celebrate it. I don’t think they think about making content. They just want to record shit, but it’s kind of an explosion of this amazing and beautiful thing; of people crossing the Island and then showing them, ‘Oh, basically behind my house, there is a traditional party where people get possessed by a tiger’.”
From the derivative metal, punk and rock influences of the country’s first ‘indie explosion’ to the ‘lowbrow’ pop and local dance music hybrids of funkot and dangdut koplo, PUXXXIMAXXX is a brilliantly chaotic pastiche. It references breakcore and gabber while framed by traditional gamelan pentatonic scales. There’s the high-pitched trumpet opener of Sangkakala I and the ritualistic beat and looped vocal samples of Hey Nafsu, along with a fascinating montage of the Javanese jathilan possession dance for their wildly popular Dosa Besar music video. “If you think we’re doing ritualistic stuff, or playing gamelan, we’re not,” adds Kas. “We are around that area but at the same time, we also listen to Prodigy.”

GMO’s speculative Indonesian rave is infectious. It’s been dubbed ‘post-alay’ by the duo in tribute to the cheesy cultural phenomenon of the suburban teenager and has since caught on worldwide. Follow-up EP HOXXXYA was released on Shanghai label SVBKVLT in 2019, earning the band slots at CTM Berlin, Kampala’s Nyege Nyege Festival and performances in China with Asian Dope Boys. This is a level of recognition that’s well-deserved for a sound that snubs the western canon in favour of a hybrid post-colonial sound that’s pure imagination. “We just kind of like suck that energy that, actually people kind of enjoy their identity,” says Kas. “Especially the people not from the big city, because people from big cities, they always want to have confirmation from the West. Like, ‘I would love to play techno, and then play in Berghain in Berlin and LA’, that kind of stuff. But there is a layer that people don’t give a shit about that, they just want to have fun.”

Remastered by Beau Thomas
Design by Teknovoid & Niels Wehrspann
PUXXXIMAXX was originally released by Yes No Wave

@gabbermodusoperandi

PUXXXIMAXXX (2021 Reissue)

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Gabber Modus Operandi - Pukat Harimau

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Ninos Du Brasil - Condenado Por Un Idioma Desconhecido (End Train Remix) [premiere]

In ‘Next Life’ the ashes of Tzusing’s tracks are reanimated by some of his favorite producers.

Tzusing & Hodge - LCD (Estoc's TFW Your Name Is Written On The Ostrakon Remix)

A promising track of EP2, plays around with a catchy and naive vocal phrase, insisting that ‘Sometimes It’s Hard’. The statement, sung by a soft but mechanical female voice, is underlined by a glitchy and relentless breakbeat layered with visceral subs. The track’s weltschmerz disposition is equally seductive and destructive, which makes ‘Sometimes It’s Hard’ an unusual tune that will satisfy both seasoned ravers and a wider festival crowd.

EP2’s mesmerising cover art, a piece created for affected called ‘Crinoid Scanner’, was made by local 3D artist Caroline Vang. The work is inspired by the alien yet familiar look of crinoid fossils. Finding her inspiration in the most alien and quirky parts of nature, Vang specializes in an experimental and surreal play of texture and shape, to challenge the line between fiction and hyper-reality.

Sometimes It's Hard is mastered by SUGAR aka. Nikolaj Jakobsen in Copenhagen.

Hedo Hydr8 - Sometimes Its Hard

Amnesia Scanner & Freeka Tet - STROBE.RIP
Label: PAN
Cat.No.: PAN 139
Release Date: 16 June 2023
Purchase: PAN.lnk.to/STROBE.RIP

Amnesia Scanner’s third full-length album titled STROBE.RIP is a collaboration with the artist and musician Freeka Tet, who joins the album and associated live performances as a vocalist and creative collaborator.

Released by PAN records, STROBE.RIP is part of a broader series of live performances, installations, videos and physical products created by the group.

Since its inception in 2014, Ville Haimala and Martti Kalliala have continued to evolve and redefine Amnesia Scanner through experimentation across online and IRL realms. This album brings them a step closer to the latter.

With French-born, New York City-based Freeka Tet on board, STROBE.RIP acquires a new array of influences that draw from the multidisciplinary artist’s hacker mindset, shaping the sound into new forms. As a programmer and technologist, Freeka Tet’s work straddles commerce and art, combining intuitive and performative modes of expression with emergent technology and creative coding. Much like Amnesia Scanner, Tet draws from online vernacular and techno-magic to create satirical, uncanny work – artificially augmented, and highly engineered sounds, textures, images and ideas that translate memes and code into a more human and affective language.

Haimala and Kalliala say, “Amnesia Scanner is now living in the world it has built,” signaling a sincere commitment to the act. The human dimension in STROBE.RIP is chaotic: a reverse hero’s journey that merges deep-fried baroque with the quasi-angelic into a psychotic megamix of tropes, lyrics, genres, and sonic palettes that are both disorienting and deeply resonant.

The opening track Tongue Demons perfectly summarizes this, with blaring synth stabs and frenetic drum patterns paving the way for a broken melody arranged through a digital brass chord progression. Giggle and Bounds follow right after: two outstanding pieces of introspection signaling the melodic turn of the album, with the latter almost posing as a weirdo 2-step ballad filled with deep pads and pitched-up and down vocals.

