Hans Zimmer - Epilogue  Main Theme  - Crysis 2

The Hit House's "Fury" Track in Netflix's "DAREDEVIL" Trailer!

"Time to Stop taking a Beating & start Giving One..."

From our "OVER RE:ACTION" Album; watch it 0:00-0:30 on the Trailer here:
http://bit.ly/TheHitHouseDaredevilNetflixTrailer

Do you believe in the Devil?

The Hit House - "Fury" (Marvel's "Daredevil" - Official Netflix Series Trailer)

A small, blue edition of Hart Crane's masterpiece, The Bridge, has been living in my library for decades. The thought of doing something musically with it popped into mind now and then, but I never quite mustered the courage to do anything with it.  However, during the days of coronavirus driven isolation, when the importance of human connectedness, so aptly symbolized by the image of the bridge, had been hammered into our consciousness, the time had come. 

For those so inclined, read the poem. The Bridge, over the course of its 15 chapters, is an attempt to capture the essence of America in the 1920s, as Crane experienced it. I think he succeeded in capturing the complexities of America - from its violent beginnings as the culture of native Americans was crushed by expanding European cultures to the crass commercialism that erupted at the turn of the century (and still exists, in spades, today), tempered by the buoyant optimism and hope for mankind in spirits like Walt Whitman, Emily Dickinson and the American transcendentalists. But above all, the poem relies upon the Brooklyn Bridge as a symbol of connectedness, spanning the myriad of events across time and geography that culminate in what we are, wherever we are, today.

Crane’s poem attempted perhaps too much.  The span of the Brooklyn Bridge became a symbol of everything connected to everything else – the past to the present, urban America to rural America, a vast dream of America from its pre-European existence to the bustling America of big, industrial cities and great railroads spanning the continent.

In this music, the solo viola, in its middle range, spans between the musical soundscapes that represent the images evoked by the poem.  It reaches between the low and high instruments, between the dark, swirling eddies of water beneath the bridge to the searing sunlight, piercing the harp-like cables of the bridge, while seagulls soar overhead.  It also is the voice of the poem’s protagonist, seeking redemption in a violent and crassly commercial world.

Scattered, like leaves, in the music, are apparitions from the past – a fragment of a melody from a court composer to Ferdinand and Isabella, a made-up Irish gig, bits of jazz and flashes of tunes from the 1920s that Hart Crane would have heard during his days in New York.
 


The River

Composed by Lorne Balfe & Hans Zimmer this is a Main Theme of the game Beyond: Two Souls product by Sony for only Ps4 gamer. 

Beyond (Main Theme) composed by Lorne Balfe & Hans Zimmer

Immediate Music - Our Reckoning (Star Wars 7 - The Force Awakens)

"Beautiful Lie - Bruce Wayne Theme (Angelidis variations)" originally composed by Hans Zimmer and Junkie XL (Tom Holkenborg).  Music also used for this project was from an original composition of Filip Olejka's (https://soundcloud.com/filip-olejka) "Justice" inspired by Batman v Superman: Dawn of Justice. Edited, arranged and remastered by myself.



Beautiful Lie - Bruce Wayne Theme (Angelidis variations)

Pirates of the Caribbean - At World's End (Complete Score - CD2)

Hans Zimmer - Ten Years Later

VII. Bonus mix

Songs mixed:

By Hans Zimmer:

"uJam Chant"

from "The Dark Knight Rises (Original Motion Picture Soundtrack) [Deluxe Edition]":

"Imagine the Fire"
"Rise"

bonus tracks from the enhanced CD:
 
"Risen from Darkness"

By Hans Zimmer & James Newton Howard:

from "The Dark Knight Collectors Edition [Original Motion Picture Soundtrack & Bonus Digital Release]":

"A Dark Knight"
"A Watchful Guardian"

from the "Batman Begins: Original Motion Picture Soundtrack":

"Molossus"

By Position Music (Veigar Margeirsson):

from "Orchestral Series Vol. 8"

"Cataclysmic Clash (Percussion Only)"

By audiomachine:

from "Terminus":

"Reign of Blood (Drums)"

Original image: http://desktopwallpaperz.com/wallpapers/black_and_white_bane_face_batman_the_dark_knight_rises-1920x1080.jpg  

You can buy "The Dark Knight Rises (Original Motion Picture Soundtrack) [Deluxe Edition]" here: http://itunes.apple.com/us/album/dark-knight-rises-original/id540182698
and "The Dark Knight Collectors Edition [Original Motion Picture Soundtrack & Bonus Digital Release]" here: http://www.amazon.com/Collectors-Edition-Original-Picture-Soundtrack/dp/B001QUTGS0
You can buy "Batman Begins: Original Motion Picture Soundtrack" here: http://www.amazon.com/Batman-Begins-Original-Picture-Soundtrack/dp/B0009IW88A

Music used in this video belongs their rightful owners - Hans Zimmer/James Newton Howard/WaterTower Music/Warner Bros. Records/Position Music/audiomachine. I do not own anything in the video, no copyright infringement intended. All images belong to their owners/creators.

Brought to you by Geørge V. Mortifer


The Dark Knight (Bonus RMX Suite) ~ GRV Music & Hans Zimmer

Superhuman - Damned

Jesper Kyd - Aphelion (Ultimatum Music For Motion Picture Advertising)

Album: Assassin's Creed 3 (Official Soundtrack Game)
Composed by: Lorne Balfe

Lorne Balfe - Fight Club (AC3 Official Soundtrack)

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Hans Zimmer - Ten Years Later

OST Game & Film