The 160bpm, 4-to-4 pulsing kicks of Ledge and the palm-muted chords of Disperse serve as a perfect build-up to Ride, right in the middle of the tracklist: a summer hit from hell, a crooked saxophone-graced tune carried by a crusty, Balearic acoustic arpeggio. The alt acoustics continue with Damon, or at least before the track turns from Nirvana’s Unplugged to Slayer’s double kick drum pedals and becomes thrashtronica with Tet on screamo duties.

Things get softer with Clown, specifically in the chanted refrain, and even more aetherial in the almost trip-hop timbres of abandoned.club, where chopped-and-screwed vocals sing “I lost myself in the club.” Scorpions, Bats & Spiders is the abstract gem declaring the death of Deconstructed Club Music—a genre created by journalists and pioneered by the duo, among others. The words “deconstructed,” “club,” and “panel discussion” are spelled out in a vortex throughout the track as if they were to be carved on the genre’s imaginary gravestone. Closing the album, the saw bass of Cat serves Euro-electro à la Benny Benassi’s Satisfaction, while the doomed outro Merge closes the album in a triumphant aggregation of noise and pixelated drums that render the image of a crust-punk ensemble.

Written by Amnesia Scanner
Produced by Amnesia Scanner & Freeka Tet
Mastered by Enyang Urbiks

Amnesia Scanner & Freeka Tet - Cat (PAN 139)

Taken from SBKT065: ABADIR & Nahash - Marchadair مرشدير
Release date: 25th September 2024

Over the past few years, Nahash and ABADIR have been sharing food recipes, the same sense of humour, and their love for 90's rave, Beth Gibbons, Sun Ra, and grilled lamb. They met last summer for the first time and enjoyed a B2B together during a label showcase in Fano, Italy. Their memories of and appreciation for 90’s and early 00’s Arabic pop music inspired their first collaboration on SVBKVLT. Marchadair is the distillation of the meaty club sound by both producers; ABADIR’s micro-edited audio sampling and surgical chopped percussions mixed with Nahash’s lavish dub techniques and hefty bass, all serving as the main ingredients for these 4 heavyweight tracks. To close the menu, the EP features remixes by Ehua and Toumba.

The track titles play on a symbolic link between both artists and their native languages, using French words that have morphed into Egyptian slang. This Franco-Egyptian mixture echoes the hybrid sound of the EP.

Artwork by Dave Gaskarth
Mastered by Raphael Valensi

Preorder

ABADIR & Nahash - Tenterlé تنترليه

FREE DL here https://hypeddit.com/citytronix/citytronixisabelfreedl

Hello everyone,

I know it's been a while since I have released a track but I wanted to give this one 4 free for those who have supported me thus far! Hope you enjoy and sending you loads of orbits of love

Single - Isabel

Isabel

CITYTRONIX 'Isabel' [FREE DL]

Mun Sing - Frolic EP
ID009

https://munsing.bandcamp.com/album/frolic-ep

Mun Sing’s forthcoming ‘Frolic’ EP adopts the drama and intricacy of his productions to create a surreal, demented fairytale. In this world, fun and indulgence come at a price; a shadow of consequence is embodied in the form of a sinister blue faced scarecrow. He is a boogeyman of sorts, akin to the beasts scaring children into good-behaviour in bed time stories, but now finding his form in adulthood. The Scarecrow reminds us that everything comes at a price, and punishes those that have too much fun. He is the embodied voice of guilt after you choose one more drink, one more episode. He lays dormant, silently watching until it’s time to strike. Can we ever really escape this lurking figure? In the times we have succeeded, how long does it last?



‘Frolic’ follows a narrative that begins with indulgence and moves through to consequence; starting with euphoric melodies and big room drops ('Frolic', 'Didn’t Need U Anyway') and ending in moments of unravelling reflection ('Scrolling', 'The Hypocrite'). The Scarecrow reveals himself for the first time during the breakdown of the EP’s centrepiece ‘Somersault’; a theatrical club epic in which the scarecrow cackles the lines “You plead a pregnant passage yet frolic and frot without consequence!?” summarising the spirit of the EP succinctly. 



The concept of indulgence has fuelled the composition of ‘Frolic’ as a whole, where Mun Sing would lean into singalong melodies and satisfying drops using a more inclusive musical language in favour of the grief-inspired awkwardness of last years debut album ‘Inflatable Gravestone’ (Planet Mu). ‘Frolic’ is inspired by big stadium pop concerts for its large-scale storytelling and pantomime-esque audience participation. After years of navigating loss and spirituality, Mun Sing found the natural next step to be writing music which explores the dialogue of joy and escapism.

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Mun Sing - Somersault

@cortical_fm
@plasmasourcesmusic

Ever since our first release back in 2023, we’ve always tried to push out electronic music which does one simple thing - takes our love of sci-fi aesthetics and melts it into sonic form, irrespective of genre, sound, mood or anything else. Now with this aesthetic cemented in our first 5 releases, we feel it is time to drop our first compilation.

We’re proud to present Multi-Source, a 14-track assemblage covering the whole helix of experimental electronic music. The result is a very wild ride through an array of styles and BPMs, and it does exactly what we’ve always tried to do - put aside genre or mood, and focus on extreme, sound-design forward explorations of sci-fi aesthetics. It’s a celebration of the insanely broad range of music we’ve managed to fit into the Plasma Sources sound so far, and an observance of all the potential the imprint has to come.

There’s offerings from the full label family - we welcome back Cortical, Beton Brut, unearth, NIQH, J-Shadow and label boss HYPNA, who each present their signature laser-guided takes on club music. We also welcome a slew of some of our favourite artists right now - Ziyiz, Stolen Velour, Prior Self, Klahrk and Atrice highlighting the light, skittering side of our aesthetic, whilst Guide, Galtier, Bonebrokk and Reinartz illuminate the dark, deep and noise-tinged aspect of Plasma Sources.

As we look forward to the rest of 2025 and our future as a label, we offer up Multi-Source as a confirmation of our key aesthetics - juxtaposing dark and light, balancing experimentalism and dance floor sensibilities and interweaving sci-fi and biologically infused sound design. 

releases March 27, 2025

Mastering by HYPNA
Cover Design by Joh000 // Jose Hernández

premiere: Cortical - Hammer

Shelter presents “Aveen” — the third installation in our genre-agnostic compilation series.

To follow up 2023’s “Feyrûse” and 2024’s “Mizgîn”, we have curated an emotionally charged collection of 17 tracks that press against the debilitating realities of life in the mid-2020s. The title stems from a Persian word meaning “pure” or “transparent” — signaling a search for unfiltered and sincere artistic expression in the midst of a social climate filled with smoke and mirrors.

“Aveen” features Shelter’s most international line-up to date, with music from 18 artists spread across 13 countries and 5 continents displaying their signature sounds shaped by their local scenes and cultures. 

Flowing through mutated shades of ambient, hypnagogic pop, trance, leftfield techno, neo-perreo, and GQOM — the compilation connects the myriad influences and mind-states of electronic musicians from nearly every corner of the world and tethers them together into a cathartic 17-track excursion.


B E N N – "1+-8"

Prayer Requests

Mind Destroyer - Bass, Techno, Rave

Inspiration

prod jugo 
master @vomismo22


Y ocurrió entonces que aquel desquiciado se acercó a mí con paso errático y, mirándome con una insolencia casi pueril, exclamó:
«Amigo, ¿acaso comerciáis con un mono?»

A lo que respondí, indignado por tamaña insensatez:
«¿Habéis perdido el juicio? Apenas porto unas menudas monedas, y aun así cargo con un peso insoportable.»

El insensato, sorprendido por mi respuesta, replicó:
«¿De veras? Entonces entregadlo todo, sin excepción.»
Y acto seguido extrajo de entre sus ropajes una notable hoja, larga y temible.

Yo, presintiendo los designios funestos que traía, le respondí con un ademán de resignación:
«¿Sabéis qué? Llevadlo todo. Sí, llevadlo sin miramientos.»

Y aquel sujeto, sin decir palabra, tomó lo que quise entregarle y se dispuso a marchar.

Mas cuando apenas había avanzado unos pasos, lo detuve con voz firme:
«¿Adónde pretendéis huir, desalmado?»
Y entonces extraje mi arma.

Pude ver su rostro por un instante: un gesto descompuesto por el miedo, la tez lívida, los ojos desorbitados. Y en aquel momento, allí mismo, disparé —una, dos, tres, cuatro veces— hasta asegurarme de que ya no constituía amenaza alguna.

Tomé después aquello que era mío —la mercancía, las monedas— y emprendí la retirada con apresurado sigilo.

Mas mientras avanzaba, casi en la penumbra, me crucé con un hombre montado en una motocicleta, semejante a un soldado impecable, un verdadero GI Joe. Aquel sujeto me observó con detenimiento; reconoció mi rostro en un instante, como si me hubiese conocido desde siempre… y vos sabéis cómo prosigue esta historia.

la m4r1gu4ana me deja terrible l0c0 [fr33 D0wnl04d]

Taken from SBKT029: Gabber Modus Operandi - HOXXXYA
Release date: 16th August 2019

For the 29th release on SVBKVLT we are excited to present ‘HOXXXYA’, a new album from Indonesia’s Gabber Modus Operandi. Artwork by Asian Dope Boys’ Chen Tianzhuo, mastered by Raphael Valensi

‘For this album, we owe a lot to the metal/noise scene and to the small rapidly growing rave crew in Denpasar, while at the same time a ton of influence strongly came from all the sounds blasting out from our banjar (neighborhood) community, the loudest spirits of Dangdut Koplo and Indonesian happy hardcore, to gamelan sounds and everything in between.’ 
– Gabber Modus Operandi

HOXXXYA

Gabber Modus Operandi - Padang Galaxxx

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Leila Samir - Ends

Booking:
EU/ROW-> osheyack.booking@gmail.com
Asia-> rm@scorched.asia

open.currents.fm/c/osheyack

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OSHEYACK

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